Dialogue Video

Close vertical 9:16 smartphone selfie of a man in his late fifties in a café, seated by a large window. Phone held slightly below eye level, arm's length, 24–28mm perspective — face fills the upper half, sweater and torso the lower. In his other hand, raised into the lower-right corner and slightly closer to the lens, a thick off-white ceramic cappuccino cup with collapsing latte art, no logo or text. Salt-and-pepper hair, receding and loosely combed back, trimmed gray beard, thin tortoiseshell glasses with faint window reflections. Visible crow's feet, forehead lines, softened jawline, age spots, veined hands — no smoothing or de-aging. Small closed-mouth smile that reaches the eyes. Charcoal merino crewneck over an open-collar oxford shirt. Soft daylight from a large window on camera-left, ~5500K, right side falling into gentle shadow. Behind him: blurred patrons, wooden counter, pendant lights. Real smartphone texture — visible pores, beard strands, knit weave, natural depth falloff, no heavy bokeh or portrait-mode edges. Unposed, mid-coffee, casually human-shot. He is saying: 'Third one today. Don't tell my doctor.'

Live-action style, fast cutting, cinematic, 4K, 24fps, warm natural light, real human performance, natural lip-sync, no subtitles. The core visual thread of the whole video is the passing of a single fresh flower: the flower travels quickly from one country to the next, linking different regions and people around the globe. In each scene a character receives the flower, shows a sincere smile, and says 'thank you' in the local language. Overall rhythm light and fluid, dynamic camera, emphasizing real street/life atmosphere, cross-cultural warm connection, and the passing of goodwill between people. Transitions: the previous character passes the flower out of frame and the next character catches it in a new scene, or a fast whip-pan, motion blur, or foreground occlusion completes a seamless transition, keeping the flower visually continuous - a 'one shot around the world' feel. Camera style: handheld tracking, slight camera shake, fast push-pull, mixing close and medium shots, real ambient sound, cinematic street-shot texture. Background music warm, light, with a world-travel feel, gently fading out at the end. Scene 1 (@Image1) inside a Chinese flower shop: a girl takes a rose, looks at camera and smiles, saying naturally '谢谢!'; the flower enters from the right and she lifts the bouquet lightly. Scene 2 (@Image2) an English street, cool weather: a man takes a carnation, smiles and nods 'Thank you!'; a whip-pan carries the flower in. Scene 3 (@Image3) a Mexican market, colorful and lively: an older woman takes a bunch of marigolds, presses her hands together, warmly '¡Gracias!'; the camera sweeps past stalls and crowds, freezing on the moment she takes the flower. Scene 4 (@Image4) an Indonesian village, natural sunlight: a child takes a frangipani, smiles happily and bows slightly 'Terima kasih!'; the camera has a running feel, mood innocent and natural. Scene 5 (@Image5) a Thai street, bustling: a vendor takes a jasmine garland, hands pressed together, kindly 'ขอบคุณค่ะ!'; the camera glides forward, the garland swaying gently in the sun. Scene 6 (@Image6) an Arabian courtyard, soft light, elegant: a woman takes a desert rose, hand on chest, smiling; the frame quiet and warm, expression sincere. Scene 7 (@Image7) a Brazilian community, warm and vivid: a boy takes a gerbera, very happy 'Obrigado!'; the camera rhythmic, full of life. Scene 8 (@Image8) a Japanese street: an office worker takes a small flower atop a bento, bows politely 'ありがとう!'; the shot short and crisp, keeping urban rhythm. Scene 9 (@Image9) a Korean street, modern city feel: a young woman takes an azalea, hands naturally together, smiles '감사합니다!'; the camera lingers on her smile a moment, then the frame gently fades out.

