AI Video Generator

Minimax H3

Cinematic period action shot, 16:9, slow dolly in. A Joseon-era swordsman in a black gat hat and dark grey hanbok coat stands still in the middle of a dense bamboo forest during a violent windstorm. Bamboo stalks bend and clatter, torn leaves whip past the camera in swirls, his coat snaps in the wind. His hand rests on the hilt of his sheathed sword; he slowly raises his head, revealing a calm scarred face and sharp eyes under the brim, as a flash of lightning briefly lights the forest. Natural direction: grounded stance with real weight, subtle breathing, no exaggerated posing, only stormy overcast light and the lightning flash, rich film grain, anamorphic lens, no text.

Flux 3

Cinematic shot, 16:9. A lone lighthouse keeper climbs a spiral iron staircase inside a lighthouse at sunrise, golden light streaming through round windows, dust motes floating, slow handheld follow from below, natural ambience. No text.

Minimax H3

Coffee brand commercial, 16:9, macro close-up then slow pull-back. In a sunlit neighborhood café, a barista's tattooed hands tilt a stainless milk pitcher over a ceramic cup of fresh espresso, silky steamed milk pouring in, layering into a perfect tulip latte art pattern in real time, crema swirling. Steam curls through a beam of morning sun. The camera pulls back to show the wooden bar, a portafilter, beans scattered, and the barista sliding the cup forward with a small smile. Natural direction: authentic barista motion with steady wrist control, real liquid physics, only warm window light with dust in the air, shallow depth of field, cups and bags without branding or text.

Google Veo 3.1

Macro food commercial, 16:9. A spoon cracks the caramelized sugar top of a creme brulee in slow motion, glassy shards falling onto the custard, shallow depth of field, warm side light. No text.

Gemini Omni Flash 1.1

Time-lapse, 16:9. A pink lotus flower blooms on a still pond at sunrise, thin mist rising off the water, droplets sliding off the petals, soft golden light spreading across the surface. No text.

SeeDance 2.5

8-second cinematic action scene, 16:9, glossy heist-thriller look, three beats with two hard cuts. Setting: a closed glass-walled design museum gallery after midnight. Dozens of crystal chandeliers hang at different heights from a black ceiling, all switched off; the only light is cold silver moonlight through the floor-to-ceiling glass plus a soft cyan glow from display plinths. Polished white terrazzo floor reflects everything. Palette: moonlight silver, ice cyan, deep navy, one accent of emerald. Characters: a tall, striking woman in her late twenties with a sleek low chignon, sharp cheekbones and a calm stare, wearing a floor-length emerald satin evening gown with a thigh slit and flat ballet shoes. Opposite her, a lean burglar in a matte grey bodysuit and a smooth blank fabric mask, a small glass display box tucked under one arm. 0-3s: wide shot, low and symmetrical. The burglar backs away between two plinths. The woman unhooks a brass stanchion from its velvet rope with one hand and spins it once like a staff; the rope swishes through the air. Sound: the metallic click of the hook, the hum of the empty hall. 3-6s: handheld medium shot circling the pair. He lunges; she sidesteps, hooks the velvet rope around his wrist, pivots on one foot and uses the stanchion base to sweep his ankle. He drops to one knee, the display box sliding away across the terrazzo. Chandelier crystals above tremble and chime from the impact. Sound: fabric snap, a dull thud, crystal tinkling. 6-8s: close-up from floor level. The box spins to a stop against her flat shoe. She looks down at it, then up at him, and tilts her head with a small, unbothered smile. A single chandelier flickers on behind her. Choreography readable and grounded, no wires, no blood, no slow-motion overuse. Crisp 35mm cinema lens, shallow depth of field, subtle film grain.

Minimax H3

6-second horror atmosphere shot, 16:9, one continuous take, dread built through stillness. Setting: an abandoned indoor public swimming pool at night. Cracked pale-green tiles, a rusted lane rope sagging into the water, a faded lifeguard chair, peeling paint on the ceiling, a broken skylight letting in a sickly greenish moonlight. The pool is still half full of dark, glassy water. A single flickering fluorescent tube at the far end buzzes on and off. Subject: one small bright red rubber swim cap floating alone in the exact center of the water, perfectly still. Action: the camera creeps forward at the pool's edge, low and slow. At the halfway point a long, smooth bulge of water rises and travels silently beneath the surface from left to right, passing directly under the swim cap, as if something large is gliding just below. The cap lifts, rocks, and slowly turns a half circle. Rings of ripples spread outward and lap softly against the tiles. Then the water goes flat again, and the fluorescent tube cuts to black for a beat before flickering back. Palette: murky teal, sickly green, deep black, one saturated red accent. Heavy shadows, realistic water physics and reflections, no creature visible, no people, no blood. Cinematic horror grade, fine grain.

