핸드헬드 영상

The gorilla is fighting 100 men, cut to punch close ups, cut to jerky handheld camera of the gorilla being piled up with men then the gorilla stands up and throw everyone away. Cinematic handheld fight scene.

Generate a Video: SCENE 10 — THE LAST RECORDING Attachments: CITY ANOMALY (Environment Reference), MAIN CHARACTER (Character Appearance) Duration: 10 seconds Audio: Heavy breathing. Running footsteps. People screaming. Car alarms. Deep distant rumbling. Concrete collapsing. Wind. No background music. Prompt Source images are only used as visual references. Maintain the colossal anomaly exactly as shown in the reference image. Transform into fully photorealistic live-action footage. Ultra realistic. True live action. Authentic found-footage. Real handheld recording. Grounded cinematic realism. One continuous shot. Natural handheld instability. Strong motion blur during running. Natural autofocus hunting. No cuts. No teleportation. No CGI look. No visual effects. The recording begins in unstable accidental selfie view while the operator continues sprinting through the crowded city. Only part of the operator's terrified face is visible as the camera violently shakes with every step. Heavy breathing dominates the audio. The operator gasps, "No... no... keep going!" The camera suddenly jerks downward as the operator trips and falls hard onto the pavement. The recording tumbles across the ground before coming to rest on its side, pointing upward toward the skyline. The operator scrambles back to their feet and runs out of frame, leaving the camera behind. For a brief moment, only the sky and surrounding skyscrapers are visible. Then the impossibly colossal organic hand, exactly matching the attached reference image, slowly descends through the storm clouds in the distance. The enormous hand slams into the skyline far away, sending a massive shockwave through the city. Buildings disappear behind towering clouds of dust and debris as thick smoke rapidly fills the horizon. Orange firelight flickers deep within the expanding dust cloud while the sky darkens. The camera remains abandoned on the ground, trembling slightly from the distant impact. Dust begins drifting toward the lens. The image becomes increasingly obscured by smoke and airborne debris. The recording abruptly cuts to black, as if the device stopped recording or lost signal at the worst possible moment.

English: Handheld-cinema feel, ultra-detailed 4-second text-to-video prompt, 4K, 120fps, ultra-high resolution, realistic live-action concert footage. Outdoor daytime concert on an extremely hot, bright, sunlit day. An Asian K-pop girl group is performing on stage. The camera starts from within the crowd, partially blocked by cheering audience members, raised hands, lightsticks, and phones, then smoothly pushes forward and zooms in to focus on one woman in the group. She is the clear subject, center-frame by the end. She is an adult woman, very charming, cute, and charismatic, with glamorous makeup, glossy full lips, clipped hair, and long delicate manicured nails. She wears a light pink tight crop top, a thick oversized cropped hoodie, and low-rise detailed jeans with visible string-thong styling. Slim waist, very slender midriff, natural soft figure. Sweat glow on skin from the hot weather, sunlight reflecting on her face and outfit, vivid stage atmosphere, energetic crowd, realistic lens breathing, natural camera shake, shallow depth of field, high dynamic range, crisp skin texture, fabric texture, cinematic highlights, vivid summer colors. Action timing: the song ends, the crowd roars, she notices the camera, sends a very flirtatious kiss toward the lens, then immediately becomes shy and smiles with a bashful expression, slightly lowering her gaze and shoulders in a sweet, lovable way. The motion should feel natural, confident, playful, and endearing. Emphasize realistic facial micro-expressions, subtle body movement, crowd perspective, immersive handheld zoom-in, and high-end concert cinematography. Chinese: 手持拍摄质感，超细节4秒文生视频提示词，4K，120fps，超高分辨率，写实真人演唱会画面。白天户外演唱会，天气非常炎热，阳光强烈明亮。舞台上一支亚洲K-pop女团正在表演。镜头从观众人群中开始，前景有欢呼的人群、举起的手、应援棒和手机，画面略带遮挡，然后镜头自然地向前推进并逐渐变焦，最终聚焦到女团中的一位成年女性，她在结尾时位于画面中心。她是主要主体，气质迷人、可爱、亲和力强，妆容精致，嘴唇饱满并带有水光感，头发带发夹，手部是修长精致的长款美甲。她穿浅粉色紧身露脐上衣、厚实宽松的短款连帽卫衣、低腰细节牛仔裤并带有可见系绳丁字元素。腰非常纤细，腹部平坦纤瘦，身形自然柔和。炎热天气让皮肤有轻微汗感光泽，阳光照在她的脸和服装上，舞台气氛热烈，观众充满能量，镜头呼吸感真实，自然轻微手持晃动，浅景深，高动态范围，皮肤纹理与布料纹理清晰，电影级高光，鲜艳的夏日色彩。 动作节奏：歌曲结束，观众爆发欢呼，她注意到镜头，朝镜头送出一个非常撩人的飞吻，随后立刻害羞地露出甜美笑容，微微低下视线和肩膀，表现出讨喜、可爱、让人心动的神态。动作必须自然、自信、俏皮、讨喜。重点强调真实的面部微表情、细微肢体动作、观众视角、沉浸式手持推进变焦，以及高端演唱会电影摄影感。