씨댄스 2.0 · 4K · 가로 16:9 · 약 15초 · 사실적 실사 영화 질감 · 영어 대사 입모양 정밀 동기화. 캐릭터(레퍼런스 이미지로 형상 고정, 프레임마다 동일, 얼굴/의상 교체 금지): - 여주 카시디(27세): 긴 레이어드 금발 웨이브, 옅은 갈녹색 눈, 베이지 니트 원피스, 누드톤 스트랩 힐, 금목걸이. 본래 따뜻하지만 이 장면에선 날카롭게 폭발한다. - 남주 마르코(42세): 짙은 곱슬머리에 약간 벗겨진 이마, 검정 뿔테 둥근 안경, 네이비 슬림 정장 재킷+흰 셔츠+울 슬랙스+갈색 구두. 본래 자신만만하지만 이 장면에선 당황해 쩔쩔맨다. 장면: 연극 무대 현장. 나무 무대와 짙은 커튼 배경, 한 줄기 탑 조명이 두 사람을 비춘다. 객석은 어둠에 잠겨 흐릿한 인영과 드문드문한 반사광만 보이고, 극장 특유의 현장감과 긴장감이 흐른다. SHOT 1 (0-3초, 중근경): 카시디가 마르코에게 한 발씩 다가서며 턱을 살짝 치켜들고 날카로운 눈빛으로 따져 묻는다. 감정이 점점 고조된다. [카시디, 추궁하듯 점층] "Danger? ... Danger?? ... DANGER???" SHOT 2 (3-4.5초, 반신·동작 절정): 말이 끝나기 전에 카시디가 손등으로 무대식 따귀를 마르코의 뺨 옆으로 휘두른다(무대 연기, 닿을 듯 말 듯). 마르코의 고개가 옆으로 돌아가고 안경이 살짝 비뚤어지며 장내가 일순 정적. [짝 하는 또렷한 따귀 효과음] SHOT 3 (4.5-6초, 여주 얼굴 클로즈업): 카시디가 분이 안 풀린 채 이 사이로 한마디 내뱉는다. [카시디, 낮게] "Fuck!" (또는 삐- 음소거 처리) SHOT 4 (6-15초, 중근경에서 남주 얼굴 특사로): 마르코가 안경을 고쳐 쓰고 두 손을 모아 객석을 향해 황송하고 진심 어린 사죄를 한다. 말투는 진지하고 약간 허둥댄다. [마르코, 진심 어린 영어 사죄] "I'm sorry. I'm so sorry, everyone. My whole 'danger' theory caused you all so much trouble. I'm a stupid pig. I sincerely apologize to all of you. We'll do everything we can to get Fable 5 online as soon as possible." 마지막에 살짝 고개를 숙이고 조명이 그에게 모인다. 음성: 카시디는 추궁의 날카로움에서 분노의 폭발로, 기성 섞인 노여움, 끊어지는 리듬. 마르코는 진심 어리고 다급하며 살짝 떨리는 사죄, 다소 빠른 말투. 모든 영어 대사를 입모양과 엄격히 동기화, 발음은 또렷하고 자연스럽게, 가짜 입모양/어긋남 금지. 비주얼: 사실적 실사 영화 질감, 무대 탑 조명+윤곽광, 따뜻한 톤, 얕은 심도, 진짜 피부 모공과 미세 표정, 천 재질감, 따귀 순간의 머리 관성까지 자연스럽게. 카메라: 무대극식 기위로 중근경/반신/얼굴 특사 전환, 따귀 순간 빠른 컷+미세한 흔들림, 사죄 구간은 천천히 푸시인. 자막/워터마크/문자 없음.

A 1960s television studio: two men in tailored suits face each other across a wooden desk crowded with chrome ribbon microphones, heavy drapes behind them. The older man on the left leans forward on the desk and argues, gesturing with his jaw and brows; the younger man on the right listens, then answers back. They trade lines in a heated but controlled debate, mouths matching the words exactly. Static locked-off two-shot, warm faded Technicolor palette, soft studio key light. Audio: clear back-and-forth dialogue with the boxy tone of a period broadcast.

