영화·드라마

Absolutely no subtitles, no text overlay, no captions, no on-screen text of any kind, no watermarks, no title cards, no credits, no labels, no speech bubbles. Warm amber light spilling from tall windows, casting long diagonal streaks across worn wooden desks. Desaturated teal in shadows, soft halation on highlights. 35mm anamorphic feel — shallow depth of field, oval bokeh in background. Muted film grain. Two Korean university students in their early twenties. She wears a cream knit cardigan over a white blouse, long straight black hair tucked behind one ear. He wears a dark navy crewneck sweater over a collared shirt, short neat hair with a side part. Slow dolly-in from a wide two-shot of the pair seated side by side at neighboring desks in an empty lecture hall, notebooks open. She writes with her head tilted down — loose strands of hair sway with the motion of her pen hand, chest rising with a slow breath. [HARD CUT TO — tight close-up, 3/4 angle] His face from the side — jaw resting on his palm, gaze drifting toward her. His throat moves with a quiet swallow. She pauses writing. He snaps his head forward, fingers tightening on his pen, earlobes reddening. [HARD CUT TO — intimate two-shot, eye level, shallow focus] Both faces in frame. She turns her head slowly — her lashes lift, lips parting 2mm. He is frozen mid-look-away, caught. A beat of stillness. She drops her gaze, the corner of her mouth pulling up faintly. Korean university lecture hall — late afternoon. Tall windows along one wall, warm light. Scattered empty seats behind them. A paper coffee cup on the windowsill. Dust visible in the light shafts. Distant muffled sounds of footsteps in the corridor outside. The soft scratch of pen on paper. A single slow piano note at the final beat. She whispers with shy tone, barely audible: "뭘 봐." He replies in a low murmur, flustered: "…아무것도." She, quieter: "거짓말." He, after a beat, softly: "…너." No background music. No soundtrack. No score. No melodic elements. Audio must be only ambient sounds and whispered dialogue — nothing else. End ABRUPTLY at the final word. No lingering. No slow fade. CUT.

15s vertical 9:16 Western TikTok/Reels billionaire heir drama, high saturation, sharp contrast, extreme facial close-ups, fast cuts, exaggerated emotions. Luxury Western wedding venue with chandeliers and white roses. Cast is Western-looking only (no Asian faces / no East Asian features): groom is a Western male in a cheap wrinkled suit, jaw clenched, restrained rage; mother-in-law is a Western middle-aged woman, heavy makeup, dripping jewelry, disgusted expression. 0–5s: mother-in-law slams annulment/cancellation papers onto groom's chest, guests laugh and film on phones, she pokes his forehead, lip-sync: "No car, no house— and you think you can marry my daughter? Take this hundred bucks and get out." 5–10s: groom cold smirk, rips papers in half, loud helicopter/jet turbine SFX overwhelms the room, wind ruins her hair, groom calmly straightens his collar, lip-sync: "Perfect. Because you're the ones walking away." 10–15s: doors burst open, black-suited security rush in and kneel, unroll a red carpet to the groom, an old Western butler/lawyer runs up holding a velvet case with a black metal card/signet ring, bows deeply, lip-sync: "Welcome back, sir. The family trust is unlocked. Your assets are restored." Mother-in-law collapses in shock, pupils trembling. Avoid: any Asian faces, anime/cartoon/CGI look, nudity, minors.

A woman tensely asks the man in the shadows to come out. Slow push in as she tells him she knows everything he's done and he's going to pay. Deep in the shadows, we see the figure as he responds.

