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@Video @FemaleLead @MaleLead Recreate all dance moves, camera work, and transitions from @Video, replacing the two original dancers with the character cards: replace the dancer on the left with @FemaleLead and the dancer on the right with @MaleLead. Keep the choreography, blocking, shot changes, and duration exactly the same as @Video. The appearance, clothing, and hairstyle of @FemaleLead and @MaleLead should match their character cards 100% without drifting throughout the video. Only these two main characters should be present; keep the background crowd blurred. Preserve the original retro nightclub atmosphere, warm spotlights, and film texture. No subtitles.

Use the provided photo as the subject for all 8 ID photos. If the provided photo's aspect ratio does not match 3:4 (portrait), automatically crop it centered on the face — like a standard passport/ID photo crop — so it fits the 3:4 frame naturally. Do not stretch or distort. A Japanese Ki-Re-i (キレイ) ID photo booth print sheet in landscape orientation (wider than tall). BACKGROUND: White(#FFFFFF) graph paper. Fine thin blue(#214384) grid lines creating small squares, with slightly darker/thicker blue lines every 5 small squares — forming a 5×5 thin-grid pattern between each pair of thick lines. Japanese 方眼紙 (graph paper) style. PHOTO GRID: 8 identical ID passport-style photos arranged in a strict 2-row × 4-column grid, occupying the left ~82% of the sheet. Each photo has a 3:4 aspect ratio (portrait, taller than wide). Each photo shows the subject from the provided image: upper-body frontal portrait, neutral expression, soft studio flash lighting, blue(#1084EF) background — standard 証明写真 style. Thin white border around each photo. Evenly spaced on the graph paper. *Each photo has a slightly soft focus, gentle overexposure (+0.5 EV), and a luminous bloom glow — reminiscent of early 2000s Japanese digicam output: subtly blown highlights, slightly desaturated, muted color tones, creamy bright skin tones, and a hazy softness* RIGHT SIDE STRIP (rightmost ~18% of sheet): All text and logo elements are rotated 90° clockwise (letter tops point LEFT toward the left edge of the image; reading direction goes from BOTTOM of the image to TOP; viewer rotates paper 90° clockwise to read normally). KI-RE-I LOGO (upper area of right strip, rotated 90° CW): A branded logotype block stacked vertically top-to-bottom (all in navy blue): ① A solid navy blue 8-petal rosette icon with this exact geometry: 8 oval/elliptical petals radiating from the center at 45° intervals, each petal has exact geometry: 8 oval/elliptical petals radiating from the center at 45° intervals, each petal has a smooth rounded outer tip; all petals are solid navy blue fill; a small circular hollow (donut hole negative space) at the very center where petals meet — like a stylized chrysanthemum rosette. Overall silhouette is circular. Diameter ≈ one character height of the Ki-Re-i text. ② The exact brand name "Ki-Re-i" in navy blue rounded bold display/logotype font — spelled with hyphens exactly as Ki-Re-i. ③ An identical solid navy blue 8-petal rosette (mirror of ①). All three elements centered and evenly spaced. Absolutely NO person silhouette or human figure icon anywhere. BODY TEXT (placed directly below the Ki-Re-i logo, rotated 90° CW, black gothic/sans-serif): The Ki-Re-i logo block and the body text block are stacked VERTICALLY — logo on top, body text directly below it. Both are left-aligned to the same left edge of the strip. NO horizontal side-by-side placement between logo and body text. - 「履歴書・その他証明用（縦4.0cm×横3.0cm）」 - 「ご利用のサイズに合わせてカットしてご利用ください。1マス1ミリ間隔です。（5ミリごとに実線）」 If lines are too long, WRAP into 2 or more lines. Must NOT extend into or overlap the white receipt box area — clear gap required. WHITE RECEIPT BOX(lower portion of the right strip, seperate from logo and body text above): A solid white rectangle with a thin border, standing out clearly against the blue graph paper. Inside (rotated 90° CW, small monospaced Japanese font): date (2024年3月15日), price 「¥1,000（税込）」, store name and address. STYLE: Flat 2D scanned document. Functional administrative aesthetic. DNP Photo Imaging Japan style. No shadows, no 3D effects. Cool pale blue palette. Looks exactly like a real scanned Ki-Re-i photo booth output paper sheet.

[Car full description and movie-accurate details], three-quarter view, vector art style, clean bold lines with subtle gradients, lowered aggressive stance, detailed wheels and lights. Background solid [main car color] with soft glossy reflection on ground. Top center: [Brand] logo. Below logo: "[Model Name]" sleek modern font. Main car scaled huge dominating the frame, 16:9 aspect ratio, dynamic composition