A young woman (image) in a soft oversized sweater sits curled up on a couch under a blanket in a small, cozy apartment living room, the TV glowing blue-white just off-frame casting flickering light across her face; a bowl of popcorn sits on the couch cushion beside her, a throw pillow tucked against her side, string lights softly out of focus on the wall behind. Her boyfriend holds the phone up from beside her, filming first-person selfie-style, never shown on screen. She glances over, mildly annoyed but smiling, as he says, teasing: "야, 영화 안 보고 뭐 해." She rolls her eyes with a small laugh, tossing a piece of popcorn in his general direction off-screen: "네가 자꾸 나 찍으니까 그렇지." He laughs quietly: "예쁘게 나오는데 왜 그래." She scoffs, cheeks warming, turning back toward the TV in mock protest, pulling the blanket up higher: "됐고, 조용히 좀 봐." A beat later something on screen makes her flinch and grab the blanket tighter, a small startled laugh escaping her, hiding half her face behind the pillow while peeking one eye out toward the TV: "아 뭐야 진짜 놀랐잖아." She turns to look at the camera again, still catching her breath from the jump-scare laugh, hair slightly mussed, cheeks flushed from the warmth of the blanket, and gives him a playful narrow-eyed look before saying, soft and amused: "그만 찍고 이리 와서 앉아." She settles back into the couch with a small contented sigh, eyes flicking back to the TV glow. Shoot as one continuous first-person handheld selfie, frame breathing gently with his arm, subtle shifts as he leans in and settles beside her. Keep skin texture, pore detail, and the cool-warm mix of TV glow and lamp light razor-sharp with no beauty filter or smoothing — real phone footage look, subtle grain, natural indoor light. Exactly one woman in frame, phone-holder off-screen and never shown, no second person, no reference sheet or duplicate subject. No subtitles, on-screen text, logo, or watermark. Diegetic sound only: muffled TV dialogue/music in the background (non-specific, generic), soft blanket rustling, popcorn bowl clinks, her voice frontal and lip-visible, his voice warm and ambient from behind the camera (not lip-synced).

A cinematic conversation between a large stone golem and a rugged forest troll standing in a misty mountain clearing. They are discussing whether Flux 3 can automatically add subtitles for dialogue that is not written in the prompt. The golem speaks in a deep rumbling voice, the troll replies in a rough gravelly tone. Natural daylight, detailed textures, subtle wind, realistic atmosphere. (Automatically generate their full dialogue and burn subtitles on screen for everything they say)

One continuous static shot, no cuts. A person looks directly at the camera and counts from one to ten, holding up the corresponding number of fingers as they say each number.

We see [Reference Image] walking through a market inspired by [Reference Image] His staff has a slight glow from the light at the top. He approaches the food stand and sits down at a chair outdoors with a small table in front of it and he sit down. The robot server hands him a bowl of ramen and says in a robotic voice, "Welcome back Kantor." and it is placed on the table in front of him and the man eats.

Create a 30-second vertical AI UGC product commercial (9:16) for a premium coffee machine. Style: Ultra-realistic, cinematic, social-media UGC, premium lifestyle, 4K HDR, natural lighting, smooth handheld camera, realistic human motion, luxury color grading. Scene 1 (0–5s) A creator walks into a modern kitchen holding a coffee mug and says, "I finally tried this coffee machine." Scene 2 (5–10s) Close-up shots of opening the coffee bean container, adding beans, filling water, and pressing the power button. Natural hand movements and satisfying button clicks. Scene 3 (10–17s) Macro shots of coffee grinding, rich crema forming, steam rising, and coffee slowly pouring into a glass cup. Beautiful golden morning sunlight. Scene 4 (17–23s) The creator takes the first sip, smiles naturally, and says, "This honestly tastes amazing." Scene 5 (23–27s) Premium product showcase with smooth orbit shots, close-ups of the controls, metallic finish, and elegant kitchen background. Scene 6 (27–30s) Hero shot of the coffee machine beside a fresh cup of coffee with soft cinematic lighting. End with the creator holding the cup and smiling at the camera. Requirements: Vertical 9:16, 30 seconds, AI UGC style, realistic creator vibe, premium product advertising, natural expressions, realistic hands, smooth camera movement, clean transitions, cinematic quality, no logos or watermarks.7b:T57a,Crea