Minimax H3

Epic nature documentary cinematic shot, 16:9. Dusk in the Arctic sea near Norway, icy blue water, snowy mountains glowing pink on the horizon. A small red wooden fishing boat drifts in the foreground with two fishermen in orange oilskins on deck. Suddenly a humpback whale breaches right in front of the boat, its massive body rising almost fully out of the water, long pectoral fins spread, water cascading off its skin, then crashing down in a huge white splash that rocks the boat. The fishermen grab the railing, stunned. Natural direction: realistic whale anatomy and water physics, handheld documentary camera feel from another boat, only natural dusk light, no text.

Minimax H3

Cinematic Korean period drama shot. At blue-hour dawn in a Joseon palace, a young court lady in a pale green hanbok and braided hair runs along a long wooden corridor carrying a red-and-blue silk lantern, her skirt swishing; the camera tracks beside her past red pillars and lattice doors. She stops at a corner, breathing hard, and glances back. Natural direction: urgent but natural running, skirt gathered in one hand, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — cold blue dawn and the warm lantern glow; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Cinematic Korean period drama, 1970s coal mining town in Gangwon province on a snowy evening. A miner in his forties with a coal-dusted face and helmet lamp walks down a sloped lane of slate-roofed houses; his little daughter in a red knitted hat runs out and leaps into his arms. Chimney smoke, black snow slush, warm windows. Natural direction: heavy tired steps, real lift and hug, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — warm house windows and the dim helmet lamp; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical sneaker commercial, low angle. At a concrete skatepark at golden hour, a foot in a chunky off-white high-top sneaker with gum sole stomps down onto the tail of a skateboard; the board pops up and dust kicks off the concrete in slow motion. Laces bounce, canvas creases. The sneaker has no logos, no stripes, plain unbranded design. Natural direction: real weight transfer through the foot, everything moves with real weight; slightly loose framing, tactile rather than sterile CGI; only motivated light — low golden sun with long shadows and lens flare from the real sun, no fake glow; real material texture with tiny imperfections; no on-screen text, no readable signs or letters, no logos, nothing printed on the product or packaging.

Minimax H3

Vertical travel phone video on a riad rooftop in Marrakech at sunset. A Moroccan host pours mint tea from a silver teapot held high above small decorated glasses, the stream foaming as it lands; the traveler filming says thanks, then pans across terracotta rooftops, satellite dishes and a distant minaret silhouette glowing against the orange sky. Natural direction: real handheld phone wobble and slight focus hunting; the pour is steady and practiced, the pan is a little jerky; unposed expressions, slightly loose and tilted framing; only real light — low golden sunset light only; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Electric car commercial, 16:9, aerial drone tracking shot. At sunrise, a sleek matte pearl-white electric SUV with thin light-bar headlights, no badges or logos, drives along a winding coastal road on Korea's east coast, cliffs and pine trees on one side, the deep blue sea and white waves on the other. The drone glides low alongside, then rises and swings ahead to reveal the sun breaking over the horizon and a small lighthouse at the tip of a cape, the car's headlights still glowing. Natural direction: realistic vehicle weight and suspension through the curves, only natural golden sunrise light with long shadows, premium automotive grade, smooth gimbal motion, no text.

Minimax H3

Overhead vertical phone video of home cooking, real user upload. On a small two-burner stove in a Korean apartment kitchen, a shallow pot of tteokbokki bubbles thickly in glossy red sauce. Folded fish cake sheets and chopped green onion slide in from a cutting board at the edge of frame, a wooden spatula stirs, the sauce bubbling and coating the rice cakes. Steam fogs the frame now and then. Natural direction: real handheld phone wobble and slight focus hunting; stirring is casual and a little messy, sauce splatters on the stovetop; unposed expressions, slightly loose and tilted framing; only real light — overhead kitchen downlight and range hood light, warm and slightly yellow; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Vidu Q3

Sports shot, 16:9. A skateboarder lands a kickflip at a concrete skatepark at golden hour, slow-motion low tracking shot, dust and warm backlight, the board spinning cleanly beneath the feet. No text, no logos.

Minimax H3

Nature documentary shot, long lens. A snow leopard moves low and silent along a narrow rocky ledge high in the Himalayas, thick tail swaying for balance, pale eyes fixed on something below. It pauses, ears flicking, snowflakes drifting, then slinks forward. Steep cliffs and cloud below. Natural direction: real feline muscle movement and careful footing, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — flat cold overcast mountain light; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Grok Imagine

3D animated short, 16:9. A small round white gardener robot with a single glowing eye waters a row of tiny sprouts in a sunlit greenhouse; the sprouts pop up one by one and a ladybug lands on its head. Soft pastel colors, gentle camera push-in. No text.

Minimax H3

Vertical dessert commercial for a Korean cafe. Fluffy milk snowflake shaved ice piles up in a wide brass bowl; a thin stream of condensed milk drizzles over it, cubes of ripe mango tumble on top and a spoonful of sweet red beans lands with a soft thud. A long spoon dips in and lifts a cold creamy bite. Marble table, window behind. Natural direction: ice crumbles and settles naturally, everything moves with real weight; slightly loose framing, tactile rather than sterile CGI; only motivated light — bright summer daylight from a cafe window, no fake glow; real material texture with tiny imperfections; no on-screen text, no readable signs or letters, no logos, nothing printed on the product or packaging.

