Nature Video

Three RAF Spitfires fly forward rapidly in tight formation through cloudy skies over England, their propellers spin furiously creating motion blur. Suddenly German Messerschmitt fighters dive aggressively from above through cloud cover, descend at steep angles with engines screaming. The Spitfire formation breaks apart instantly, each aircraft banks sharply in different directions. A Spitfire rolls violently to evade, performs a tight barrel roll, machine guns fire continuously, tracer rounds stream brilliantly across the sky. A Messerschmitt takes hits directly on the wing, smoke trails begin immediately, the aircraft spirals downward uncontrollably, spins faster and faster, flames erupt from the engine cowling intensely, the plane plummets toward the ground rapidly. Another Spitfire pursues a Messerschmitt aggressively, both aircraft weave dramatically through clouds, emerge suddenly into clear sky, dive steeply together locked in pursuit. Clouds drift majestically throughout the battle, aircraft appear and disappear through the vapor continuously. Contrails streak beautifully across the blue sky marking flight paths. The camera starts inside a Spitfire cockpit looking forward through the canopy, follows one aircraft's acrobatic maneuvers closely, then transitions smoothly to an external chase position behind the dogfighting planes, the camera matches their rolls and turns dynamically, finally pulls back rapidly to a wide aerial view, reveals multiple aircraft engaged across a vast sky dramatically.

Solid Snake from Metal Gear Solid 4 is living in Alaska. Show him dog sledding while smiling and enjoying life, hunting with his dogs, enjoying a fire and meal with his dogs in a close-up shot. End the video with a sunset and aurora borealis with Solid Snake and his dogs with a wide shot. He is content and happy throughout the entire video now that he has found peace.

Style: IMAX 70mm Film, Denis Villeneuve Style, Gritty Realism, Epic Scale, Desaturated. Duration: 15s. [00-05s] Extreme Wide Shot (The Scale). A colossal sandstorm, miles high, swallows a vast desert landscape. A tiny convoy of armored military vehicles races away from it. The scale of nature vs man is terrifying. Hans Zimmer style tension. [05-10s] Cockpit Cam (The Panic). Inside the lead rover. The pilot screams "GO! GO!" (Subtitle: MAX POWER!). Camera shakes violently. Sand blasts the windshield. The sun is blocked out by the approaching wall of dust. [10-15s] The Jump (The Climax). The rover hits a massive dune and launches into the air (Slow Motion). Silhouette against the dark storm. Lightning strikes within the dust cloud. Debris flies past the lens. Cut to black on impact.

【Style】Classic Wuxia Film - "Ink Trace in the Bamboo Forest," High-speed Cinematography, combination of live-action and CG, strong visual impact, fast pace, using "cool tones" to enhance the profoundness of the bamboo forest. 【Duration】15 seconds 【Characters】A swordswoman in a fiery red dress, movements as light as a swallow, sharp sword energy. A refined scholar in plain white, wearing modern framed glasses, but with dual blades in hand as steady as a rock. 【Scene】A cross-temporal duel is unfolding deep within a silent, emerald bamboo forest. This is not a fight to the death, but a contest of speed and precision. 【00:00 - 00:01】Shot 1: Close-up. 【Action】Two cold, shimmering longswords violently collide against the bamboo forest background, sparks fly out, extremely strong metallic texture. Swords clashing, slow motion, metallic sheen. 【00:01 - 00:03】Shot 2: Medium Shot. 【Action】The woman in red quickly spins to dodge, the man in white chases with his sword. The background is a dense, emerald bamboo forest with falling leaves. Wuxia action, graceful, sense of speed, Hanfu. 【00:03 - 00:05】Shot 3: Low Angle. 【Action】The woman in red slides backward, narrowly dodging a fatal blow close to the ground. Dust flies up from the ground, the camera follows the movement. Sliding, thrilling dodge, dynamic composition. 【00:05 - 00:08】Shot 4: Mid-Long Shot. 【Action】The two stand still in a clearing in the bamboo forest. The man in white locks the woman in red's offense with his dual swords, the tip of the sword pointing directly at her throat. Standoff, sense of oppression, confrontation. 【00:08 - 00:11】Shot 5: Extreme Close-up (ECU). 【Action】Focusing on the upper bodies of the two, the longsword rests horizontally against the woman's neck. The woman's eyes are firm, the man's expression is calm (wearing glasses). Eye contact, tense atmosphere, detail depiction. 【00:11 - 00:14】Shot 6: Wide to CU. 【Action】The two pass each other, standing back-to-back. The camera switches to a close-up, a strand of severed hair slowly floats down in the air. Artistic conception, severed hair, elegant ending, slow motion.

