립싱크 영상

이미지-투-비디오 · 씨댄스 2.0 · 4K · 15초 · 단일 레퍼런스 이미지를 첫 프레임으로 · 대사 입모양 동기화. 첫 프레임(=업로드한 레퍼런스 이미지, 형상 100% 고정): 고전풍 미인. 금 보요 머리장식과 진주 술 장식이 얼굴 옆으로 드리워지고, 진홍빛에 금사로 수놓은 겉옷 안에 흰 속옷을 받쳐 입었다. 한 손엔 산수화 접부채와 흰 매화/벚꽃 가지 한 송이를 들고, 붉은 기둥의 긴 회랑에 서 있다. 황혼의 금빛 측광, 은행잎이 흩날리고 젖은 청석 바닥엔 반사광이 어린다. 인물의 이목구비/머리/의상/장신구/부채 문양/구도는 첫 프레임과 완전히 일치, 끝까지 변형이나 얼굴 교체 금지. 인물·표정·동작·대사(감정 연기, 입모양과 대사 엄격히 동기화): 0-2초: 살짝 고개를 숙여 시선을 접부채에 두고, 입가에 은은하고 절제된 미소. [작게·기식음] "이 회랑의 바람이, 또 이는구나." 2-4초: 미소를 천천히 거두고 고개를 들어 화면 오른쪽으로 시선을 옮기며 표정이 진지해진다. [어조 살짝 멈칫] "네가 말했었지... 잎이 계단 가득 질 무렵 돌아오겠다고." 4-6초: 눈가에 옅은 의구심과 근심이 스치고 입술이 미세하게 움직이며 말을 머금는다(미간은 찌푸리지 않는다). [반쯤 삼키며] "그런데 지금은..." (말끝을 멈춘다) 6-8초: 시선이 천천히 가라앉고 고요한 상실감, 눈빛이 잦아든다(눈물은 흘리지 않는다). [거의 무성·입모양만] "됐어." 8-10초: 고개를 숙여 살며시 눈을 감고, 입꼬리에 지극히 옅은 자조의 미소. [혼잣말·기식 섞인 웃음] "내가 너무 오래 기다린 거겠지." 10-12초: 고개를 들어 따뜻한 빛을 맞으며 절제된 표정, 눈빛엔 다정함과 서운함이 함께. [낮고 안정되게] "널 원망하지 않아, 정말로." 12-15초: 정면/화면 오른쪽을 응시, 눈빛은 부드럽고 촉촉하며 입술이 무언가 말할 듯 가볍게 움직이다가, 결국 고요한 응시로 돌아와 다정하고 청아하며 옅은 우수가 어린 표정으로 정지. [마지막 한마디 기식음·점점 잦아들며] "...부디 너만은, 평안하기를." 음성: 여성 목소리, 부드럽고 청아하면서 서늘하고, 기식음이 많으며 말이 느리고 끝음이 살짝 가라앉는다. 절제된 감정으로 혼잣말 읊조리듯, 시종 얼굴 입모양에 밀착. 카메라: 고정 중근경, 극도로 느린 푸시인으로 얼굴과 눈빛을 향한다. 얕은 심도, 배경의 붉은 기둥과 흩날리는 잎은 흐릿하게. 원테이크, 컷/전환 없음. 분위기·조명: 황혼의 금빛 역측광, 따뜻하고 부드러운 톤. 은행/꽃잎이 미풍에 자연스럽게 떨어지고 젖은 바닥에 반사광, 섬세한 공기감. 부드럽고 청아하며 절제된 우수의 톤. 제약: 4K, 15초, 인물/의상/장면이 첫 프레임과 100% 일치. 대사와 입모양 엄격 동기화, 발음은 또렷하고 자연스러운 기식음 질감, 가짜 입모양/어긋남 금지. 표정은 7단계 감정 곡선으로 점층, 끊김 없이. 눈빛 연기 살리되 눈이 빛나거나 동공 이상 금지. 바람/낙엽/술 장식/부채 술이 실제 물리에 맞게 부드럽게. 끝은 검은 화면/전환 없이 자연스럽게 정지. 자막/워터마크/문자 없음.

