Animal Video

An anime where an otter goes into a large mech, with lots of quick shots of mechanical parts and gears turning. The otter gives a grim thumbs up, and then pilots the mech, flying into battle against an octopus made of marble.

Solid Snake from Metal Gear Solid 4 is living in Alaska. Show him dog sledding while smiling and enjoying life, hunting with his dogs, enjoying a fire and meal with his dogs in a close-up shot. End the video with a sunset and aurora borealis with Solid Snake and his dogs with a wide shot. He is content and happy throughout the entire video now that he has found peace.

Scene 1: Galloping out from the mansion gate (0:00-0:05, 5 seconds) • Location: In front of the main gate of a top luxury mansion in West Vancouver (large manor-style villa, stone/wood structure gate, wide driveway entrance, surrounded by evergreen hedges) • Subject: A figure in a dark suit rides a horse galloping out from the mansion gate • Horse Action: White horse with all four hooves airborne, mane flying, charging out in a trot or canter • Environment: Winter, light snow kicked up by the hooves, mansion architecture clearly visible (large floor-to-ceiling windows, wood and stone combination, multi-story terraces), distant North Shore mountains or ocean outline visible, evergreen pines covered with light snow • Crowd: Supporters on both sides dodge and make way while waving yellow dragon flags (blue dragon pattern + Hinomaru element) and cheering, holding white “Nothing” signs • Camera: Frontal shot, white horse charging directly at the camera, strong sense of motion (slight low angle to enhance impact) • Atmosphere: Sharp entrance, unstoppable momentum, a stunning debut in a high-end private community Scene 2: Close-up of the chasing crowd (0:05-0:09, 4 seconds) • Location: Next to a private curved road shaded by trees in the mansion area • Subject: A group of supporters chasing the horse (mostly young people, wearing winter down jackets/coats) • Action: Running while raising hands, shouting, and pumping fists, trying to keep up with the horse's speed, some almost falling but still chasing excitedly • Signs: Yellow dragon flags + white “Nothing” signs are carried while running (signs shaking) • Background: Mansion exterior walls and evergreen pines quickly passing by, light snow mist or tree shadows blurring and shaking, distant mountains passing by • Camera: Tracking close-up, slight camera shake to create urgency and speed (handheld style or quick push/pull) • Atmosphere: Frenzied chase, urgent and excited, enthusiastic response from community residents Scene 3: Galloping across the side of the mansion (0:09-0:15, 6 seconds) • Location: Side landscape driveway or lawn extension area of the mansion (side view of large terrace, poolside, or garden, evergreen hedges) • Subject: The figure rides the white horse galloping across the screen • Horse Action: Full speed run, the moment all four hooves leave the ground is clearly visible, the horse's tail fluttering like a flag, snow splashing up • Environment: The side of the mansion quickly passes by (wood and stone walls, multi-story windows blurred), adjacent mansion and evergreen forest on the left, background mountain and sea skyline passing by • Crowd: Supporters in the back holding “Nothing” signs + yellow dragon flags chase but gradually fall behind, some stop and wave and shout loudly • Camera: High-speed side tracking shot, motion blur enhances the sense of speed (horse sweeps across the screen, background blurred) • Atmosphere: Lightning fast, unstoppable, a hero galloping through a luxurious community

"running woman, blonde hair, tropical scenario, cinematic, a lion is after her,"