Create a cinematic, film-production-grade character design sheet for a director, casting team, and costume department. Character name: [YOUR CHARACTER NAME HERE]. Must feel like a high-budget animated film pitch board, not a generic model sheet. CORE DIRECTIVE (NON-NEGOTIABLE): No generic layouts. No evenly spaced grids. No symmetry for symmetry's sake. Composition must feel art-directed, intentional, slightly asymmetrical. Every section must feel placed, not auto-generated. CHARACTER IDENTITY: Name: [Full name] | Alias: [Nickname or codename] | Age: [Real or stylized] | Height: [cm or ft] | Build: [Body type, proportions, posture tendencies] | Ethnicity / Design Language: [e.g. Pixar-esque, anime-inspired, culturally grounded] FACE DESIGN: Structure: [Face shape, bone structure, exaggeration level] | Skin: [Tone, texture, imperfections] | Eyes: [Size, spacing, color, expressiveness] | Hair: [Style, texture, movement, imperfections] | Distinct Features: [Scars, dimples, moles, anything unique] PSYCHOLOGICAL PROFILE: Core Traits: [3 to 5 dominant personality traits] | Internal Conflict: [What they want vs what holds them back] | Behavior Patterns: [3 habits that reveal their personality] | Emotional Baseline: [Default mood + how fast it shifts] PERFORMANCE DIRECTION: Character must feel like a real actor caught mid-moment, NOT posing. Micro-expressions required (lip tension, eye flicker, brow shift). Avoid staged symmetry. Capture transitional emotion. Body Language: [Posture tendencies] | [Movement rhythm: stiff, sharp, bouncy, dragging] | [Idle behavior: fidgeting, stillness, tension] WARDROBE: Garment 1: [fabric type, wear, imperfections] | Garment 2: [fit, distortion, stitching] | Layering logic | Footwear: [material, wear patterns] | Accessories: [items that reveal personality] | Props: [objects that reinforce who they are] MATERIAL ACCURACY: Fabrics must show stretch, stitching, wrinkles, wear. No plastic look unless intentional. Skin must have soft light interaction. Include imperfections: dirt, smudges, aging, usage marks. TURNAROUND (STRICT): Full-body front, 3/4, side, back, 3/4 back views. Identical proportions and design fidelity. No drift in face or costume across any angle. HEAD STUDY: Front (neutral) | 3/4 (primary personality) | Profile (structure) | Looking Down | Looking Up | Dynamic Angle (intense state). All expressions mid-thought, not posed. CINEMATIC PORTRAIT: Environment: [Location tied to character] | Lighting: [Practical sources, contrast level] | Color Tone: [Warm, cool, stylized] | Expression: [Specific narrative moment] | Camera: [50mm or 85mm lens, shallow depth of field, cinematic realism] LAYOUT: Clean, art-directed sheet. Neutral gray background. Include: height scale, annotation callouts, wardrobe breakdown, production notes. Must feel like a premium studio board. STYLE: [e.g. Pixar-style stylized realism / Semi-realistic cinematic design]. Must include: appealing exaggeration, soft geometry, cinematic lighting, high emotional readability. CONSISTENCY RULE (STRICT): Face, proportions, costume, and details must remain IDENTICAL across all views. No reinterpretation between angles. Ever. OUTPUT: Extremely high detail. Sharp focus. Production-ready fidelity. Suitable for film development, merchandising, and pitch decks.

full frame cinematic, 1970s academic TV drama, old lecture hall, elderly professor teaching at a chalkboard, warm late afternoon light, chalk dust, subtle camera movement, no voiceover.

[Style] 90s HK TV Drama Style, Vintage Film Grain, High Contrast Warm Yellowish Tone, Wide-angle lens exaggerated perspective, extremely hysterical emotion, chaotic, noisy, desperate. [Scene] 1990s Hong Kong Stock Exchange hall, floor covered in waste paper, electronic screen is a depressing green (HK stocks drop is green/or use red to indicate crisis, depending on the generation model's interpretation, suggest writing "Plummeting Numbers"). [Character] The Speculator: Wearing a 90s wide-shouldered gray suit, messy hair, covered in sweat, eyes bloodshot and frantic, tightly clutching a "Brick Phone". [Shot Details] [00:00-00:05] Shot 1: The Great Crash - Moment of Madness Visuals: Wide-angle close-up on the face. The protagonist stands in the center of the trading floor, surrounded by blurred running and screaming crowds. Action: He roars hysterically into the "Brick Phone," veins popping, spitting saliva. [Dialogue/Subtitle]: "Don't be afraid! Technical adjustment! Give me more leverage!" (Maximum madness). Atmosphere: Numbers on the background electronic display flash wildly, red and green light interweaving, creating a suffocating sense of urgency. [00:05-00:10] Shot 2: A Moment - The Wind on the Rooftop Visuals: Jump Cut. The camera suddenly switches to the edge of a deserted skyscraper rooftop. Action: The protagonist faces away from the camera, his suit jacket thrown aside, tie loose. The strong wind messes up his hair and shirt. He clutches a crumpled stock certificate, his body swaying precariously. Atmosphere: Instant shift from extreme noise to Deafening Silence, only the sound of howling wind. [00:05-00:15] Shot 3: A Dream - Paper Snow Visuals: Low-angle shot. Action: The protagonist lets go, and countless white stock waste papers fall like snow from the rooftop, scattering onto the bustling yet indifferent Central streets. Close-up: The shot finally focuses on his desperate, hollow eyes (pupils losing highlight), a tear of regret tracing down his face. [Subtitle (Yellow Vintage Font)]: Stock market involves risk, caution is advised upon entry.