씨댄스 2.0 · 4K · 가로 16:9 · 약 15초 · 사실적 실사 영화 질감 · 영어 대사 입모양 정밀 동기화. 캐릭터(레퍼런스 이미지로 형상 고정, 프레임마다 동일, 얼굴/의상 교체 금지): - 여주 카시디(27세): 긴 레이어드 금발 웨이브, 옅은 갈녹색 눈, 베이지 니트 원피스, 누드톤 스트랩 힐, 금목걸이. 본래 따뜻하지만 이 장면에선 날카롭게 폭발한다. - 남주 마르코(42세): 짙은 곱슬머리에 약간 벗겨진 이마, 검정 뿔테 둥근 안경, 네이비 슬림 정장 재킷+흰 셔츠+울 슬랙스+갈색 구두. 본래 자신만만하지만 이 장면에선 당황해 쩔쩔맨다. 장면: 연극 무대 현장. 나무 무대와 짙은 커튼 배경, 한 줄기 탑 조명이 두 사람을 비춘다. 객석은 어둠에 잠겨 흐릿한 인영과 드문드문한 반사광만 보이고, 극장 특유의 현장감과 긴장감이 흐른다. SHOT 1 (0-3초, 중근경): 카시디가 마르코에게 한 발씩 다가서며 턱을 살짝 치켜들고 날카로운 눈빛으로 따져 묻는다. 감정이 점점 고조된다. [카시디, 추궁하듯 점층] "Danger? ... Danger?? ... DANGER???" SHOT 2 (3-4.5초, 반신·동작 절정): 말이 끝나기 전에 카시디가 손등으로 무대식 따귀를 마르코의 뺨 옆으로 휘두른다(무대 연기, 닿을 듯 말 듯). 마르코의 고개가 옆으로 돌아가고 안경이 살짝 비뚤어지며 장내가 일순 정적. [짝 하는 또렷한 따귀 효과음] SHOT 3 (4.5-6초, 여주 얼굴 클로즈업): 카시디가 분이 안 풀린 채 이 사이로 한마디 내뱉는다. [카시디, 낮게] "Fuck!" (또는 삐- 음소거 처리) SHOT 4 (6-15초, 중근경에서 남주 얼굴 특사로): 마르코가 안경을 고쳐 쓰고 두 손을 모아 객석을 향해 황송하고 진심 어린 사죄를 한다. 말투는 진지하고 약간 허둥댄다. [마르코, 진심 어린 영어 사죄] "I'm sorry. I'm so sorry, everyone. My whole 'danger' theory caused you all so much trouble. I'm a stupid pig. I sincerely apologize to all of you. We'll do everything we can to get Fable 5 online as soon as possible." 마지막에 살짝 고개를 숙이고 조명이 그에게 모인다. 음성: 카시디는 추궁의 날카로움에서 분노의 폭발로, 기성 섞인 노여움, 끊어지는 리듬. 마르코는 진심 어리고 다급하며 살짝 떨리는 사죄, 다소 빠른 말투. 모든 영어 대사를 입모양과 엄격히 동기화, 발음은 또렷하고 자연스럽게, 가짜 입모양/어긋남 금지. 비주얼: 사실적 실사 영화 질감, 무대 탑 조명+윤곽광, 따뜻한 톤, 얕은 심도, 진짜 피부 모공과 미세 표정, 천 재질감, 따귀 순간의 머리 관성까지 자연스럽게. 카메라: 무대극식 기위로 중근경/반신/얼굴 특사 전환, 따귀 순간 빠른 컷+미세한 흔들림, 사죄 구간은 천천히 푸시인. 자막/워터마크/문자 없음.