Scene 1: Galloping Horse + Enthusiastic Crowd Approaching (0:00-0:08, 8 seconds) • Location: Main winding road in a Vancouver mansion district (wide asphalt road, large detached mansions on both sides, thin snow covering evergreen pine trees) • Subject: A rider in a dark suit galloping at full speed, white horse's hooves airborne, mane flying • Environment: Light snow falling, mansions flashing past, outline of the North Shore mountains and ocean in the distance • Crowd: A large group of enthusiastic supporters suddenly appears ahead (diverse young people), waving yellow dragon flags + “Nothing” signs, shouting cheers, surging towards the rider • Camera: Front medium-speed follow shot → Switch to rider's perspective (POV), the crowd gets closer and closer • Atmosphere: Climax continues, the rider has a confident smile, preparing to rein in (hand already raised towards the reins, relaxed posture, corner of the mouth lifted) Scene 2: Reversal—The crowd passes directly through, ignoring the rider (0:08-0:14, 6 seconds) • Location: Same road, a Chinese steamed bun shop appears around the corner (sign “Qingfeng Baozi Shop,” warm lighting, simple plastic tables and chairs in the outdoor area, steam rising) • Subject: The rider is about to wave in greeting, but the crowd ignores him, rushing past him on both sides/around him, heading to queue/pour into the bun shop entrance • Action: The rider's smile freezes, his hand stops mid-air, his expression changes from anticipation to shock/disarray (wind messes up his hair, the hem of his suit jacket swings) • Details: The crowd shouts “Baozi! Baozi!”, yellow dragon flags wave chaotically, the “Nothing” sign is pushed aside; the white horse is forced to take small steps to stop or step aside • Camera: Quick pan/wide-angle shot, showing the crowd flowing like a tide around the rider (the horse is “passed through” in the center of the frame), the rider remains isolated in the middle • Atmosphere: Absurd reversal, awkward disarray, black humor climax Scene 3: Eating buns and dialogue outside the bun shop (0:14-0:20, 6 seconds) • Location: Qingfeng Baozi Shop outdoor area (plastic tables and chairs, steaming baskets, mansion district road in the background) • Subject: Two ordinary young people (wearing down jackets) sitting in the queue area, eating buns heartily • Action: One person takes a bite of the bun, closes their eyes in satisfaction, “Ah, so delicious.” (Close-up shot of the steam/juice from the bitten bun) • Dialogue: First person (eating while looking towards the road): Who was that? Second person (thoughtfully, chewing the bun, looking into the distance): Nothing. • Camera: Medium shot of the two people → Slight push-in on facial expressions (satisfied + calm), the rider's receding figure is faintly visible in the background • Atmosphere: Down-to-earth, contrasting cuteness, emphasizing the theme of “nothing” Scene 4: The rider mocks himself, continues to ride away (0:20-0:30, 10 seconds) • Location: Wide extending road in the mansion district (straight ahead, mansions gradually receding) • Subject: The rider on the horse, his expression changes from disarray to a confident smile • Action: He reaches into the breast pocket of his suit, pulls out a packaged sandwich, takes a fierce bite (juice/crumbs splatter), then shakes his head with a dashing smile, lightly whips the white horse with the reins, and continues galloping forward • Environment: The mansion cluster shrinks in the background, the evergreen trees and supporters on both sides of the road (now stopped) can only wave from afar, the Vancouver-style mountain and sea skyline in the distance (misty snow) • Details: White horse's tail swings, hoof prints left on the lightly snowy road, clear bite mark on the sandwich, the rider smiles confidently • Camera: From close-up (sandwich bite close-up) → Slowly pulls back to an extreme long shot, low-angle filming, reinforcing the sense of an aloof hero who “doesn't care”; finally fades out. • Atmosphere: Self-mocking yet dashing, heroic and unrestrained, symbolic ending (“Nothing” can still move forward)