Scene 1: Galloping Horse + Enthusiastic Crowd Approaching (0:00-0:08, 8 seconds) • Location: Main winding road in a Vancouver mansion district (wide asphalt road, large detached mansions on both sides, thin snow covering evergreen pine trees) • Subject: A rider in a dark suit galloping at full speed, white horse's hooves airborne, mane flying • Environment: Light snow falling, mansions flashing past, outline of the North Shore mountains and ocean in the distance • Crowd: A large group of enthusiastic supporters suddenly appears ahead (diverse young people), waving yellow dragon flags + “Nothing” signs, shouting cheers, surging towards the rider • Camera: Front medium-speed follow shot → Switch to rider's perspective (POV), the crowd gets closer and closer • Atmosphere: Climax continues, the rider has a confident smile, preparing to rein in (hand already raised towards the reins, relaxed posture, corner of the mouth lifted) Scene 2: Reversal—The crowd passes directly through, ignoring the rider (0:08-0:14, 6 seconds) • Location: Same road, a Chinese steamed bun shop appears around the corner (sign “Qingfeng Baozi Shop,” warm lighting, simple plastic tables and chairs in the outdoor area, steam rising) • Subject: The rider is about to wave in greeting, but the crowd ignores him, rushing past him on both sides/around him, heading to queue/pour into the bun shop entrance • Action: The rider's smile freezes, his hand stops mid-air, his expression changes from anticipation to shock/disarray (wind messes up his hair, the hem of his suit jacket swings) • Details: The crowd shouts “Baozi! Baozi!”, yellow dragon flags wave chaotically, the “Nothing” sign is pushed aside; the white horse is forced to take small steps to stop or step aside • Camera: Quick pan/wide-angle shot, showing the crowd flowing like a tide around the rider (the horse is “passed through” in the center of the frame), the rider remains isolated in the middle • Atmosphere: Absurd reversal, awkward disarray, black humor climax Scene 3: Eating buns and dialogue outside the bun shop (0:14-0:20, 6 seconds) • Location: Qingfeng Baozi Shop outdoor area (plastic tables and chairs, steaming baskets, mansion district road in the background) • Subject: Two ordinary young people (wearing down jackets) sitting in the queue area, eating buns heartily • Action: One person takes a bite of the bun, closes their eyes in satisfaction, “Ah, so delicious.” (Close-up shot of the steam/juice from the bitten bun) • Dialogue: First person (eating while looking towards the road): Who was that? Second person (thoughtfully, chewing the bun, looking into the distance): Nothing. • Camera: Medium shot of the two people → Slight push-in on facial expressions (satisfied + calm), the rider's receding figure is faintly visible in the background • Atmosphere: Down-to-earth, contrasting cuteness, emphasizing the theme of “nothing” Scene 4: The rider mocks himself, continues to ride away (0:20-0:30, 10 seconds) • Location: Wide extending road in the mansion district (straight ahead, mansions gradually receding) • Subject: The rider on the horse, his expression changes from disarray to a confident smile • Action: He reaches into the breast pocket of his suit, pulls out a packaged sandwich, takes a fierce bite (juice/crumbs splatter), then shakes his head with a dashing smile, lightly whips the white horse with the reins, and continues galloping forward • Environment: The mansion cluster shrinks in the background, the evergreen trees and supporters on both sides of the road (now stopped) can only wave from afar, the Vancouver-style mountain and sea skyline in the distance (misty snow) • Details: White horse's tail swings, hoof prints left on the lightly snowy road, clear bite mark on the sandwich, the rider smiles confidently • Camera: From close-up (sandwich bite close-up) → Slowly pulls back to an extreme long shot, low-angle filming, reinforcing the sense of an aloof hero who “doesn't care”; finally fades out. • Atmosphere: Self-mocking yet dashing, heroic and unrestrained, symbolic ending (“Nothing” can still move forward)

Camera pushes in as the woman kneels deliberately onto the wooden bridge in a dramatic ninja pose, moving into an extreme close-up of her eye which ignites with bright glowing magical energy. The camera then rapidly pulls back as she leaps explosively upward, her body bursting apart into a swirling cloud of black feathers and dark magical sparks as she transforms into a large black crow mid-air. The camera zooms in and locks onto the crow smoothly in a tight dynamic tracking shot as it dives under the mossy logs, sweeps fast over the shimmering water surface, then banks sharply upward through drifting cherry blossom petals into the golden sky. The camera gradually widens into a sweeping aerial view revealing a vast fantasy Japanese landscape of misty mountains, blossom-filled valleys, and ancient wooden villages bathed in warm golden hour light with volumetric god rays. Giant Oni walk across the fields.

"classic animation in the style of Disney, a friendly white wolf is playing with a beautiful blonde cute young woman in the snow, different cuts. Suddenly they fall into an ice cavern and find a skeleton with a map in the hand"

A colossal armored baboon charges through a burning Maasai village, it picks up and throws a maasai warrior into a burning hut, Maasai warriors are running away in fear amid a storm of fire and debris.

A massive kraken attacks a pirate ship, the captain slices it with his sword. hyper realistic cinematic movie scene