Use <<image>>only for the WOMAN’s face, identity, hair, skin texture, and body proportions. Do not copy its background, clothing, lighting, or composition. 30s cinematic thriller, photorealistic. Rainy gas-station mini-mart after a car crash. Controlled handheld camera, fluorescent practicals, intermittent red/blue police lights, wet asphalt, haze, realistic sweat/grime, shallow DOF, film grain. No music. CAST: WOMAN throughout: torn dark jacket, jeans, scraped forearm, messy half-loose hair, sweaty, aggressive and adrenaline-fueled. CLERK: tired 40s man, green vest/flannel, cautious. STRANGER appears only in S9, dark silhouette, face never visible. No other people. DIALOGUE RULE: Korean, natural quiet speech, perfect lip-sync. Action must completely stop before speaking; speaker faces camera/front 3/4 with unobstructed mouth and remains still during the line. No VO/off-screen speech. S9 silent. S1 0–2.5: Woman bursts in, grabs unlabeled water from cooler, rushes to counter. S2 2.5–5: Slams bottle down, stops, faces camera: “붕대 있어요? 빨리요.” S3 5–7.5: Clerk cautiously gets bandage kit, stops, faces camera: “저기… 괜찮으신 거예요?” Places kit down. S4 7.5–9.5: Woman grabs kit, stops: “신경 꺼요.” Clerk backs away. S5 9.5–12: She sits by window, opens kit and wraps forearm. Police lights/wreck briefly visible outside. No dialogue. S6 12–14.5: Finishes bandage, stops, faces camera: “…살아있네.” Then drinks water. S7 14.5–16.5: Watches police lights through rainy glass, sets bottle down. No dialogue. S8 16.5–18.5: Hears something, clenches fist, rises and faces door. No dialogue. S9 18.5–22: Stranger bursts in and grabs her. Brief raw struggle—she twists free, elbows/shoves him, shelf rattles, bottle rolls, she forces him outside. His face never visible. No dialogue. S10 22–25: She reaches door, stops, looks back at clerk: “문 잠가요. 아무도 안 들여보내고.” Then exits. S11 25–30: She sprints through rain, jumps into dark sedan, starts instantly, reverses and speeds away from the police and crash. Police car passes the now-empty station too late. Door remains open/swinging. CONTINUITY: Same woman/face, store layout, door, red OPEN sign, water bottle and bandage progression throughout. No duplicated props/people, no weapons/blood/gore, no subtitles/text/logos/watermarks, no beauty retouching, no slow motion/speed ramps.6c:T99f,Use <<image>>only for the WOMAN’s face, identity, hair, skin texture, and body proportions. Do not copy its background

Montage, multi-shot candid observational footage. Do not use a single camera angle or a single continuous cut. Handheld documentary-style footage that feels accidentally captured, with slightly imperfect composition, subtle camera shake, tiny framing corrections, gentle exposure breathing, and autofocus that settles naturally a fraction of a second late. Realistic skin texture, soft natural indoor light, subtle film grain, shallow depth of field. Relaxed breathing, occasional small blinks, restrained and natural performance. Exactly 7 shots. The woman from @ Image 1 is wearing a matching cotton pajama set: a sleeveless round-neck top with loose shorts made from the same fabric and design. She is barefoot, lying on her stomach across a lived-in, slightly messy bedroom bed, browsing a mobile shopping page on a black smartphone. A house cat jumps onto the bed seeking affection, and she gently plays with it. Then a friend calls. She answers and, during the conversation, unexpectedly bursts into laughter. When the doorbell rings, she ends the call and gets up to collect her dinner. Shot 1 (0–2s): She is already moving as the shot begins, using one thumb to scroll through a product page while lightly frowning in thought. She quietly mutters in Korean: "아, 뭐 살랬더라…" Her lips must naturally and accurately sync with the dialogue. Her bare feet casually sway behind her. The low handheld camera glides along the edge of the mattress, with soft bedding partially obscuring the foreground. Shot 2 (2–4s): The house cat jumps onto the bed, compressing the blanket, then walks toward her forearm and gives one natural meow. The camera makes a tiny shake as the cat lands, then quickly shifts focus from the phone into an over-the-shoulder view that includes her face, hand, smartphone, and cat. Shot 3 (4–6s): She gently turns toward the cat and strokes it once from the forehead down toward the shoulder and back. In an affectionate voice, she says: "우리 애기 왔어?" Her mouth movements must be clear and naturally synchronized. The camera moves through the softly blurred cat in the foreground, making a short, intimate push toward her face and hand. Shot 4 (6–8s): Her friend's incoming-call ringtone sounds. She looks down to check the caller, swipes to answer, and brings the phone beside her face. The camera moves out from a slightly crooked overhead angle in a loose semicircle, capturing the continuous motion of her answering the call. Shot 5 (8–11s): The friend begins speaking through the phone. The woman first responds with confusion, then incredulously says: "어, 왜? 진짜 거짓말." Immediately afterward, she lets out a genuine, spontaneous little laugh. The cat kneads the blanket beside her. A close handheld side angle keeps the phone and her profile within the same focal plane. Shot 6 (11–13s): A clear doorbell interrupts her laughter. Both the woman and the cat turn toward the bedroom door. She plants one hand on the mattress, preparing to stand. Th39:Tbcc,Montage, multi-shot candid observational foo