Theme: Classic Confrontation between Young Attractive Male and Female · Modern Short Drama Duration: 15 seconds Aspect Ratio: 16:9 --- Version 1: CEO's Cruel Love · Misunderstanding and Breakup (Melodramatic Tug-of-War) Seedance 2.0 Prompt 15-second modern short drama, luxury CEO office scene, cool-toned high-end feel. 0-3 sec: Mid-shot, a young man in a bespoke suit sits in a leather boss chair, his face cold and eyes indifferent. Standing before him is a beautiful girl in a white dress, her eyes red, tears welling up. The man says, "I gave you a chance," in a low, cold voice; 4-8 sec: The girl's voice trembles, "What chance did you give me? You never trusted me from the start!" She turns to leave, the man suddenly stands up and grabs her wrist. The camera follows the struggle, the girl is forced to turn back, they are extremely close, breathing audible. A trace of reluctance flashes in the girl's eyes but is quickly replaced by stubbornness; 9-12 sec: The man stares into the girl's eyes, his voice low, "Do you still want to leave now?" The girl bites her lip, "Leave... where else can I go?" She fiercely shakes off his hand and runs away. The man reaches out to grab but only catches air, his hand frozen mid-air; 13-15 sec: The camera follows the girl rushing out of the office. She wipes away tears in front of the elevator, but the tears keep flowing. The moment the elevator door slowly closes, she squats down and cries into her arms. The scene finally freezes on a close-up of the elevator number jumping down from 15, accompanied by a low, sad piano BGM. --- Version 2: School Beauty Chasing Love · Confession in the Rain (Sweet and Angsty Youth) Seedance 2.0 Prompt 15-second modern campus short drama, rainy night classroom corridor scene, cool blue rainy night atmosphere. 0-3 sec: Fixed shot, heavy rain outside the classroom, raindrops hitting the window glass, a handsome boy in a white shirt stands in the corridor shadow, nervously pacing back and forth holding a pink letter. A beautiful girl with a high ponytail slowly walks towards him, the camera slightly shakes with every step the girl takes to create tension; 4-8 sec: The girl approaches the boy. The boy takes a deep breath, raises his hand several times to hand over the letter but pulls it back. The girl stops in front of the boy, tilts her head and smiles, "Are you looking for me?" The boy panics, "I... I..." Before he finishes, the class bell suddenly rings, startling both of them. The corridor light flickers; 9-12 sec: The girl glances at the time, "Class is starting soon, let's talk next time," and turns to leave. The boy gathers his courage, "Wait!" He grabs her wrist, both freeze simultaneously. Only the sound of rain and their breathing remains in the corridor. The boy looks down, his cheeks flushed red, "This letter... is for you." The girl is stunned, looking down at the letter; 13-15 sec: The camera slowly pushes in for a close-up of the girl's face. A sweet smile slowly spreads across her lips, stars twinkling in her eyes. The scene finally freezes the moment she takes the letter—a ray of sunlight suddenly shines through the rainy window onto both of them, concluding with a gentle piano melody and the fading sound of rain. --- Version 3: Best Friend's Betrayal · Confrontation (Satisfying Revenge) Seedance 2.0 Prompt 15-second modern short drama, high-end restaurant scene, warm golden tones contrasting with cold emotions. 0-3 sec: Mid-shot fixed camera, a beautiful girl is celebrating her birthday with friends, laughter is joyful. The restaurant door is suddenly pushed open—her most trusted best friend walks in arm-in-arm with her boyfriend. All laughter stops abruptly. The girl holding the wine glass freezes mid-air, her smile solidified; 4-8 sec: The best friend's expression is momentarily unnatural when she sees the girl, she tries to pull the boyfriend to another seat, but the boyfriend shakes off her hand and walks straight to the girl, placing a gift box in front of her, "Happy Birthday." The best friend's face turns ugly. The girl looks at the boyfriend, then the best friend, and finally her gaze lands on their hands—the best friend is wearing the same bracelet that the boyfriend claimed he "lost" a few days ago; 9-12 sec: The girl says nothing, just quietly picks up the wine glass and drinks it in one go. Then she stands up and walks to the best friend. Everyone holds their breath. The girl smiles and slowly pours the bottle of wine onto the best friend's limited edition handbag. The best friend widens her eyes, trying to scream, but the girl presses her shoulder; 13-15 sec: The girl leans close to the best friend's ear and whispers softly, "Next time you steal someone's man, remember to hide what shouldn't be exposed first." The best friend's face turns pale. The girl turns and walks away elegantly. The camera pulls back to show the best friend standing stiffly in place, the boyfriend full of regret, concluding with a low BGM and surrounding whispers.

The numbers in【@图片1】represents row numbers. The numbers are for references only and should be removed in the video. All references must maintain 100% of its art style and character traits. Characters of differing art styles walk takes their seats in their respective seats in the cabin. 【@图片2】sits on the left seat in row 1 as she says happily, "My seat is 1A." 【@图片3】sits on the right seat in row 2 as she says sadly in Japanese, "My seat is 2C." 【 @图片4】sits on the right seat in row 3 as she says fearfully in mandarin, "My seat is 3B." 【@图片5】sits on the left seat in row 4 as she says angerly in Spanish, "My seat is 4D." 【@图片6】sits on the left seat in row 5 as she says digusted in cantonese, "My seat is 5A." 【@图片7】sits on the right seat in row 6 as she franticly yells in korean, "My seat is 6D." Stationary camera. One continuous shot as characters walk in and takes their seats one after another.