Photorealistic leaked NYC celebrity phone footage. Single continuous handheld iPhone shot, chest-height bystander POV, subtle micro-shake, accidental bumps, autofocus hunting, exposure flicker, compression artifacts, raw 4K grain, natural motion blur, swallow real phone DOF, zero cinematic styling. Midnight Manhattan sidewalk after rain, sodium streetlights, neon spill, wet pavement reflections, passing headlights, diegetic audio only: cab horns, muffled chatter, girls screaming/laughing, shoe scuffs, SUV idle, wind on mic, bodyguard radio static. 0–3s: ordinary busy NYC sidewalk, people crossing naturally, shoulder clips frame. 3–6s: two girls suddenly freeze and grab each other, camera pans toward distant celebrity walking between security guards, slightly out of focus. 6–10s: autofocus sharpens him; nearby girls stare in disbelief, one filming already. Subject walks calmly, slight smirk, streetlights hitting face unevenly. 10–13s: excited girl in red steps toward him, bodyguard gently blocks path, crowd compresses, camera shakes. Subject gives brief nod and controlled half-smile without stopping. 13–15s: black Escalade curbside, door opened, he enters smoothly, heavy door thud, camera lingers on taillights fading in rain reflections while stunned girls watch silently. Main subject: @img, face perfectly consistent. Outfit locked: fitted black crewneck, slim black trousers, black leather sneakers, thin gold chain, dark rectangular tinted glasses at night. Two plainclothes security guards flanking him. no ai aesthetics, no smooth skin, no cinematic grading, no artificial lighting, no lens perfection, raw phone footage texture, real crowd imperfection, documentary realism, indistinguishable from leaked real footag

@画像1に映る日本人女性が自撮りもしくは不意に友達から撮られたエモいフィルターカメラで撮った手ブレが多い下手くそな思い出写真を思い出の映像フィルムとして動画化して。全部顔が映らないくらいにブレブレかサングラスとか手とかで顔を隠して

# 超ハイクオリティ実写エモムービー制作 ## コンセプト とにかくエモい15秒のショートムービーを3x3の9グリッド画像から生成。 ベースは下記。 - リアリスティック実写。 - 一組の日本人の女性と男性の思い出。 - 手振れを伴うハンドヘルドスタイルで日常感を演出。（屋外や動きのあるシーンは手振れを強めに） - 末尾に記載する「歌詞」の内容から連想する情景を重視する。 - すべてのカットはローコントラストでカラーグレーディングを統一する。 - シネマティックで高度なライティングとシェーディング. ノスタルジックな質感とエモい雰囲気を演出。 ## シーケンス - @ image_1 の全てのカットを順不同で1つずつカット切り替えしながら使用し、全体としてエモい構成のムービーにする。 - グリッドのまま使わないこと。必ず1シーンずつ使用。 - @ audio_1 の音源をBGMとして使用する。 ## 歌詞 ``` （ここに歌詞）

画像1の人物またはキャラクターを使って、15秒の縦型実写ダンス動画を作成 - 顔、髪型、衣装、色、全体のシルエットは画像1を優先する - 人物は1人だけ - 顔、手、指、足の形を自然に保つ - 衣装の細部よりも、身体の重心移動、姿勢、シルエットを優先する - 激しいブレイクダンスではなく、高校生がノリで踊ってみた感じの音楽に乗るような短い実写ダンスMVにする - 重心移動、肩、腰、膝、足首の連動を明確にする - 同じ振付を続けず、ステップ、振り返り、手元、足元、横顔、髪の揺れを混ぜる - 友達がiPhoneで動画を撮っているような雰囲気で、素人感がでているカメラワーク（手ブレなど）