Full body shot, photorealistic industrial design of a functional retro-futuristic bipedal robot. The robot's main central torso is box-shaped, resembling a vintage 1980s CRT television combined with a microwave, painted in glossy macaron mint green and butter yellow. Crucially, the robot has distinct, mechanical articulated blocky metal arms extending from its sides with visible joints, and sturdy robotic legs ending in small mechanical treads at the base. The front CRT screen displays 8-bit retro pixel art of large, extremely expressive and watery female eyes along with a pink glowing pixelated voice wave at the bottom. One robotic arm is holding a metallic frying pan. Cinematic lighting, hyper-detailed mechanical parts, 8k, Unreal Engine 5 render style. --niji 7

In a computer museum, a programmer is in the center of the exhibition hall demonstrating C language programming, with many visitors gathered around watching. The code on the screen is clearly visible. A sign beside it reads: "Traditional Programming — Live Demonstration." 2D cartoon style, 16:9.

Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. 00:02–00:04 The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up. 00:04–00:06 She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead. 00:06–00:08 Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead. 00:08–00:10 On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift. 00:10–00:12 Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late. 00:12–00:15 Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on concrete, fabric moving on clotheslines, subtle residential ambience. No music. No sound design. No narration. Goal: Authentic Korean neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.

[Film Style]: 90s Hong Kong Art Cinema style, retro film grain, High ISO Grain, ambiguous Yellow-Green Tint, Step-printing effect, melancholic atmosphere. [Core Dialogue (for emotional control)]: “If memory were a can of food, I hope it would never expire.” [Video Duration]: 10 seconds [Storyboard]: [00:00-00:04] Shot 1: Through the Glass. Scene: A red public telephone booth covered in rainwater. Character: A man (or woman) wearing a khaki trench coat, tightly gripping the receiver, not speaking, just listening. Emotional Performance: Through the refraction of the glass, their eyes appear hollow yet deeply emotional. Rain runs down the glass, distorting their face like an oil painting. Subtitle/Narration Feel: The scene seems frozen, with only the sound of rain. [00:04-00:07] Shot 2: Extreme Close-up & Micro-expression. Scene: Focuses on the character's lips and half of their face. Action: He/She whispers softly into the receiver. The lips tremble slightly, seeming to want to say something but holding back. Lighting: Neon light bokeh from the street flows across their face, flickering on and off. Dialogue Emotion Mapping: Expresses extreme restraint and loneliness, like “wanting to touch but pulling the hand back.” [00:07-00:10] Shot 3: Signature Smeary Slow Motion. Scene: The character hangs up the phone, turns, and walks into the crowd in the rainy night. Visual Effects: Uses a Step-printing effect (Stop-motion feel), the character's silhouette becomes blurred and has Motion Blur, as if their soul remains in place while only their body moves. Environment: The background features flowing city car lights, forming elongated light trails. [Technical Parameters]: Simulated Handheld Camera, shallow depth of field, color shift, intense emotion.

3d, photorealistic, bad anatomy, deformed hands, low resolution, static.

Third-person skateboard rear low-angle view, ultra-wide-angle strong perspective, the camera slowly tilts synchronously with the road's left curve, slight camera shake simulates the feeling of following the ride, low speed entering the curve → rapid acceleration. 【@Image 1】leans left to carve the curve, the hem of the top and hair violently stream backward in the wind; the road's high-brightness white/yellow markings begin to show motion blur, extremely green roadside vegetation and bright red flowers appear as horizontal dynamic blur; distant sea reflections refract light along the curve, high-speed shutter freezes the wheels showing initial afterimages, slight edge blurring, retaining high-saturation pure color contrast between the road surface and flowers/grass, film grain begins to appear. The camera tilts violently left and right following continuous S-curves, closely following the subject in a rapid dive, ultra-wide-angle perspective maximized, small vertical camera bumps enhance the realistic feeling of sliding. Camera locks onto the 【@Image 1】subject throughout, 【@Image 1】continuously shifts weight left and right, body shakes significantly downhill, clothing and hair are completely pulled into streamlined shapes by the strong wind; high-speed rotating wheels pull out long afterimages, road markings turn into dense speed lines, roadside flowers and trees are compressed into colorful blurry color bands; Strong light reflections on the sea surface distort and dissipate with speed, global strong dynamic blur + edge blurring, high-noise film texture maximized, layering in dark areas highlighted, extreme impact from pure color high contrast (green mountains / red flowers / bright markings / blue sea). As the road exits the curve, the camera slowly straightens, the perspective slightly lifts, the follow speed slightly slows but still maintains a high-speed trajectory, ending the violent tilting. 【@Image 1】straightens the body, stabilizes the posture, clothing and hair still retain residual movement; wheel afterimages and speed lines gradually fade but retain dynamic lingering effect, road markings become clear again but edges still retain slight blur; flower and grass blurry color bands converge, sea reflections return to soft light, dynamic blur weakens, retaining the texture of high-speed photography, ending with the back view of 【@Image 1】diving + high-saturation scenery of mountains and sea, maximizing layering and atmosphere.