AI Video Generator

Gemini Omni Flash 1.1

Time-lapse, 16:9. A pink lotus flower blooms on a still pond at sunrise, thin mist rising off the water, droplets sliding off the petals, soft golden light spreading across the surface. No text.

Minimax H3

Cinematic gothic thriller shot. A long Victorian corridor with peeling wallpaper and portraits with blank faces; a young woman in a nightgown and shawl holds a candle and walks slowly toward the end where a tall door creaks open by itself. The candle flame bends in a draft. Natural direction: hesitant steps, breath visible, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — only the candle flame and faint moonlight from a side window; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Luxury fragrance commercial, 16:9, slow motion, one continuous shot. A heavy faceted clear glass perfume bottle with pale amber liquid and a smooth stone-like cap, no labels or logos, falls slowly into a tank of crystal-clear water. It plunges in with a burst of silver bubbles, then gently rotates as pale pink peony petals and fine gold flecks swirl around it, light refracting through the facets and casting caustic patterns. The camera slowly orbits as the bottle settles upright on a smooth white stone at the bottom. Natural direction: real fluid physics and bubbles, a single motivated top light like sun through water, deep soft gradient background, macro detail, elegant and calm, no text.

SeeDance 2.5

8-second vertical UGC app ad, 9:16, filmed on a phone, raw and unpolished, warm late-afternoon sun. Location: a tiny apartment rooftop garden at golden hour, mismatched terracotta pots, a folding wooden chair, string lights not yet on, a watering can with a dented spout. Palette: terracotta, sage green, honey light. Creator: a young woman in her mid-twenties with freckles, a messy auburn bun held by a pencil, round tortoiseshell glasses, an oversized mustard knit vest over a white tee, soil on her fingertips. Friendly, slightly exasperated, talks fast like she is telling a friend a secret. 0-2s: selfie close-up, front camera, slightly too close. She lifts a pot of completely droopy basil right up beside her face, deadpan: "This is my fourth basil. I have murdered three." 2-5s: camera flips to the back lens and looks down at her phone screen held in her other hand, showing an invented plant-care app called "Sprout Pal": a cartoon leaf mascot, a big card reading "Basil - thirsty, too much afternoon sun", and a soft blue button "Move to shade". Her soil-dusted thumb taps the button and the mascot does a little happy wiggle. Voice-over: "So I pointed this at it, and it literally told me what I was doing wrong." 5-8s: back to front camera, wider. She drags the pot into the shade of the chair, splashes it with the watering can, and gives the lens a small hopeful grin and a thumbs-up with a muddy thumb: "Basil number four is gonna live. Link's in my bio." Sound: live outdoor ambience, distant traffic, a pigeon flapping, water splashing into soil, her natural voice slightly clipped by the phone mic. No music, no on-screen captions, no social media UI, slight handheld shake throughout.

Minimax H3

Nature documentary shot, long lens. A snow leopard moves low and silent along a narrow rocky ledge high in the Himalayas, thick tail swaying for balance, pale eyes fixed on something below. It pauses, ears flicking, snowflakes drifting, then slinks forward. Steep cliffs and cloud below. Natural direction: real feline muscle movement and careful footing, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — flat cold overcast mountain light; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical smartphone selfie video at the grassy summit of a volcanic hill in Jeju, real upload feel. A young Korean couple in their twenties squeeze into frame while strong wind whips their hair everywhere; they shout and laugh, trying to keep their eyes open. Behind them, rolling green craters, silver pampas grass bending, distant sea and a few other cone-shaped hills under fast-moving clouds. Natural direction: real handheld phone wobble and slight focus hunting; the phone shakes in the gusts, they lean into each other for balance; unposed expressions, slightly loose and tilted framing; only real light — bright broken-cloud daylight with moving shadows on the hills; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Google Veo 3.1

Macro food commercial, 16:9. A spoon cracks the caramelized sugar top of a creme brulee in slow motion, glassy shards falling onto the custard, shallow depth of field, warm side light. No text.