Minimax H3 Max Turbo

Vertical perfume commercial, macro. An unmarked faceted glass bottle stands on wet black stone as ripples spread across the water around it, a slow golden light sweep glides across the glass. Elegant, minimal. No text, no logos, no engravings.

Minimax H3

Vertical smartphone selfie video at a Holi festival street in Jaipur. Three friends in their twenties in white kurtas, already streaked with pink, yellow and green powder, crowd into frame; a cloud of blue powder bursts across them from off-screen and they scream with laughter, coughing and wiping their eyes. Colored dust hangs in the air behind them over the cheerful crowd. Natural direction: real handheld phone wobble and slight focus hunting; they jostle and lean into frame, the phone dips with the impact; unposed expressions, slightly loose and tilted framing; only real light — hard morning sun making the powder clouds glow; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Cinematic science-fiction shot. Inside a geodesic greenhouse dome on Mars, rows of tomato plants grow under the hazy sky; a botanist in a worn grey work suit crouches to inspect a leaf, then looks up as a towering red dust storm rolls toward the dome, dimming the light. Dust begins to tick against the glass panels. Natural direction: slow worried rise to standing, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — diffused orange Martian daylight dimming as the storm arrives; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical phone video filmed by a dog owner during a walk, real upload feel. In a Korean neighborhood park in late autumn, a white Jindo dog on a long leash spots a big pile of yellow ginkgo and brown leaves, bounds into it, rolls on its back wiggling happily, then pops up with a leaf stuck on its ear and looks at the camera. Benches and walking paths blurred behind. Natural direction: real handheld phone wobble and slight focus hunting; the dog moves energetically with real weight and leaves scattering; unposed expressions, slightly loose and tilted framing; only real light — clear late-afternoon autumn sun, warm and low; phone-camera look with mild noise, real skin texture; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Vertical cinematic fantasy shot. On the tiled rooftop of a hanok in Jeonju at night, a girl in a padded jacket opens her hands and a glowing paper lantern shaped like a whale lifts off and swims slowly up into the starry sky, joining dozens of other lantern whales drifting over the curved roofs. Natural direction: gentle floating motion, her hair moved by the breeze, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — warm lantern glow against deep blue night; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Cinematic gothic thriller shot. A long Victorian corridor with peeling wallpaper and portraits with blank faces; a young woman in a nightgown and shawl holds a candle and walks slowly toward the end where a tall door creaks open by itself. The candle flame bends in a draft. Natural direction: hesitant steps, breath visible, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — only the candle flame and faint moonlight from a side window; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Cinematic space shot. Inside the domed window module of a space station, an astronaut in a blue flight shirt floats weightless, one hand on a rail, gazing down at Earth's night side where green aurora ripples over the curve of the planet. Her hair drifts, a loose pencil floats past. Natural direction: gentle weightless drift, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — only the aurora and earthlight, interior dim; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

PixVerse V6

Japanese anime film style, 16:9. A girl in a school uniform rides a bicycle down a seaside slope in summer, hair and scarf fluttering, huge cumulonimbus clouds over a blue sea, cel-shaded, painterly background. No text.

Minimax H3

Cinematic Korean thriller shot. A woman in her thirties in an office coat sits alone in an empty Seoul subway car late at night, earbuds in, staring at her reflection in the dark window; the cabin lights flicker as the train enters a tunnel, and for a moment the reflection seems slow to move. She sits up. Natural direction: subtle train sway, tense stillness, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — flickering fluorescent cabin light only; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Minimax H3

Science-fiction cinematic shot, 16:9, slow crane up. A scorched landing capsule lies half-buried in a dune of pale pink sand on an alien planet, smoke drifting from its heat shield. The hatch swings open and an astronaut in a worn white suit with orange panels climbs out, steps onto the sand, and turns slowly to look up at two suns setting low in a violet sky, strange tall crystalline rock spires on the horizon. The camera cranes up and back to reveal the vast empty desert and long double shadows. Natural direction: heavy, careful movement in the suit with real weight, dust kicked up by the boots, only the two suns as light sources, epic but quiet mood, 35mm film look, no text.

Minimax H3

Cinematic romance shot. On the stone-wall path of a palace in central Seoul at night, a Korean couple in their late twenties in wool coats walk slowly side by side; the first snow begins to fall and they stop at the same moment and look up, then at each other, and she laughs quietly. Snow sparkles in the streetlamps, the old stone wall and bare trees beside them. Natural direction: awkward, tender body language, hands in pockets, unposed expressions; slightly loose, imperfect framing like a real film frame; only motivated light — warm streetlamps and soft cool night ambience; real skin and material texture, subtle film grain; no on-screen text, no readable signs or letters, no logos.

Kling V3 Standard

Cinematic drama, 16:9. An elderly man in a wool coat sits alone on a train platform bench at dawn; a train rushes past, wind lifts the fallen leaves around his feet, and when it has passed he smiles faintly at someone across the tracks. Soft cold light, shallow depth of field. No text.