Create a 30-second ultra-realistic multi-shot candid observational video of a young Korean woman relaxing naturally in her bedroom. Use multiple distinct shots and camera angles, not a single continuous take. The footage should feel like an accidentally captured real-life moment. STYLE: Handheld documentary realism, imperfect framing, subtle camera shake, gentle exposure breathing, autofocus settling slightly late, realistic skin texture, soft natural indoor light and shallow depth of field. Natural blinking, breathing, body movement and restrained authentic expressions. No posing, glossy commercial look or cinematic perfection. SUBJECT: A naturally beautiful young Korean woman in her early 20s with long dark hair. She wears a matching cotton pajama set: scoop-neck sleeveless top and loose shorts. Barefoot, minimal makeup, realistic skin texture. SETTING: A lived-in, slightly messy bedroom with an unmade bed, soft bedding and everyday personal belongings. She relaxes on her stomach across the bed while browsing a shopping page on a black smartphone. A house cat interacts naturally with her. SHOT 1 — 0–4s: She lies on her stomach, casually scrolling through a shopping page. She frowns slightly, then mutters in Korean: "아, 뭐 살랬더라..." ("Ah... what was I going to buy again?"). Natural Korean lip sync. Her bare feet gently sway behind her. A low handheld camera glides beside the mattress. SHOT 2 — 4–8s: A house cat jumps onto the bed, compressing the blanket and walking toward her arm. It gives one natural meow. The camera reacts with a tiny jolt, then reframes toward her face, hands and cat. SHOT 3 — 8–12s: She turns toward the cat and gently strokes it from forehead to shoulders. She affectionately says: "우리 애기 왔어?" ("Did my baby come?"). Accurate lip sync. The camera pushes closer through the cat's softly blurred foreground. SHOT 4 — 12–16s: Her friend's ringtone sounds. She looks down, checks the caller, swipes to answer and brings the phone to her ear. The camera makes a loose semicircular movement from a slightly tilted overhead angle. SHOT 5 — 16–21s: Her friend talks. She listens with a confused expression, then reacts: "어, 왜? 진짜 거짓말!" ("Huh? Why? No way, you're kidding."). She immediately bursts into genuine laughter. The cat kneads the blanket beside her. A close handheld side angle captures her profile and phone. SHOT 6 — 21–25s: A clear doorbell interrupts her laughter. She and the cat turn toward the bedroom door. She pauses, realizing her food has arrived, braces one hand on the mattress and begins getting up. The camera reacts slightly late before correcting back to her movement. SHOT 7 — 25–30s: Still holding the phone, she says in Korean: "어, 나 밥 왔다. 끊어." ("Oh, my food's here. I'll hang up."). She ends the call, gets off the bed and walks toward the door. The cat follows across the blankets. The camera tilts upward as she stands, ending with a natural handheld follow toward the doorway. AUDIO: No musi7c:Tbf1,Create a 30-second ultra-realistic multi-shot candid observational video