A young woman (image) in a soft oversized sweater sits curled up on a couch under a blanket in a small, cozy apartment living room, the TV glowing blue-white just off-frame casting flickering light across her face; a bowl of popcorn sits on the couch cushion beside her, a throw pillow tucked against her side, string lights softly out of focus on the wall behind. Her boyfriend holds the phone up from beside her, filming first-person selfie-style, never shown on screen. She glances over, mildly annoyed but smiling, as he says, teasing: "야, 영화 안 보고 뭐 해." She rolls her eyes with a small laugh, tossing a piece of popcorn in his general direction off-screen: "네가 자꾸 나 찍으니까 그렇지." He laughs quietly: "예쁘게 나오는데 왜 그래." She scoffs, cheeks warming, turning back toward the TV in mock protest, pulling the blanket up higher: "됐고, 조용히 좀 봐." A beat later something on screen makes her flinch and grab the blanket tighter, a small startled laugh escaping her, hiding half her face behind the pillow while peeking one eye out toward the TV: "아 뭐야 진짜 놀랐잖아." She turns to look at the camera again, still catching her breath from the jump-scare laugh, hair slightly mussed, cheeks flushed from the warmth of the blanket, and gives him a playful narrow-eyed look before saying, soft and amused: "그만 찍고 이리 와서 앉아." She settles back into the couch with a small contented sigh, eyes flicking back to the TV glow. Shoot as one continuous first-person handheld selfie, frame breathing gently with his arm, subtle shifts as he leans in and settles beside her. Keep skin texture, pore detail, and the cool-warm mix of TV glow and lamp light razor-sharp with no beauty filter or smoothing — real phone footage look, subtle grain, natural indoor light. Exactly one woman in frame, phone-holder off-screen and never shown, no second person, no reference sheet or duplicate subject. No subtitles, on-screen text, logo, or watermark. Diegetic sound only: muffled TV dialogue/music in the background (non-specific, generic), soft blanket rustling, popcorn bowl clinks, her voice frontal and lip-visible, his voice warm and ambient from behind the camera (not lip-synced).

Create a 15 second cinematic underground fashion film in 16:9 inside a real concrete multilevel parking garage at night. Two stylish adult women are the central subjects. One has long straight black hair with blunt bangs, narrow dark futuristic sunglasses, a distressed silver and black sleeveless graphic top, layered metallic necklaces, stacked bracelets, fingerless black gloves, loose dark trousers, chunky black footwear and a large worn black shoulder bag. The second has long pale blonde hair under a fitted black beanie, oversized rectangular black sunglasses, a fitted white top, oversized black jacket slipping casually from her shoulders, a short dark skirt, black thigh high socks, chunky shoes, silver jewelry and a large textured handbag. Use an extremely wide vintage fisheye lens with visible barrel distortion and strong perspective stretching. The camera should feel like a real person holding a small early digital camcorder at arm length. Preserve tiny framing mistakes, slight horizon drift, natural hand vibration, physical footsteps, unpredictable body proximity, realistic autofocus breathing and occasional motion blur. Never make movement perfectly stabilized or mechanically smooth. Open extremely close to both women crouching beside a black motorcycle, staring calmly into the lens while a fluorescent fixture blooms above them. Rapidly orbit and tilt around them as they adjust sunglasses, move their hair and casually interact with the camera. Cut to a dramatic floor level detail of the motorcycle engine, rear wheel, frame, dark metal and chrome reflecting harsh ceiling light. Show both women crouching over an open bag with believable personal objects scattered on the concrete. Insert a brief near black rhythmic cut. Return with an intimate overhead fisheye angle while they search through the bag. The blonde woman raises a tiny silver compact camera toward the lens. One woman stands and crosses the painted white pedestrian stripes while the other collects her bag. Follow them through the garage with loose handheld backward movement. Include concrete pillars, curved driving lanes, yellow curb paint, white directional markings, a black parked car and a white van deep in the background. Around the middle create one very brief three image editorial collage of the dark haired woman from different close perspectives, then immediately return to natural live action. Show her walking away carrying the heavy black bag before both women turn and confidently walk back toward the camera. As they approach, allow the fisheye perspective to enlarge their faces, hands and clothing naturally. Finish by returning to the motorcycle where they crouch close to the camera again, creating a seamless visual loop to the opening shot. Lighting must come almost entirely from practical cold fluorescent garage fixtures with slightly green white color, blown highlights around lamps, deep soft shadows under eyes and clothing, subdued concrete colors