SCENE: DEEP OCEAN TRENCH - UNDERWATER Quick Cuts ATMOSPHERE: Awe-inspiring and primeval. The sheer, terrifying scale of a peaceful giant moving flawlessly through the quiet ocean water evokes a profound sense of majesty and the raw power of nature. SHOT DESCRIPTION: A fast-paced sequence of cinematic underwater shots capturing the majestic movement and physical presence of a gargantuan whale. The sequence starts wide, pushes into micro-details, captures a second whale joining, and concludes with a powerful, turbulent departure. TIMELINE / SHOT-BY-SHOT: 0:00-0:03 - [Extreme Wide Angle / 16mm / Slow Drift]. A breathtaking full-body profile of a gargantuan whale suspended in the vast liquid space. The massive creature displaces thousands of gallons of water smoothly. SFX: A low, resonating bass frequency of the ocean depth. 0:03-0:06 - [Push In / Smooth Track]. The camera slowly pushes in towards the creature's immense midsection. The visual scale shifts to reveal the mountain-like texture of its skin, heavily encrusted with thick clusters of pale, jagged barnacles. SFX: A deep, chest-vibrating biological groan that slowly builds in intensity. 0:06-0:09 - [Medium Shot / Slow Pan]. The camera glides parallel to the whale. An ancient, intelligent eye the size of a vehicle rolls loosely to observe the space. Swirling streams of micro-bubbles cascade off its massive pectoral fins. SFX: The gentle, rhythmic swoosh of water being physically displaced. 0:09-0:12 - [Deep Focus / Wide Angle / Pan]. A colossal shadow looms slowly from the deep background, rising vertically. A second, equally massive whale emerges into view, creating a breathtaking tandem formation with the first. Their sheer combined mass visibly shifts the water current. SFX: Overlapping, mournful low-frequency calls echoing. 0:12-0:15 - [Tilt Up / Turbulence]. Both whales initiate a unified downward dive. The gargantuan tail flukes sequence into the frame. As the tails sweep downward, they create a massive localized vortex. The camera vigorously shakes, engulfed perfectly by a chaotic explosion of tumbling silver air bubbles before the vision blurs. SFX: A sudden, explosive wall of water displacement washing over the soundscape. TECHNICAL & RENDER: - Camera: Floating cinematic rig, smooth zero-gravity drifting, sudden turbulence and camera shake at the climax - Lens: 16mm ultra-wide underwater dome port, deep depth of field - Modifiers: Shot on 35mm film, photorealistic, cinematic atmospheric lighting, highly detailed, raw footage, motion picture, 8k resolution, volumetric rendering. MICRO DETAILS & TEXTURES: - Densely packed clusters of jagged, calcified white barnacles attached to the leathery grey skin - Shimmering silver micro-bubbles streaming along the deep ridges of the whale's ancient, healed scars - The physical weight of water visibly bending and rushing around the massive thrust of the tandem tail flukes SOUND LAYERS: 0:00-0:06: Heavy underwater pressure ambient tone, chest-vibrating biological groan 0:06-0:12: Swishing water displaced by fins, overlapping low-frequency calls echoing 0:12-0:15: Rushing, heavy wall of water displacement blending back into absolute isolation

POV rider on a massive ice dragon, ultra realistic cinematic shot over a storm-lashed ocean naval battle at dusk. Wet lens spray, thunder-lit clouds, violent waves, tracer fire and exploding cannon lines below. Camera stays locked to rider perspective as the dragon dives from cloud cover, skims above burning warships, threads through collapsing masts and fireballs, then hard-banks toward an enemy flagship as frost forms on frame. In one continuous shot, the dragon releases a colossal ice blast that flash-freezes hulls, cannons and wave crests in real time, ships cracking into glittering frozen debris under lightning, ending in forward motion over a collapsing icebound armada.

seedance 2.0测试,对环境,人物,调性的认知 一张底图,我给的提示词很简单:一个神器的故事,蝴蝶从画面中飞出来,变成一个漂亮的蝴蝶仙子,环顾四周,忽然好像有人来了,蝴蝶仙子又回到墙上~~ 字还打错了~~ 但是模型精准的测试到了这不是中国的调性,然后有人来了的时候仙子也非常的紧张,表情很好,还有百合花也被用上了,仙子出来作为一个蝴蝶,就去对花感兴趣,逻辑非常顺畅,总之这个模型还是相当聪明就是了. 真爽啊,Sora 现在要用被要求给电话验证很讨厌,现在国产这么牛也是太开心了~~ 第一要素:特别好的想法; 第二要素:有个好点的底图. 未来卷的不是提示词,而是你有没有一个好的想法,这个好的想法,要求变得很高,因为有成千上万的人想各种好点子,你的“创意”只是基于你自己的水平,还是扔到视频的洪流里是个什么状况~~ 分类也会被重置: 搞笑赛道、深刻赛道、哲理赛道、打斗赛道、出其不意赛道、脑洞大开赛道、美赛道、治愈赛道、恐怖赛道、漫漫剧赛道、短剧赛道、未来感赛道、赛博朋克赛道、离谱赛道……大概按照功能分,你准备做那个赛道?