A man wearing an ultra-luxurious golden royal king costume with a jeweled crown, rapping with confident swagger throughout the entire video. SCENE 1: Low angle slow push-in shot inside a grand opulent palace with marble pillars and golden chandeliers, he raps looking straight into camera with bold confidence. SCENE 2: 360 degree orbit shot as he walks through a breathtaking royal garden with blooming flowers, golden fountains, and lush greenery, rapping smoothly with cool swag. SCENE 3: Dutch angle lateral tracking shot as he walks through a futuristic royal marketplace filled with glowing golden stalls, exotic goods, and wealthy merchants bowing, rapping with street swagger. SCENE 4: Wide establishing shot then fast dramatic zoom in to his face as he walks through a massive royal courtyard lined with armored royal guards standing at attention. SCENE 5: Bird's eye view slowly craning down to reveal him sitting on a magnificent jeweled throne, beautiful women in elegant luxurious modest royal dresses standing on both sides fanning him with golden fans, he raps with ultimate king energy. MUSIC: West Coast hip hop beat, heavy bass, slow-rolling g-funk style, deep 808 kicks, smooth synth melody, royal orchestral strings layered over the beat, fast rap flow, energetic and powerful. LYRICS SUNG BY CHARACTER: I'm the king on the throne, crown shining so bright / My kingdom's so rich, everything feels right / My people don't beg, they laugh every day / Justice and gold, yeah we living that way / From the palace to the market, glory on display / I'm the king of it all, and it's gonna stay! Cinematic 4K, hyper-luxurious, dynamic camera movements, golden dramatic lighting, epic royal atmosphere, fast-paced cuts synced to rap rhythm.

A 1960s television studio: two men in tailored suits face each other across a wooden desk crowded with chrome ribbon microphones, heavy drapes behind them. The older man on the left leans forward on the desk and argues, gesturing with his jaw and brows; the younger man on the right listens, then answers back. They trade lines in a heated but controlled debate, mouths matching the words exactly. Static locked-off two-shot, warm faded Technicolor palette, soft studio key light. Audio: clear back-and-forth dialogue with the boxy tone of a period broadcast.

A young woman (image) in a soft oversized sweater sits curled up on a couch under a blanket in a small, cozy apartment living room, the TV glowing blue-white just off-frame casting flickering light across her face; a bowl of popcorn sits on the couch cushion beside her, a throw pillow tucked against her side, string lights softly out of focus on the wall behind. Her boyfriend holds the phone up from beside her, filming first-person selfie-style, never shown on screen. She glances over, mildly annoyed but smiling, as he says, teasing: "야, 영화 안 보고 뭐 해." She rolls her eyes with a small laugh, tossing a piece of popcorn in his general direction off-screen: "네가 자꾸 나 찍으니까 그렇지." He laughs quietly: "예쁘게 나오는데 왜 그래." She scoffs, cheeks warming, turning back toward the TV in mock protest, pulling the blanket up higher: "됐고, 조용히 좀 봐." A beat later something on screen makes her flinch and grab the blanket tighter, a small startled laugh escaping her, hiding half her face behind the pillow while peeking one eye out toward the TV: "아 뭐야 진짜 놀랐잖아." She turns to look at the camera again, still catching her breath from the jump-scare laugh, hair slightly mussed, cheeks flushed from the warmth of the blanket, and gives him a playful narrow-eyed look before saying, soft and amused: "그만 찍고 이리 와서 앉아." She settles back into the couch with a small contented sigh, eyes flicking back to the TV glow. Shoot as one continuous first-person handheld selfie, frame breathing gently with his arm, subtle shifts as he leans in and settles beside her. Keep skin texture, pore detail, and the cool-warm mix of TV glow and lamp light razor-sharp with no beauty filter or smoothing — real phone footage look, subtle grain, natural indoor light. Exactly one woman in frame, phone-holder off-screen and never shown, no second person, no reference sheet or duplicate subject. No subtitles, on-screen text, logo, or watermark. Diegetic sound only: muffled TV dialogue/music in the background (non-specific, generic), soft blanket rustling, popcorn bowl clinks, her voice frontal and lip-visible, his voice warm and ambient from behind the camera (not lip-synced).

