Wes Anderson Style Movie Trailer

<role> You are an award-winning trailer director + cinematographer + storyboard artist. Your job: take ONE reference image of an actor and create a cohesive cinematic short sequence, then output AI-video-ready keyframes. </role> 色调参考图2 <input> User provides: one reference image (image). Scene Brief: {{scene_brief}} </input> <goal> Create a 10–20 second cinematic scene with a clear theme and emotional progression (setup → build → turn → payoff) using the actor, you are allowed to add other actors in the scene if the scene needs it. The user will generate video clips from your keyframes and stitch them into a final sequence. </goal> <steps> 1. a Keyframe List: 9 frames (later assembled into ONE master grid). These frames must stitch into a coherent 10–20s sequence with a clear 4-beat arc. Each frame must be a plausible continuation within the SAME environment. The frames generated must use cinematic style shot using a standard modern movie camera. 2. You MUST output ONE single master image: a Cinematic Contact Sheet / Storyboard Grid containing ALL keyframes in one large image. - Default grid: 3x3. </steps>

使用参考图片人物的形象生成一段古装穿越剧的预告短片。 0-3秒画面：参考图片1人物形象的男主手里举起一个篮球，抬头望向镜头。说话“我只是想喝杯酒，该不会要穿越了吧……” 4-8秒画面：镜头突然剧烈晃动，操场的场景开始剧烈震动，瞬间切换成古宅的雨夜。一个穿着古装，长相清秀的女主，冷冽的目光穿透雨幕，望向镜头方向。雷鸣声，衣袂猎猎声。女主说话“何人擅闯我永宁侯府？” 9-13秒画面：镜头切到一个穿着明官服的男子坐在衙门里，眼神锐利如刀，愤怒说话“来人！即刻拿下此‘妖人’！” 画面闪回：男主穿着不合身的粗布麻衣；在官差的围堵下慌不择路；与女主的身影在雨巷里交错；男主穿着官服走在皇宫里。 14-15秒画面：黑屏，打出片名《醉梦惊华》，伴随着沉重的鼓点。

15s / multi-cut STYLE: gritty crime, high sat, sharp contrast, deep shadows, warm practicals, grain STAGE: smoky retro pool hall, amber table lights, dark corners MUSIC: gritty jazz-hop ~85 BPM, dusty drums + bass hits, stop on final cue strike CHARACTERS: HOLIDAY: female, energetic, chaotic KODA: male, calm, controlled DEV: male, stoic, imposing FYE: female, confident, playful KARMA: agile stray cat SEQ: 1) 24mm MS / HOLIDAY walk → freeze TEXT [center-left]: "HOLIDAY. No plan. Still works." 2) 50mm MCU / KODA step → freeze TEXT [lower-right]: "KODA. Speaks rarely. Ends things." 3) 85mm CU / DEV crack → freeze TEXT [lower-left]: "DEV. Patient. Until not." 4) 35mm MS / FYE toss → freeze TEXT [upper-right]: "FYE. Knows the rules. Ignores them." 5) 35mm low MS / KARMA jump → freeze TEXT [lower-left]: "KARMA. Not yours. Just here." 6) ECU / cue strike → freeze TEXT [center]: "TABLE 5" MUSIC: stop

Dark fantasy cinematic intro sequence, storm-covered ruined battlefield at night, burning embers drifting through the air, shattered stone ruins, ash and smoke covering the ground, distant lightning illuminating massive gothic structures, cold desaturated atmosphere with deep crimson and purple highlights Massive fallen knight in black corrupted armor @[Image1] , scarred face partially hidden beneath jagged helmet, long dark wet hair, torn crimson cape, enormous corrupted greatsword glowing with dark purple energy, one arm consumed by shadow magic, intimidating presence, brutal and ancient warrior aesthetic Sequence (10 seconds total): 0–2s: Wide cinematic shot — Varen stands motionless atop ruined battlefield hill, cape flowing violently in storm wind, purple corruption slowly leaking from gauntlet and sword, lightning flashes revealing armor details and battlefield destruction around him 2–4s: Slow close-up push-in — camera moves toward his face beneath damaged helmet, glowing eyes slowly lifting toward camera, ash drifting across frame, expression cold and filled with restrained rage 4–6s: Dark power begins awakening — corrupted purple energy violently spreads across his arm and sword, ground beneath him cracks, rocks and debris levitate around his body, smoke swirling unnaturally 6–8s: Varen drags massive greatsword across the ground while walking forward slowly, sparks and corrupted flames erupting behind blade, camera shaking subtly from sheer weight and impact 8–10s: Final power showcase — he thrusts sword downward into the earth, massive wave of purple-black energy explodes outward across battlefield, cape whipping violently, debris and shadow energy consuming frame while camera rapidly pulls back Camera: cinematic anamorphic lens, dramatic slow push-ins, low-angle hero framing, subtle handheld vibration during power moments, realistic motion blur, high cinematic contrast Rendering: ultra realistic CGI, ray tracing, global illumination, highly detailed damaged armor, realistic cloth and hair simulation, volumetric smoke, embers, corruption particle effects, cinematic storm lighting Motion: heavy grounded movement, realistic armor weight, brutal physical presence, dark magic effects powerful but believable, no exaggerated anime motion Style: AAA dark fantasy blockbuster film, emotionally intense, oppressive atmosphere, cinematic power fantasy, premium visual effects quality no dialogue, pure visual storytelling, seamless cinematic continuity, dramatic orchestral trailer energy