Kling V3 Standard

Cinematic drama, 16:9. An elderly man in a wool coat sits alone on a train platform bench at dawn; a train rushes past, wind lifts the fallen leaves around his feet, and when it has passed he smiles faintly at someone across the tracks. Soft cold light, shallow depth of field. No text.

Minimax H3

6-second fantasy flight selfie POV, 9:16, one continuous shot, magical and joyful. Subject: a beautiful Korean woman in her early twenties, model-like face, long glossy black hair streaming backward, a soft pastel modern hanbok jacket in lilac with a white ribbon tie, small pearl earrings. She holds the camera at arm's length and grins with delight, eyes sparkling. She is sitting cross-legged on the back of a gigantic folded paper crane, its creased ivory paper wings beating slowly on both sides of the frame, the paper edges fluttering and catching warm light. Setting below and behind: night, flying low over a wide river in a traditional Korean town, thousands of floating paper lanterns drifting on the water in warm amber and rose, tiled hanok rooftops along the banks, a curved stone bridge, distant mountains as dark silhouettes under a huge pale moon. Motion: the crane banks gently to the right, the lantern-filled river slides diagonally across the background with strong parallax, a few lanterns rising in the air drift past close to the lens. Wind lifts her hair across her cheek; she laughs and brushes it away. Lighting: warm lantern glow from below on her face, cool moonlight rim on her hair. Smooth motion, realistic paper texture, rich color, high detail.

Minimax H3

Cinematic historical epic shot. At dawn a camel caravan crosses rippled dunes along the Silk Road; the lead merchant, wrapped in indigo cloth, rides the first camel and turns to look back at the long line silhouetted against the rising sun. Wind lifts sand off the crests. Natural direction: camels sway with heavy rhythmic steps, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — low sunrise backlight with sand glowing; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Cinematic Korean period drama shot. At blue-hour dawn in a Joseon palace, a young court lady in a pale green hanbok and braided hair runs along a long wooden corridor carrying a red-and-blue silk lantern, her skirt swishing; the camera tracks beside her past red pillars and lattice doors. She stops at a corner, breathing hard, and glances back. Natural direction: urgent but natural running, skirt gathered in one hand, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — cold blue dawn and the warm lantern glow; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical smartphone selfie video at a Holi festival street in Jaipur. Three friends in their twenties in white kurtas, already streaked with pink, yellow and green powder, crowd into frame; a cloud of blue powder bursts across them from off-screen and they scream with laughter, coughing and wiping their eyes. Colored dust hangs in the air behind them over the cheerful crowd. Natural direction: real handheld phone wobble and slight focus hunting; they jostle and lean into frame, the phone dips with the impact; unposed expressions, slightly loose and tilted framing; only real light — hard morning sun making the powder clouds glow; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Minimax H3 Max Turbo

Vertical perfume commercial, macro. An unmarked faceted glass bottle stands on wet black stone as ripples spread across the water around it, a slow golden light sweep glides across the glass. Elegant, minimal. No text, no logos, no engravings.

Minimax H3

Epic fantasy cinematic shot. A wooden three-masted sailing ship pitches through a stormy North Sea at dusk; a colossal grey-green dragon glides low alongside it, wings spanning wider than the ship, its wingtip skimming the wave crests and throwing spray. Sailors on deck grab ropes and stare. Lightning flickers in the distance. Natural direction: the ship heaves on real waves, sailors brace, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — storm light and occasional lightning flashes only; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Cinematic science-fiction shot. Inside a geodesic greenhouse dome on Mars, rows of tomato plants grow under the hazy sky; a botanist in a worn grey work suit crouches to inspect a leaf, then looks up as a towering red dust storm rolls toward the dome, dimming the light. Dust begins to tick against the glass panels. Natural direction: slow worried rise to standing, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — diffused orange Martian daylight dimming as the storm arrives; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Electric car commercial, 16:9, aerial drone tracking shot. At sunrise, a sleek matte pearl-white electric SUV with thin light-bar headlights, no badges or logos, drives along a winding coastal road on Korea's east coast, cliffs and pine trees on one side, the deep blue sea and white waves on the other. The drone glides low alongside, then rises and swings ahead to reveal the sun breaking over the horizon and a small lighthouse at the tip of a cape, the car's headlights still glowing. Natural direction: realistic vehicle weight and suspension through the curves, only natural golden sunrise light with long shadows, premium automotive grade, smooth gimbal motion, no text.