A main character performs a rap song while “yes&” appears on the screen. 6-second video.

A cinematic conversation between a large stone golem and a rugged forest troll standing in a misty mountain clearing. They are discussing whether Flux 3 can automatically add subtitles for dialogue that is not written in the prompt. The golem speaks in a deep rumbling voice, the troll replies in a rough gravelly tone. Natural daylight, detailed textures, subtle wind, realistic atmosphere. (Automatically generate their full dialogue and burn subtitles on screen for everything they say)

Use [image1] as the start of the video. She is speaking to an unseen person off camera. She says: "So I go to see this flat. Top floor, rent's half what it should be, and the agent won't come up the stairs with me." Then cut to the voice only of the woman from [image1] as she continues to talk as a voiceover only. As she talks, her words are visualised as a story in the same visual style. The voiceover is: "First room: shoes. Hundreds of pairs, all facing the door, laces done up. Second room's got rain in it. Indoor rain, proper raincloud pouring raindrops all over the carpet. Third room, there's a window looking out onto a beach in full summer. It was February." Illustrate the voiceover sequence to tell the story visually. Then cut back to [image1] and she says with a smile: "Anyway. I signed the lease that afternoon."

【Seedance 2.5／30秒／4:3／日本語音声/430p] 日本のテレビアニメ風、セルルック、平塗り中心。すっきりした主線、整理された色面、自然で控えめな朝の光。高密度な美麗イラスト調や厚塗りにしない。西洋風の大きな屋敷にある、格式高いご主人様の寝室。早朝。室内には大きな天蓋付きベッド、重厚なカーテン、背の高い両開き窓がある。 登場人物は二人だけ。 画像1は毒舌で冷静沈着な美しいメイド。クラシカルな黒いロング丈のメイド服、白いエプロン、白いメイドキャップ。姿勢がよく、動作は無駄がなく優雅。普段は感情の薄い無表情。声は落ち着いた若い女性の声で、丁寧だが冷淡。 寝起きの画像2のご主人様。画像2をパジャマ姿で。ベッドの中では無防備で、少し甘えた性格。声は眠そうな若い男性の声。 キャラクターの顔、髪型、衣装、体格、配色を全カットで完全に統一する。会話は自然な日本語。台詞に合わせて口を正確に動かす。画面内に字幕、文字、吹き出し、ロゴ、透かしを表示しない。 【0～3秒】 重厚なカーテンと、それをつかむ画像1のメイドの手を極端なクローズアップで映す。 朝の柔らかな日差しが隙間から広がり、画面が明るくなる。カーテンが滑る布の音。遠くから小鳥の声。 【3～6秒】 ベッドで眠っている画像2のご主人様の顔のクローズアップ。 開かれた床まである大きな窓から差し込んだ朝日が, ご主人様の閉じた目元に当たる。まぶしさに眉を寄せ、顔をしかめる。まだ目は開かない。枕に顔を少し埋めようとする。 【6～9秒】 ご主人様のPOV。まぶたがゆっくり開く主観映像。 最初はぼやけていた視界が徐々に鮮明になる。ベッドの横に立ち、こちらを見下ろしている画像1のメイドの全身が、寝床から見上げる低いアングルで見える。朝日がメイドの背後から差し込む。 ご主人様が眠そうに小さくうなる。 ご主人様「う、うーん……」 【9～14秒】 ベッドから画像1のメイドを見上げるローアングルのバストアップ。カメラに向かって話すメイド。 画像1のメイドは背筋を伸ばし、完全な無表情。瞬きも最小限。声は礼儀正しいが、温度の低い事務的な口調。 画像1のメイド「おはようございます、ご主人様」 カット切り替え。 画像1のメイドの斜め横、下からのアップ「朝です。起きてください」 【14～19秒】 ベッドを真上から見下ろす俯瞰ショット。 画像2のご主人様は目を閉じたまま、眠そうな笑顔で甘える。台詞の途中から毛布を引き上げ、最後には頭まで完全に潜り込む。 ご主人様「優しくしてくれたら起きる～」 毛布の中で身体を丸め、起きる気がまったくない。メイドの影がベッドの上に静かに伸びる。 【19～22秒】 画像1のメイドの顔のクローズアップ。 無表情だったメイドが、突然、慈愛に満ちた天使のような美しい微笑みを浮かべる。目を細め、わずかに首を傾ける。背景の朝日が神々しく輝き、ごく控えめなキラキラが現れる。 しかし、その微笑みにはどこか恐ろしい圧がある。声だけは非常に優しい。 画像1のメイド「仕方ありませんね」 台詞の直後、短い不穏な間。 【22～30秒】 テンポよくハードカットして、状況が一変したコミカルなワイドショット。 寝室の外のバルコニー。 画像2のご主人様は毛布で頭の下から足先まで、巨大な巻物のように何重にもグルグル巻きにされている。毛布は2箇所、紐で結ばれている。画像2のご主人様の顔だけが毛布の端から出ている。身体や手足は毛布の中に完全に包まれており、身動きできない。 画像1のメイドは寝室の前のバルコニーに立ち、その毛布巻きのご主人様を両手で頭上高く, 水平に軽々と持ち上げている。両手で毛布の塊を確実をつかみ、窓の外へ放り投げる直前の姿勢。画像1のメイドの姿勢は安定しており、表情は先ほどと同じ天使のような微笑み。動作には一切の迷いがない。 画像2のご主人様は目を大きく見開き, 顔だけを必死に動かして叫ぶ。 ご主人様「ウソです！　起きまーす！」 メイドは笑顔のまま無言。ご主人様を持ち上げた状態で静止し、実際には投げない。 