Flux 3

A young woman with a blunt black bob and a glossy red vinyl raincoat, filmed as one continuous piece across six different locations while staying exactly the same person: standing on a subway platform as a train blurs past, sitting in a warm neon-lit late-night diner with steam rising, standing alone in a mint-green laundromat lined with washing machines, riding in the back seat of a car with rain streaking the window and city neon outside, standing in front of a lit vending machine in a narrow corridor, and finally on a rooftop with the night skyline behind her. Cinematic anamorphic look, shallow depth of field, cool night palette, she looks straight into the lens in every shot. Audio: ambient room tone changing with each location.

Split-screen video showing the same real-time action from two different camera angles. The screen is divided vertically into two equal halves. On the left side, show a static, wide overhead view from a ceiling-mounted camera in the back corner of the room. The full room layout is visible: a couch, coffee table, rug, bookshelves, and a tall shelf near the wall. The cat is perched on top of the shelf. At the 2-second mark, it suddenly jumps, flips mid-air above the furniture, and lands gracefully on the coffee table. On the right side, show the same action in perfect sync from a side, eye-level camera placed low beside the couch. The view includes the shelf, the space between, and the coffee table. The camera follows the cat’s leap, capturing body motion, twist, and landing. Both sides must be precisely synchronized, showing the exact same event from different angles with consistent lighting, physics, and timing.

A 1960s television studio: two men in tailored suits face each other across a wooden desk crowded with chrome ribbon microphones, heavy drapes behind them. The older man on the left leans forward on the desk and argues, gesturing with his jaw and brows; the younger man on the right listens, then answers back. They trade lines in a heated but controlled debate, mouths matching the words exactly. Static locked-off two-shot, warm faded Technicolor palette, soft studio key light. Audio: clear back-and-forth dialogue with the boxy tone of a period broadcast.

Extreme close-up of a curved CRT monitor in a dark room, phosphor-green monospaced text typing itself line by line on a black screen with visible scanlines and a soft screen glow. The lines appear in order: '> initalizing system...', '> loading kernel modules... OK', '> mounting drives... OK', '> verifying credentials...', each with a blinking block cursor. After a pause, large bold letters fill the bottom of the screen: 'ACCESS GRANTED'. Static camera, no cuts. Audio: mechanical key clicks and a low electrical hum.

A cinematic conversation between a large stone golem and a rugged forest troll standing in a misty mountain clearing. They are discussing whether Flux 3 can automatically add subtitles for dialogue that is not written in the prompt. The golem speaks in a deep rumbling voice, the troll replies in a rough gravelly tone. Natural daylight, detailed textures, subtle wind, realistic atmosphere. (Automatically generate their full dialogue and burn subtitles on screen for everything they say)

third-person POV, one-take following the white cat as it follows the red path on the attached reference image. Strictly follow the red path depicted in the provided image. The cat jumps up on to the people according to the red path. No on-screen path lines, no arrows, no jump cuts - ONE CONTINOUS TAKE.

Build the monster, city, scale, and destruction entirely from text. style: "Photorealistic kaiju disaster film, stormy coastal metropolis, grounded structural destruction." visual_feel: "Rapid creature movement, controlled camera, heavy impacts, rain, spray, dust, readable tentacle action." duration: "15 seconds" character_modeling: octopus_monster: base: "A colossal deep-sea octopus taller than nearby skyscrapers." features: "Dark crimson-purple wet skin, pale eyes, rough suction cups, scarred mantle, eight massive muscular tentacles." movement_in_this_scene: "It never stops or poses. Four tentacles pull its body rapidly forward while the others destroy obstacles." cinematic_storyboard: 00_02_street_attack: camera: "Low street tracking backward, steady." action: "The monster crashes in immediately. One tentacle crushes buses and streetlights while another grips a glass tower." lighting: "Cold storm daylight, red siren reflections." vfx: "Water spray, glass, asphalt debris." 02_05_tower_pull: camera: "Wide rooftop side tracking." action: "Still advancing, it yanks the tower sideways. Lower floors shear apart and the structure collapses behind it." lighting: "Lightning through dark clouds." vfx: "Concrete dust, sparks, falling glass." 05_08_city_run: camera: "High aerial follow, controlled." action: "It races through several intersections. Each tentacle strike cracks roads and throws vehicles aside." lighting: "Steel-blue rain light." vfx: "Puddle bursts, fractured pavement, smoke." 08_12_block_vault: camera: "Wide frontal pull-back." action: "The monster plants two tentacles on opposite buildings, compresses, then vaults across a full city block, tearing signs and balconies free." lighting: "Storm backlight and orange fire glow." vfx: "Debris wake, rain trails, displaced smoke." 12_15_final_charge: camera: "Extreme wide slow pull-out." action: "It lands near the waterfront, sweeps through cranes and warehouses, then surges toward downtown as towers collapse behind it." lighting: "Lightning silhouette over burning streets." vfx: "Water plume, collapsing cranes, dust waves, embers." production_notes: audio_design: "Deep creature roars, rain, sirens, metal tearing, heavy impact bass." critical_constraint: "Destruction begins on frame one. Keep all eight tentacles connected, distinct, and readable. Fast creature action with controlled camera." avoid: "Slow opening, idle posing, extra limbs, tangled tentacles, anatomy drift, temporal flicker, weightless debris, chaotic camera."

Girl from the attached ref images is break dancing on a flattened cardboard box on a bustling NYC sidewalk in 1993

First-person handheld chase footage running directly behind a large brown bear. The bear crashes through a sunlit pine forest, weaving between trunks over leaf litter and exposed roots, then breaks out onto the main street of a small American town and keeps galloping down the middle of the road past parked pickup trucks and low storefronts. One continuous unbroken shot, camera shaking with the runner's stride, wide lens, natural daylight. Audio: heavy breathing, pounding footsteps, snapping branches, then asphalt and distant traffic.

A full-size single-story wooden house mounted on a multi-axle wheeled sled is towed at speed across an open concrete crash-test facility under a clear blue sky. It slams into a low concrete barrier: the front wall buckles, the roof shears off, and pink insulation, shingles and splintered timber burst outward in a wide debris cloud while the sled wheels lift off the ground. Locked-off wide shot, no camera movement, harsh midday daylight, dust hanging in the air. Audio: rushing wind, a heavy impact boom, then debris clattering onto concrete.

A chestnut horse gallops at full stride in profile against a deep olive-black studio backdrop, lit only by a hard rim light from behind that traces its spine, mane and tail in bright gold and leaves the body in rich shadow. Dust kicks up from the dark ground. Locked-off side-on camera tracking with the horse so it stays centered in frame, slow motion, every muscle and flying hair strand visible. Audio: muffled hoofbeats and breathing.

A hand-painted storybook animation explaining where the James Webb Space Telescope sits: a flat illustrated solar diagram with a large orange sun on the left, Earth in the middle, and the gold-mirrored telescope on a straight line beyond it. Cut to the telescope drawn in detail above a cloudy blue Earth, sunshield layers spread wide. Then the view pulls back to deep blue space with painted nebula clouds, and the telescope traces a looping halo orbit around a small glowing point, the path drawn as thin cream-colored ellipses that build up loop by loop. Textured paper-and-gouache look, gentle parallax. Audio: calm narration with soft ambient music.