Flux 3

Cinematic shot, 16:9. A lone lighthouse keeper climbs a spiral iron staircase inside a lighthouse at sunrise, golden light streaming through round windows, dust motes floating, slow handheld follow from below, natural ambience. No text.

SeeDance 2.5

8-second vertical get-ready-with-me fashion vlog, 9:16, phone front camera propped on a dresser, natural window light on a snowy morning, real skin texture, light handheld wobble when he picks the phone up. Setting: a minimalist Seoul officetel studio, pale oak floor, a clothing rail, a tall leaning mirror, frost on the window, an iced latte in a clear glass on the dresser. Palette: oatmeal, charcoal, camel, soft winter grey. Creator: a handsome Korean man in his mid-twenties, model-like proportions, soft two-block haircut with a slight center part, clear skin, gentle double eyelids, wearing a cream cable-knit turtleneck and straight charcoal wool trousers. He holds a long camel coat on a hanger in one hand and a short black wool peacoat in the other. 0-3s: he leans into the lens, slightly flustered: "Okay, first date, it's minus five outside, and I genuinely cannot pick." He holds both coats up side by side. 3-5s: he pulls a coin from his pocket: "Camel is heads." He flips it; the coin spins up past the lens, tumbles and lands with a plop straight into the iced latte. A beat of silence. He stares at the glass, then at the camera, mouth open. 5-8s: he bursts out laughing, covers his face with one hand, then shrugs on the camel coat anyway, steps back so his full outfit is visible in the mirror, turns once and points at the lens: "The latte has spoken. Camel." Sound: room tone, radiator tick, fabric rustle, the clink and plop of the coin into ice, his genuine laugh. No music, no captions, no filters.

Minimax H3

Cinematic space shot. Inside the domed window module of a space station, an astronaut in a blue flight shirt floats weightless, one hand on a rail, gazing down at Earth's night side where green aurora ripples over the curve of the planet. Her hair drifts, a loose pencil floats past. Natural direction: gentle weightless drift, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — only the aurora and earthlight, interior dim; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical sneaker commercial, low angle. At a concrete skatepark at golden hour, a foot in a chunky off-white high-top sneaker with gum sole stomps down onto the tail of a skateboard; the board pops up and dust kicks off the concrete in slow motion. Laces bounce, canvas creases. The sneaker has no logos, no stripes, plain unbranded design. Natural direction: real weight transfer through the foot, everything moves with real weight; slightly loose framing, tactile rather than sterile CGI; only motivated light — low golden sun with long shadows and lens flare from the real sun, no fake glow; real material texture with tiny imperfections; no on-screen text, no readable signs or letters, no logos, nothing printed on the product or packaging.

Minimax H3

Cinematic Korean period drama, 1970s coal mining town in Gangwon province on a snowy evening. A miner in his forties with a coal-dusted face and helmet lamp walks down a sloped lane of slate-roofed houses; his little daughter in a red knitted hat runs out and leaps into his arms. Chimney smoke, black snow slush, warm windows. Natural direction: heavy tired steps, real lift and hug, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — warm house windows and the dim helmet lamp; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical travel phone video on a riad rooftop in Marrakech at sunset. A Moroccan host pours mint tea from a silver teapot held high above small decorated glasses, the stream foaming as it lands; the traveler filming says thanks, then pans across terracotta rooftops, satellite dishes and a distant minaret silhouette glowing against the orange sky. Natural direction: real handheld phone wobble and slight focus hunting; the pour is steady and practiced, the pan is a little jerky; unposed expressions, slightly loose and tilted framing; only real light — low golden sunset light only; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Midjourney V8.2

The huge wave slowly curls and crashes while the small boat of cats rocks on the swell, spray drifting in the air.