A cinematic everyday-life montage where ordinary moments feel like scenes from an epic Hollywood film.\n\n0–3s: Alarm clock hits 6:00 AM. Slow-motion wake-up shot with dramatic sunlight through curtains. Shoes hit the floor like an action movie intro while cinematic bass builds.\n\n3–6s: Fast cuts of normal daily moments edited with epic energy — brushing teeth, making coffee, putting on headphones, walking through crowded streets while everything moves in synchronized slow motion.\n\n6–9s: Cinematic commute sequence. Reflections of skyscrapers glide across train windows, traffic lights blur dramatically, rain hits the pavement in slow motion while the main character walks confidently through the city.\n\n9–12s: Everyday interactions become emotionally intense — typing on a laptop feels like hacking into a system, entering a meeting feels like a mission briefing, ordering coffee feels like a dramatic character moment.\n\n12–15s: Final trailer-style ending shot. The main character stands on a rooftop overlooking the glowing city skyline at sunset while epic cinematic music peaks. Screen fades to black with dramatic title-card energy.\n\nStyle: ultra cinematic realism, movie trailer pacing, dramatic sound design feel, fast rhythmic editing, slow-motion lifestyle shots, high contrast lighting, lens flares, shallow depth of field, film-grade color grading, emotionally epic atmosphere.

Create an ultra-cinematic 15-second travel film composed of 15 fast-paced scenes (1 second each) showcasing the energy, beauty, culture, and futuristic atmosphere of Tokyo. The video should feel like a premium Netflix-style city intro mixed with luxury tourism cinematography and modern Japanese street culture. Style & Tone: Hyper-realistic, cinematic, emotionally immersive, dynamic camera movement, dramatic lighting, natural motion blur, realistic crowds, neon reflections, detailed architecture, smooth transitions, rhythmic pacing synced to cinematic electronic music. Visual Quality: 8K, HDR, anamorphic lens, shallow depth of field, realistic atmospheric haze, volumetric lighting, cinematic color grading, stabilized drone shots mixed with handheld street shots, high frame-rate motion, premium travel documentary aesthetic. Scene Breakdown (15 scenes / 15 seconds) Sunrise aerial over Tokyo skyline, Tokyo Tower glowing in early morning haze, cinematic drone push forward. Shibuya Crossing at rush hour, massive crowd movement, neon signs, umbrellas, fast tracking shot. Tokyo Skytree at night, glowing city lights stretching endlessly below. Shinjuku neon streets, cyberpunk atmosphere, rain reflections, bustling nightlife. Senso-ji Temple in Asakusa, slow cinematic dolly through lantern gates, warm golden lighting. Akihabara electric district; anime billboards, arcades, futuristic screens, energetic motion. Cherry blossoms in Ueno Park, petals floating in slow motion, dreamy cinematic look. Tokyo train sequence, sleek bullet train speeding past with dynamic motion blur. Harajuku fashion street, stylish youth culture, colorful outfits, energetic handheld camera. Tokyo Tower close-up at blue hour, dramatic skyline reveal behind it. Odaiba waterfront, Rainbow Bridge reflections across the bay at night. Tsukiji-style sushi preparation, cinematic macro food shots, steam, knife motion. Luxury rooftop overlooking Tokyo, elegant nightlife vibe, city sparkling below. Shibuya sky observation deck, cinematic panoramic reveal over the megacity. Final aerial pullback of Tokyo at night, entire city glowing like a futuristic metropolis, ending with cinematic fade to black. Cinematic Direction Every shot should have strong camera motion: drone flythroughs, whip pans, smooth gimbal movement, handheld realism. Transitions should feel seamless and music-driven. Mix modern Tokyo futurism with traditional Japanese beauty. Include realistic weather elements: light rain, haze, neon reflections, wind movement. Avoid touristy postcard look, make it feel like a high-budget cinematic film trailer. Use authentic Japanese signage and realistic urban density. Keep pacing fast but visually readable. Optional Negative Prompt Avoid: low detail, cartoon style, CGI look, unrealistic crowds, empty streets, washed colors, static shots, o

cinematic romantic epic film trailer, fast professional cuts. booming sci-fi romance love scene