軽快なコメディ調の音楽と、ご主人様の焦った声で締める。最後の一秒は、微笑むメイドと恐怖で青ざめたご主人様の対比がよく分かる構図で止める。7a:T1013,[Seedance 2.5 / 30 seconds / 4:3 / Japanese Audio / 430p] Japanese TV anime style, cel-look, primarily flat colors. Clean outlines, organized color fields, natural and modest morning light. Not high-density beautiful illustration style or thick painting. A prestigious master's bedroom in a large Western-style mansion. Early morning. The room has a large canopy bed, heavy curtains, and tall double-hung windows. Only two characters. Image 1 is a beautiful, cold-tempered, sharp-tongued maid. Classical black long maid uniform, white apron, white maid cap. Good posture, efficient and elegant movements. Usually expressionless with little emotion. Voice is a calm young woman's voice, polite but cold. Image 2 is the master just waking up. Image 2 in pajamas. Vulnerable in bed, slightly spoiled personality. Voice is a sleepy young man's voice. Face, hairstyle, costume, physique, and color scheme of the characters are completely unified across all cuts. Conversation is natural Japanese. Mouth moves accurately according to the lines. No subtitles, text, speech bubbles, logos, or watermarks in the frame. [0-3s] Extreme close-up of heavy curtains and the hand of the maid from Image 1 grabbing them. Soft morning sunlight spreads through the gap, and the screen brightens. Sound of curtains sliding. Small birds in the distance. [3-6s] Close-up of Image 2's face sleeping in bed. Morning sun shining from the large floor-to-ceiling window hits Image 2's closed eyes. Brows furrowed in glare, grimacing. Eyes don't open yet. Trying to bury face slightly in the pillow. [6-9s] Master's POV. Subjective footage of eyelids opening slowly. The initially blurry vision gradually becomes clear. The full body of the Image 1 maid standing beside the bed looking down is seen from a low angle. Morning sun shines from behind the maid. Master groans sleepily. Master: "Ugh, hmmm..." [9-14s] Low-angle bust-up shot looking up at Image 1 maid from the bed. Maid talking to the camera. Image 1 maid has her back straight and is completely expressionless. Minimal blinking. Voice is polite but low-temperature and business-like. Image 1 maid: "Good morning, Master." Cut change. Diagonal side/upward close-up of Image 1 maid: "It is morning. Please wake up." [14-19s] Overhead shot looking straight down at the bed. Image 2 master acts spoiled with a sleepy smile, eyes closed. Pulls up the blanket during the dialogue and eventually dives in completely over his head. Master: "I'll wake up if you're kind to me~" Curling up inside the blanket with no intention of waking. Maid's shadow extends quietly over the bed. [19-22s] Close-up of Image 1 maid's face. The previously expressionless maid suddenly wears a beautiful, angelic smile full of affection. Narrows her eyes and tilts her head slightly. Background morning sun shines divinely with subtle sparkles. However, there is a somehow terrifying pressure in that smile. The voice alone is extremely gentle. Image 1 maid: "I suppose it can't be helped then." A short, ominous pause immediately after the line. [22-30s] Quick hard cut to a comical wide shot with a completely changed situation. Balcony outside the bedroom. Image 2 master is wrapped multiple times in a blanket from head to toe like a giant scroll. The blanket is tied with string in two