Minimax H3

Cinematic romance shot. On the stone-wall path of a palace in central Seoul at night, a Korean couple in their late twenties in wool coats walk slowly side by side; the first snow begins to fall and they stop at the same moment and look up, then at each other, and she laughs quietly. Snow sparkles in the streetlamps, the old stone wall and bare trees beside them. Natural direction: awkward, tender body language, hands in pockets, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — warm streetlamps and soft cool night ambience; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Overhead vertical phone video of home cooking, real user upload. On a small two-burner stove in a Korean apartment kitchen, a shallow pot of tteokbokki bubbles thickly in glossy red sauce. Folded fish cake sheets and chopped green onion slide in from a cutting board at the edge of frame, a wooden spatula stirs, the sauce bubbling and coating the rice cakes. Steam fogs the frame now and then. Natural direction: real handheld phone wobble and slight focus hunting; stirring is casual and a little messy, sauce splatters on the stovetop; unposed expressions, slightly loose and tilted framing; only real light — overhead kitchen downlight and range hood light, warm and slightly yellow; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Flux 3 Draft

Cyberpunk cinematic shot, 16:9. A rainy neon alley at night, a small delivery drone hovers past a steaming noodle stall and a cat on a crate, puddles reflecting magenta and cyan signs without readable letters, slow dolly forward. No text.

Minimax H3

Science-fiction cinematic shot, 16:9, slow crane up. A scorched landing capsule lies half-buried in a dune of pale pink sand on an alien planet, smoke drifting from its heat shield. The hatch swings open and an astronaut in a worn white suit with orange panels climbs out, steps onto the sand, and turns slowly to look up at two suns setting low in a violet sky, strange tall crystalline rock spires on the horizon. The camera cranes up and back to reveal the vast empty desert and long double shadows. Natural direction: heavy, careful movement in the suit with real weight, dust kicked up by the boots, only the two suns as light sources, epic but quiet mood, 35mm film look, no text.

Minimax H3

Cinematic period action shot, 16:9, slow dolly in. A Joseon-era swordsman in a black gat hat and dark grey hanbok coat stands still in the middle of a dense bamboo forest during a violent windstorm. Bamboo stalks bend and clatter, torn leaves whip past the camera in swirls, his coat snaps in the wind. His hand rests on the hilt of his sheathed sword; he slowly raises his head, revealing a calm scarred face and sharp eyes under the brim, as a flash of lightning briefly lights the forest. Natural direction: grounded stance with real weight, subtle breathing, no exaggerated posing, only stormy overcast light and the lightning flash, rich film grain, anamorphic lens, no text.

Grok Imagine

3D animated short, 16:9. A small round white gardener robot with a single glowing eye waters a row of tiny sprouts in a sunlit greenhouse; the sprouts pop up one by one and a ladybug lands on its head. Soft pastel colors, gentle camera push-in. No text.

Minimax H3

6-second dark fantasy spell-casting VFX shot, 16:9, one continuous take. Setting: a black basalt coastline at night, hexagonal rock columns stepping down into the sea, shallow tide pools glinting, low mist rolling over the water, a starless indigo sky. Palette: ink black, deep indigo, glowing bioluminescent teal, silver highlights. Subject: a young man in his late twenties with sharp, handsome features, shoulder-length dark hair tied back, barefoot, wearing a simple sleeveless grey linen tunic and wide linen trousers rolled to the calf, faint silver tattoo lines tracing his forearms. Action: he stands on a basalt column, palms facing down over a tide pool. Slowly he raises both hands; the seawater obeys, lifting out of the pool in three twisting ribbons that glow teal from within as tiny bioluminescent particles swirl inside them. The ribbons spiral upward around his body and lock into a single wide rotating ring of water hovering at chest height, droplets spinning off its edge and sparkling as they fall. His tattoos pulse with the same teal light. Behind him a wave crashes against the columns and freezes for an instant in midair before collapsing. Camera: medium-wide, slow arc from his left side to the front, ending slightly low to frame him inside the glowing ring. Realistic water physics with fantasy glow, wet skin reflections, heavy atmosphere, cinematic VFX quality, high detail.