Ultra-realistic amateur cryptid sighting footage. Cheap handheld camcorder look, low-quality image, unstable zoom, bad autofocus, heavy digital grain, compression artifacts, shaky framing, harsh breathing close to the microphone, accidental overexposure through the trees, raw found-footage realism. No polished cinema look. One unseen camera operator only, frightened adult hiker breathing heavily behind the camera. One massive Bigfoot-like forest creature: tall, broad, covered in dark matted hair, humanlike posture, heavy natural movement, never cartoonish. Dense forest in daylight, uneven ground, wet leaves, tree trunks, foggy depth, broken branches, deep natural shadows. Authentic low-grade camcorder texture, believable forest sound, realistic creature anatomy, limited but clear reveal, unstable autofocus, strong viral payoff, natural movement, terrifying realism, no comedy, no clean digital polish. 0-5s: Shaky handheld POV - The camera moves through the forest, breathing loud, branches hitting the lens. The operator whispers in French: “Attends… attends… c’est quoi ça là-bas ?” The image struggles to focus between trees. 5-10s: Messy zoom-in - Through the trees, a huge hairy figure is barely visible in the distance, half-hidden behind a trunk. The operator mutters: “Non… non… c’est pas possible…” The creature slowly steps forward into a small patch of light. 10-15s: Unstable push and panic reframing - The Bigfoot-like creature turns its head toward the camera. Clear view for only a second: massive shoulders, long arms, wet dark fur, heavy breathing. The operator gasps and whispers: “Oh mon Dieu…” 15-20s: Violent shake, partial loss of frame - The creature suddenly lets out a deep roar and takes two fast steps toward camera. The operator panics, stumbles backward, drops the camera toward the ground. The last image catches the creature rushing closer through the trees before the footage cuts to black.79:T7b3,Ultra-realistic amateu

15-second brutal real Hollywood action movie, vertical 9:16, filmed with two real adult actresses on a physical biotechnology-laboratory set. One continuous unbroken handheld shot: no cuts, transitions, slow motion or speed ramping. @Image1 and @Image2

Create a 30-second photorealistic vintage 16mm documentary set in rural Umbria, Italy, summer 1982. Make it feel like a beautiful forgotten family film shot on Kodak 16mm: warm sun-faded colors, fine analog grain, subtle film flicker, dust, tiny scratches, gentle light leaks, soft halation, slight gate weave, organic focus breathing and imperfect handheld camera movement. 4:3 aspect ratio, no modern cinematic polish. Main character: A naturally beautiful Italian woman, early 20s, slender, warm olive-fair skin, hazel-brown eyes and long dark honey-brown hair loosely tied with a cream ribbon, soft flyaway strands. She wears an elegant ivory linen midi dress with tiny muted terracotta and dusty-blue floral prints, fitted waist, soft puff sleeves, square neckline and fabric-covered buttons, a thin vintage leather belt, tan ankle-strap sandals, tiny pearl earrings and a delicate gold necklace. Natural makeup, no modern accessories. She carries a woven wicker basket with bread, peaches, figs, basil and white wildflowers. 0–6s: She walks through a picturesque medieval Umbrian village lane, touching ivy-covered stone walls. Terracotta roofs, green shutters, red geraniums, ceramic pots and an old Fiat 126 surround her. Her floral dress and hair move gently in the afternoon breeze. 6–12s: She enters a small village piazza. An elderly baker carries fresh bread, women sit outside a bakery, a boy rides an old bicycle and a cream Vespa rests beside a stone wall. The baker smiles and gives her a small loaf. She laughs softly. The handheld camera briefly loses focus before finding her again. 12–17s: A little girl drops wildflowers. The woman kneels gracefully, gathers them and returns the bouquet with a warm smile. The child smiles shyly. Nobody acknowledges the camera. 17–23s: She leaves the village along a path bordered by olive trees, golden grass, poppies and ancient stone walls. The camera moves beside her as her ivory floral dress flows naturally. Birds suddenly rise from a nearby field. 23–28s: She reaches an overlook above beautiful Umbrian hills: vineyards, olive groves, golden fields, stone farmhouses and distant medieval hill towns in warm summer haze. She rests against an old wooden railing, watches the valley and gently tucks windblown hair behind her ear. 28–30s: She picks up her basket and walks away through the olive trees. The camera stops naturally and holds on the empty golden landscape. A subtle film flicker ends the footage. Overall aesthetic: romantic Italian summer, elegant vintage fashion, authentic 1982 village life, beautiful natural woman, warm golden sunlight, realistic skin and fabric texture, documentary realism, imperfect human camera movement, genuine Kodak 16mm archival texture. No modern objects, no digital look, no AI-smooth skin, no posing.77:Tb0e,Crea