[STYLE + CAMERA + ATMOSPHERE] Ultra-photorealistic cinematic 15-second action sequence from a grounded rural survival thriller film. Nighttime in a remote forested area next to a cabin. Pine trees, dirt ground, old pickup truck. Moonlight mixed with warm light from the cabin windows. The visual language is tense, intimate and realistic with hyper-realistic practical destruction. Camera is handheld-dynamic with grounded moves. [IMAGE REFERENCES] No reference images provided. Generate a fully consistent lead character: a rugged male in his early 50s, short beard, intense protective expression. He wears a worn jacket, jeans and work boots. Maintain exact same appearance and clothing throughout the clip. [TIMELINE SECOND BY SECOND] 0-3s: [Dynamic handheld tracking shot from side-rear] The man runs toward an old pickup truck while being shot at. A propane tank next to the cabin explodes in a massive realistic blast. Fire, metal, wood and dirt are thrown violently in all directions. The camera tracks him urgently across the dirt as the explosion expands. 3-7s: [Slow continuous orbiting camera moving around the frozen explosion] At the peak of the explosion the entire blast and debris field suddenly freezes in perfect realistic physics. Thousands of metal fragments, wooden planks, dirt clods and burning debris hang motionless in the air with accurate weight and trajectories. The camera performs a smooth, continuous orbit around the frozen destruction, moving between large suspended metal pieces and passing close to sharp wooden fragments while the man remains visible. 7-15s: [Dynamic tracking shot as time resumes] At the 7-second mark time snaps back to forward motion with a slight realistic temporal residue. Some outer debris shows a very subtle reverse lag before continuing. The man has used the frozen moment to dive behind the pickup truck. When motion resumes, several large burning pieces miss the truck. He stays low and moves around the vehicle as debris finally crashes down around him. The camera tracks with him through the settling dust and fire. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, hyper-realistic rigid body destruction with correct material properties, perfect frozen mid-air physics, seamless transition from explosion to freeze to resume, natural fire, wood and dirt interaction, heavy cinematic motion blur on fast debris, stable character performance, movie-level practical destruction VFX quality.

full frame cinematic, 1970s academic TV drama, old lecture hall, elderly professor teaching at a chalkboard, warm late afternoon light, chalk dust, subtle camera movement, no voiceover.

Full-frame cinematic scene in the style of a 1970s academic TV drama. An elderly professor teaches at a chalkboard inside an old lecture hall. Warm late-afternoon sunlight pours through tall windows, casting long golden beams across worn wooden desks. Floating chalk dust is visible in the light, gently moving through the air. The professor writes slowly on the chalkboard, pausing to explain with calm, deliberate gestures. Students sit quietly, listening with focused attention, some taking notes, others simply observing. The room feels lived-in, intellectual, and grounded in realism. Subtle cinematic camera movement: slow push-in from the back of the lecture hall toward the professor, with shallow depth of field emphasizing chalk texture and facial detail. Natural film grain, soft contrast, warm analog color grading. No voiceover, no text overlays, no graphics only natural classroom ambience, faint chalk sounds, and distant street noise filtering through the windows.