I gave Sora 2, Veo 3.1, and Seedance 2.0 an impossible golf shot prompt - only Seedance nailed the ball tracking We tried a pretty brutal test for video models. The prompt includes: • extreme weather (violent rainstorm) • complex physics (golf ball flight + wind) • a dynamic tracking camera locked onto a tiny moving object • long continuous motion without cuts Most models struggle badly when the camera has to follow a small fast object through space. So I gave the same prompt to Sora 2, Veo 3.1, and Seedance 2.0. Seedance 2.0 is the only one that survived. It actually manages to lock onto the golf ball mid-flight, keep it centered, and maintain the motion while the environment streaks past. Exactly the type of shot you'd see in a sports commercial or cinematic broadcast replay. Prompt used: "A dramatic sports sequence begins on a lush, windswept coastal cliff during a violent rainstorm. A golfer in bright yellow rain gear stands on the tee box, gripping a driver. His stance is planted firmly, eyes locked on a distant green across a churning ocean cove. As he swings, the clubhead connects with a resounding crack, launching the dimpled white ball into the stormy sky. The camera immediately accelerates and locks onto the golf ball mid-flight. The camera tracks directly behind the spinning sphere, maintaining perfect alignment as it cuts through the driving rain. The ocean waves and dark clouds become a streaking motion blur while the ball remains sharp and centered. The howling wind roars as the projectile travels straight and true. The manicured green grows rapidly larger. In the final seconds, the camera closes in tightly as the ball strikes the turf. End on an extreme close-up of the ball ripping through the wet grass, throwing up a spray of dirt before dropping perfectly into the cup." Watch the Seedance 2.0 result below. I'll drop the Sora 2 / Veo 3.1 attempts and prompt variations in the thread so you can compare how each model handled the shot.

SCENE: DEEP OCEAN TRENCH - UNDERWATER Quick Cuts ATMOSPHERE: Awe-inspiring and primeval. The sheer, terrifying scale of a peaceful giant moving flawlessly through the quiet ocean water evokes a profound sense of majesty and the raw power of nature. SHOT DESCRIPTION: A fast-paced sequence of cinematic underwater shots capturing the majestic movement and physical presence of a gargantuan whale. The sequence starts wide, pushes into micro-details, captures a second whale joining, and concludes with a powerful, turbulent departure. TIMELINE / SHOT-BY-SHOT: 0:00-0:03 - [Extreme Wide Angle / 16mm / Slow Drift]. A breathtaking full-body profile of a gargantuan whale suspended in the vast liquid space. The massive creature displaces thousands of gallons of water smoothly. SFX: A low, resonating bass frequency of the ocean depth. 0:03-0:06 - [Push In / Smooth Track]. The camera slowly pushes in towards the creature's immense midsection. The visual scale shifts to reveal the mountain-like texture of its skin, heavily encrusted with thick clusters of pale, jagged barnacles. SFX: A deep, chest-vibrating biological groan that slowly builds in intensity. 0:06-0:09 - [Medium Shot / Slow Pan]. The camera glides parallel to the whale. An ancient, intelligent eye the size of a vehicle rolls loosely to observe the space. Swirling streams of micro-bubbles cascade off its massive pectoral fins. SFX: The gentle, rhythmic swoosh of water being physically displaced. 0:09-0:12 - [Deep Focus / Wide Angle / Pan]. A colossal shadow looms slowly from the deep background, rising vertically. A second, equally massive whale emerges into view, creating a breathtaking tandem formation with the first. Their sheer combined mass visibly shifts the water current. SFX: Overlapping, mournful low-frequency calls echoing. 0:12-0:15 - [Tilt Up / Turbulence]. Both whales initiate a unified downward dive. The gargantuan tail flukes sequence into the frame. As the tails sweep downward, they create a massive localized vortex. The camera vigorously shakes, engulfed perfectly by a chaotic explosion of tumbling silver air bubbles before the vision blurs. SFX: A sudden, explosive wall of water displacement washing over the soundscape. TECHNICAL & RENDER: - Camera: Floating cinematic rig, smooth zero-gravity drifting, sudden turbulence and camera shake at the climax - Lens: 16mm ultra-wide underwater dome port, deep depth of field - Modifiers: Shot on 35mm film, photorealistic, cinematic atmospheric lighting, highly detailed, raw footage, motion picture, 8k resolution, volumetric rendering. MICRO DETAILS & TEXTURES: - Densely packed clusters of jagged, calcified white barnacles attached to the leathery grey skin - Shimmering silver micro-bubbles streaming along the deep ridges of the whale's ancient, healed scars - The physical weight of water visibly bending and rushing around the massive thrust of the tandem tail flukes SOUND LAYERS: 0:00-0:06: Heavy underwater pressure ambient tone, chest-vibrating biological groan 0:06-0:12: Swishing water displaced by fins, overlapping low-frequency calls echoing 0:12-0:15: Rushing, heavy wall of water displacement blending back into absolute isolation