CHARACTER LOCK: Use the uploaded reference image as the exact character reference. Lock her facial identity, eye color, skin tone, hairstyle, makeup, body proportions, and overall appearance throughout the entire video. She has long black hair tied in a low ponytail, soft natural makeup, expressive grey-green eyes, and wears the same fitted white graphic baby tee, oversized denim shorts, white crew socks, chunky sneakers, silver hoop earrings, layered necklaces, rings, and an oversized black bomber jacket hanging loosely off her shoulders. Maintain perfect character consistency in every shot. SET: A high-end American hip-hop/rap music video inside a premium photography studio transformed into a modern urban performance space - blue cyclorama backdrop, minimalist graffiti walls, professional drum kit, vintage brown leather sofa, polished concrete floor, blue neon tube lights, industrial spotlights, subtle atmospheric haze, cinematic contrast. Mainstream Western rap aesthetic with luxury production value. SEQUENCE: Opens on an ultra-wide close-up, direct eye contact, confident expression, folded arms. Cut to a dramatic side silhouette - head lowers, then rises with relaxed hip-hop hand gestures. Full-body wide-angle reveals her grooving to the beat, shoulders bouncing, jacket shifting with realistic fabric movement. Handheld shoulder-mounted tracking circles her as she lip-syncs with expressive facial performance. She points at the lens, half-smiles, steps forward with swagger. Low-angle hero shot as she spreads her arms beneath the blue lights. She walks to the drum kit, sits, and plays energetically in rhythm. Fast cuts between overhead, side, and close-up - realistic stick movement, expressive reactions, synchronized performance. Transition to a blue roller shutter covered in graffiti. She squats, elbows on knees, holding eye contact while rapping. Slow push-in from the side, then cut to her lounging on the leather sofa, one arm along the backrest, nodding with the rhythm. Side silhouette sequence with haze and strong blue backlighting - smooth body movement, hand gestures, confident lip-sync, hair moving with subtle airflow, camera gliding on wide-angle lenses. Final sequence returns to full stage. Center, under spotlights, surrounded by drums, graffiti, neon. Camera pulls back as she delivers the last lines, ending on a confident pose as the lights fade. QUALITY: Professional rap music video cinematography, cinematic handheld movement, wide-angle lens distortion, premium studio lighting, realistic skin texture, natural eye reflections, detailed hair strands, physically accurate lighting and shadows, authentic lip-sync, expressive body language, smooth choreography, realistic fabric simulation, high-end fashion editorial styling, 16:9 widescreen, no subtitles, no logos, no watermarks, no on-screen text.