:{ "META": "Live-action standalone creature attack short | Length 15 seconds | Rural American desert outskirts | 1950s to 60s grounded realism | Giant insect horror | Cinematic realism", "SHOT": { "CAM": "Low shoulder height tracking shot following the pair from behind along the dirt road, slight wobble like a documentary operator. Sudden violent handheld shake as the creature emerges, whip pan to the first strike, brief stumble to ground-level POV, final locked wide shot on the wrecked roadside, filmed on ARRI Alexa LF with 35mm lens", "SET": "Sun-bleached desert roadside outside a fading small town, cracked asphalt transitioning into dirt, a crooked roadside billboard with peeling paint, a broken-down gas station sign without readable text, wooden telephone poles with sagging lines, a shallow drainage ditch filled with dry weeds and rusted cans, a half-buried abandoned 1950s pickup frame in the sand, distant mesas shimmering in heat haze", "SUBJECT": "Two young adults caught in open ground, Hank Carter early 20s, lean build, sweat soaked white undershirt with an unbuttoned faded work jacket, grease and dust on hands. Evelyn Shaw early 20s, dark brunette hair pinned but coming loose, pale blue cotton dress with a small tear at the shoulder, face smeared with dust and panic", "ACTION": "They sprint along the roadside ditch as the ground beneath the weeds begins to bulge in a long moving ridge. The dirt splits open in jagged seams. A gigantic termite-like insect erupts upward, pale tan armored body plated with gritty dust, its head snapping side to side with frantic clicking. It lunges and slams its heavy forelimbs down, crushing the ditch edge into a spray of sand and dry weeds. Hank grabs Evelyn’s wrist and yanks her up onto the road. The insect surges forward and its mandibles clamp onto Hank’s leg, dragging him backward across the asphalt. He screams and claws at the mandibles as dark viscous fluid leaks from a cracked segment. The insect whips him sideways into a wooden power pole with a brutal impact. The pole splinters, wires snapping and whipping through frame. Evelyn stumbles, falls, and crawls backward as the insect pivots with terrifying speed. It lunges again, pinning her dress to the ground with a stabbing forelimb. She rips free, leaving fabric behind. The insect rears and slams down, smashing the roadside into a choking dust cloud. Final wide: the ditch is torn open, the pole broken, dust drifting, and the insect’s segmented shadow moves off-frame into the haze.", "STYLE": "Practical monster horror realism, termite weight and physics emphasized, no stylized motion, raw violent impact, tactile debris, sand and weeds striking the lens, grounded 1950s creature-feature tone", "LIGHTING": "Blazing desert sun casting razor hard shadows, harsh specular highlights flashing along the insect’s dusty armored plates, heat shimmer warping the background", "AMBIENCE_COLOR": "Bleached sand yellows, dusty tan exoskeleton, rust orange metal, faded sky cyan, chalk gray dust clouds" }, "AUDIO": { "dialogue": [ { "speaker": "Hank Carter", "line": "Evelyn run" }, { "speaker": "Evelyn Shaw", "line": "Hank no" } ], "ambience": [ "dry weeds rustling under sprinting feet", "earth splitting and sand cascading", "explosive emergence impact", "rapid insect clicking and rasping mandibles", "wood pole splintering and power lines snapping", "body slam thud and gravel scrape", "wind gust through dust cloud", "dust settling into tense silence" ] }, "NEG": "no subtitles, no drones, no on screen text, no glowing eyes, no neon colors, no modern vehicles, no modern clothing, no stylized CGI surfaces, no slow motion" }

[Style] 90s HK TV Drama Style, Vintage Film Grain, High Contrast Warm Yellowish Tone, Wide-angle lens exaggerated perspective, extremely hysterical emotion, chaotic, noisy, desperate. [Scene] 1990s Hong Kong Stock Exchange hall, floor covered in waste paper, electronic screen is a depressing green (HK stocks drop is green/or use red to indicate crisis, depending on the generation model's interpretation, suggest writing "Plummeting Numbers"). [Character] The Speculator: Wearing a 90s wide-shouldered gray suit, messy hair, covered in sweat, eyes bloodshot and frantic, tightly clutching a "Brick Phone". [Shot Details] [00:00-00:05] Shot 1: The Great Crash - Moment of Madness Visuals: Wide-angle close-up on the face. The protagonist stands in the center of the trading floor, surrounded by blurred running and screaming crowds. Action: He roars hysterically into the "Brick Phone," veins popping, spitting saliva. [Dialogue/Subtitle]: "Don't be afraid! Technical adjustment! Give me more leverage!" (Maximum madness). Atmosphere: Numbers on the background electronic display flash wildly, red and green light interweaving, creating a suffocating sense of urgency. [00:05-00:10] Shot 2: A Moment - The Wind on the Rooftop Visuals: Jump Cut. The camera suddenly switches to the edge of a deserted skyscraper rooftop. Action: The protagonist faces away from the camera, his suit jacket thrown aside, tie loose. The strong wind messes up his hair and shirt. He clutches a crumpled stock certificate, his body swaying precariously. Atmosphere: Instant shift from extreme noise to Deafening Silence, only the sound of howling wind. [00:05-00:15] Shot 3: A Dream - Paper Snow Visuals: Low-angle shot. Action: The protagonist lets go, and countless white stock waste papers fall like snow from the rooftop, scattering onto the bustling yet indifferent Central streets. Close-up: The shot finally focuses on his desperate, hollow eyes (pupils losing highlight), a tear of regret tracing down his face. [Subtitle (Yellow Vintage Font)]: Stock market involves risk, caution is advised upon entry.