POV: You're the main character in Mont Saint Michel in the 8th century, multiple quick cuts Created on @YouArtStudio

pastel pink-blue Dyson swarm at artificial sunset, floating palm-tree biomes and retro holographic billboards, ironic Type II leisure aesthetic

prompt: 史诗级科幻场景，超广角电影镜头。 场景：在地球的高山之巅，一个孤独的机器人【@图片1】站在山峰顶端，面向远方的天空，姿态稳定而安静。山顶被狂风与云雾包围，环境荒凉而壮阔。 天空：飞船从云层上方缓缓下降，巨大的阴影首先投射在云海之上，随后庞大的结构穿透翻滚的风暴云层，云雾被压开并向四周涌动，形成强烈的体积光与空间层次。 特效与环境： 天空中不断有流星高速划过，留下明亮的光轨。 飞船底部散发出柔和而强烈的冷色光，光线逐渐照亮山顶与机器人的轮廓。 云层被飞船的光线切开，形成体积光与神光效果。 镜头语言： 超广角镜头，从机器人背后视角开始，镜头缓慢推进与轻微上仰，强化飞船的巨大尺度与压迫感，电影级运镜，稳定流畅。 氛围与风格： 宏大、孤独、史诗感、压迫感强烈，电影级科幻风格，高细节，高对比光影，体积云，真实物理光照，

[Visual Style] Eastern Classical Wuxia Aesthetics, cinematic visual language, bamboo forest sea landscape, emerald green main color tone, rich layering of light and shadow, soft light beam effects visible within the forest. [Character Definition] 1. Male Swordsman: Dressed in a plain white long robe, steady posture, concise and powerful movements. 2. Female Swordsman: Dressed in a cyan-phoenix colored light gauze dress, light and smooth movements, agile posture. [Video Duration] 10 seconds [Storyboard] [00:00-00:03] Shot 1: Wide Shot Composition. Scene: The tops of tall, dense bamboo forests, with clouds and mist slowly flowing through the grove. Action: The male and female swordsmen stand separately among the high bamboo shadows, their bodies light and stable, as if maintaining balance by utilizing airflow and the bamboo's momentum. Detail: Bamboo branches naturally bend and spring back in the breeze, and the figures' postures subtly fluctuate with the bamboo shadows, presenting an impressionistic effect of Qinggong (lightness skill). The overall scene is quiet yet tense. [00:00-00:06] Shot 2: Medium Shot, Slow Motion. Action: The two figures leap almost simultaneously, crossing paths in the air. Interaction: Two sword shadows briefly intersect in the air, forming a bright light streak. Surrounding bamboo leaves are driven by the airflow, slowly spinning and scattering. Visual Focus: Leaves flutter in the air, creating distinct foreground and background layers. The movement is smooth, without exaggerated impact. [00:06-00:10] Shot 3: Dynamic Tracking Shot. Action: The female swordsman glides forward, her sleeve brushing past bamboo branches to change direction; the male swordsman continuously follows, using the bamboo for leverage, with light, rhythmic steps. Environmental Feedback: The camera smoothly tracks the movement. The bamboo forest forms a natural speed blur effect at the edges of the frame. Visual Effect: Each movement kicks up a large amount of scattered bamboo leaves, flowing like leaf rain in the frame, enhancing the sense of spatial depth and dynamic beauty. [Technical Requirements] Cinematic lighting, saturated but clearly layered colors, natural depth of field, stable and clean visuals, presenting the overall impressionistic beauty and spatial tension of Eastern Wuxia.

first-person roller coaster, one continuous shot, natural scene transitions.

From a balcony viewpoint, a colossal, brightly colored Katamari ball spins rapidly, emerging from the dark ocean toward a sprawling cityscape.