:{ "META": "Live-action standalone creature attack short | Length 15 seconds | Rural American desert outskirts | 1950s to 60s grounded realism | Giant insect horror | Cinematic realism", "SHOT": { "CAM": "Low shoulder height tracking shot following the pair from behind along the dirt road, slight wobble like a documentary operator. Sudden violent handheld shake as the creature emerges, whip pan to the first strike, brief stumble to ground-level POV, final locked wide shot on the wrecked roadside, filmed on ARRI Alexa LF with 35mm lens", "SET": "Sun-bleached desert roadside outside a fading small town, cracked asphalt transitioning into dirt, a crooked roadside billboard with peeling paint, a broken-down gas station sign without readable text, wooden telephone poles with sagging lines, a shallow drainage ditch filled with dry weeds and rusted cans, a half-buried abandoned 1950s pickup frame in the sand, distant mesas shimmering in heat haze", "SUBJECT": "Two young adults caught in open ground, Hank Carter early 20s, lean build, sweat soaked white undershirt with an unbuttoned faded work jacket, grease and dust on hands. Evelyn Shaw early 20s, dark brunette hair pinned but coming loose, pale blue cotton dress with a small tear at the shoulder, face smeared with dust and panic", "ACTION": "They sprint along the roadside ditch as the ground beneath the weeds begins to bulge in a long moving ridge. The dirt splits open in jagged seams. A gigantic termite-like insect erupts upward, pale tan armored body plated with gritty dust, its head snapping side to side with frantic clicking. It lunges and slams its heavy forelimbs down, crushing the ditch edge into a spray of sand and dry weeds. Hank grabs Evelyn’s wrist and yanks her up onto the road. The insect surges forward and its mandibles clamp onto Hank’s leg, dragging him backward across the asphalt. He screams and claws at the mandibles as dark viscous fluid leaks from a cracked segment. The insect whips him sideways into a wooden power pole with a brutal impact. The pole splinters, wires snapping and whipping through frame. Evelyn stumbles, falls, and crawls backward as the insect pivots with terrifying speed. It lunges again, pinning her dress to the ground with a stabbing forelimb. She rips free, leaving fabric behind. The insect rears and slams down, smashing the roadside into a choking dust cloud. Final wide: the ditch is torn open, the pole broken, dust drifting, and the insect’s segmented shadow moves off-frame into the haze.", "STYLE": "Practical monster horror realism, termite weight and physics emphasized, no stylized motion, raw violent impact, tactile debris, sand and weeds striking the lens, grounded 1950s creature-feature tone", "LIGHTING": "Blazing desert sun casting razor hard shadows, harsh specular highlights flashing along the insect’s dusty armored plates, heat shimmer warping the background", "AMBIENCE_COLOR": "Bleached sand yellows, dusty tan exoskeleton, rust orange metal, faded sky cyan, chalk gray dust clouds" }, "AUDIO": { "dialogue": [ { "speaker": "Hank Carter", "line": "Evelyn run" }, { "speaker": "Evelyn Shaw", "line": "Hank no" } ], "ambience": [ "dry weeds rustling under sprinting feet", "earth splitting and sand cascading", "explosive emergence impact", "rapid insect clicking and rasping mandibles", "wood pole splintering and power lines snapping", "body slam thud and gravel scrape", "wind gust through dust cloud", "dust settling into tense silence" ] }, "NEG": "no subtitles, no drones, no on screen text, no glowing eyes, no neon colors, no modern vehicles, no modern clothing, no stylized CGI surfaces, no slow motion" }

Use cute pet images to unfold a story about a overbearing president falling in love with a cleaning girl, with anthropomorphic standing poses.

"Sailor moon jumping onto the bed and screaming "Girls, we did it!". Sailor Venus appears and says: "How many were there? 6? 7?". Sailor Jupiter laughs and says "6 7!""

[Style] 90s HK TV Drama Style, Vintage Film Grain, High Contrast Warm Yellowish Tone, Wide-angle lens exaggerated perspective, extremely hysterical emotion, chaotic, noisy, desperate. [Scene] 1990s Hong Kong Stock Exchange hall, floor covered in waste paper, electronic screen is a depressing green (HK stocks drop is green/or use red to indicate crisis, depending on the generation model's interpretation, suggest writing "Plummeting Numbers"). [Character] The Speculator: Wearing a 90s wide-shouldered gray suit, messy hair, covered in sweat, eyes bloodshot and frantic, tightly clutching a "Brick Phone". [Shot Details] [00:00-00:05] Shot 1: The Great Crash - Moment of Madness Visuals: Wide-angle close-up on the face. The protagonist stands in the center of the trading floor, surrounded by blurred running and screaming crowds. Action: He roars hysterically into the "Brick Phone," veins popping, spitting saliva. [Dialogue/Subtitle]: "Don't be afraid! Technical adjustment! Give me more leverage!" (Maximum madness). Atmosphere: Numbers on the background electronic display flash wildly, red and green light interweaving, creating a suffocating sense of urgency. [00:05-00:10] Shot 2: A Moment - The Wind on the Rooftop Visuals: Jump Cut. The camera suddenly switches to the edge of a deserted skyscraper rooftop. Action: The protagonist faces away from the camera, his suit jacket thrown aside, tie loose. The strong wind messes up his hair and shirt. He clutches a crumpled stock certificate, his body swaying precariously. Atmosphere: Instant shift from extreme noise to Deafening Silence, only the sound of howling wind. [00:05-00:15] Shot 3: A Dream - Paper Snow Visuals: Low-angle shot. Action: The protagonist lets go, and countless white stock waste papers fall like snow from the rooftop, scattering onto the bustling yet indifferent Central streets. Close-up: The shot finally focuses on his desperate, hollow eyes (pupils losing highlight), a tear of regret tracing down his face. [Subtitle (Yellow Vintage Font)]: Stock market involves risk, caution is advised upon entry.

Novel opening: "The husband reported the gatekeeper, the wife went to work, and he was very pleased...", automatically associate and expand the novel plot and character dialogue based on the opening, generating a video in the style of a TV drama.

Generate video from storyboard images. Need to use storyboarding and different perspective switching to make the whole picture more rhythmic and cinematic.