Use <<image>>only for the WOMAN’s face, identity, hair, skin texture, and body proportions. Do not copy its background, clothing, lighting, or composition. 30s cinematic thriller, photorealistic. Rainy gas-station mini-mart after a car crash. Controlled handheld camera, fluorescent practicals, intermittent red/blue police lights, wet asphalt, haze, realistic sweat/grime, shallow DOF, film grain. No music. CAST: WOMAN throughout: torn dark jacket, jeans, scraped forearm, messy half-loose hair, sweaty, aggressive and adrenaline-fueled. CLERK: tired 40s man, green vest/flannel, cautious. STRANGER appears only in S9, dark silhouette, face never visible. No other people. DIALOGUE RULE: Korean, natural quiet speech, perfect lip-sync. Action must completely stop before speaking; speaker faces camera/front 3/4 with unobstructed mouth and remains still during the line. No VO/off-screen speech. S9 silent. S1 0–2.5: Woman bursts in, grabs unlabeled water from cooler, rushes to counter. S2 2.5–5: Slams bottle down, stops, faces camera: “붕대 있어요? 빨리요.” S3 5–7.5: Clerk cautiously gets bandage kit, stops, faces camera: “저기… 괜찮으신 거예요?” Places kit down. S4 7.5–9.5: Woman grabs kit, stops: “신경 꺼요.” Clerk backs away. S5 9.5–12: She sits by window, opens kit and wraps forearm. Police lights/wreck briefly visible outside. No dialogue. S6 12–14.5: Finishes bandage, stops, faces camera: “…살아있네.” Then drinks water. S7 14.5–16.5: Watches police lights through rainy glass, sets bottle down. No dialogue. S8 16.5–18.5: Hears something, clenches fist, rises and faces door. No dialogue. S9 18.5–22: Stranger bursts in and grabs her. Brief raw struggle—she twists free, elbows/shoves him, shelf rattles, bottle rolls, she forces him outside. His face never visible. No dialogue. S10 22–25: She reaches door, stops, looks back at clerk: “문 잠가요. 아무도 안 들여보내고.” Then exits. S11 25–30: She sprints through rain, jumps into dark sedan, starts instantly, reverses and speeds away from the police and crash. Police car passes the now-empty station too late. Door remains open/swinging. CONTINUITY: Same woman/face, store layout, door, red OPEN sign, water bottle and bandage progression throughout. No duplicated props/people, no weapons/blood/gore, no subtitles/text/logos/watermarks, no beauty retouching, no slow motion/speed ramps.6c:T99f,Use <<image>>only for the WOMAN’s face, identity, hair, skin texture, and body proportions. Do not copy its background

30秒のコミカルな実写ミュージックビデオ。日本の普通の家庭のキッチン。一人の女性が冷蔵庫の前に立っている。女性は冷蔵庫を勢いよく開けた瞬間、完全に目的を忘れてしまう。冷蔵庫の中を真剣な顔で見つめながら、突然、明るくキャッチーなJ-POP風の歌を日本語で歌い始める。歌声は自然な日本人女性の声。明るくコミカルだが、歌唱自体は本格的で上手い。歌詞を明瞭な日本語で発音し、口の動きを歌声に正確に同期させる。【歌詞】「何しに来たんだ　冷蔵庫 開けた瞬間　わからない 麦茶じゃない プリンじゃない 昨日のカレーでもない いったん閉めれば思い出す？ 閉めた！ 思い出した！ ……何だっけ？」最後の「何だっけ？」で音楽が突然止まる。女性は無言で冷蔵庫をもう一度開け、真顔で中を見つめる。冷蔵庫の冷気だけが静かに流れる。映像演出：最初は普通の日常ドラマのような自然な映像。歌が始まった瞬間から急に本格的なミュージックビデオになる。冷蔵庫内部からのPOVショット、顔への高速ドリーイン、牛乳やプリンへの劇的なクローズアップ、サビでは大げさな映画的ライティング。無駄に壮大で高品質な映像演出。音楽：キャッチーで明るいJ-POP。軽快なドラム、ベース、ピアノ、ブラス。歌声を最前面に配置。日本語の歌詞が聞き取りやすいミックス。途中で音楽を途切れさせない。最後の「何だっけ？」の直後だけ完全に音楽を停止。字幕、テロップ、画面上の文字は一切表示しない。