Sci Fi Video
외계 생물, 우주선, 블랙홀, 미래 오피스, 궤도 결투처럼 상상력 있는 SF 장면을 만드는 영상 태그입니다.
2026.07.02
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Astronaut Transforms Into Ice Adapted Humanoid on Frozen Exoplanet
Seedance 2.0· Video
A lone astronaut in a standard spacesuit lands on a frozen exoplanet covered in endless glaciers under a dim blue sun. Slow cinematic shot: he removes his helmet, cold vapor fills the air, his skin gradually turns translucent and crystalline, veins glow icy blue, body develops thick insulating blubber and frost-like scales, eyes become multifaceted like ice crystals, until he becomes a graceful ice-adapted humanoid gliding across the surface. Ultra-realistic, slow transformation, dramatic lighting.
River Side Alien Ambush
Seedance 2.0· Video
A muddy riverbank track in grey daylight, thick green jungle on one side and the river on the other, a watchtower at the bend. An army gun-jeep speeds along the track. A mega crocodile, huge as a truck, chases it out of the river and bites onto the back of the jeep, dragging it sideways through the mud. On the watchtower, a soldier loads a rocket launcher. Sound: roaring engine, sliding mud, groaning metal, croc hissing, radio voices.
Shot 1 (0–3s) — THE HOOK: Low rear shot in the mud. The mega crocodile has its jaws clamped on the back of the gun-jeep, dragging it sideways toward the river, the wheels spinning and throwing mud. The driver fights the wheel and shouts into his radio: "IT'S GOT THE JEEP!"
Shot 2 (3–6s): Up on the watchtower. A soldier lifts a rocket launcher onto his shoulder and aims down at the track — but holds his fire, the croc still clamped on the jeep with the men in it. He calls on the radio: "Pull free! Get on the flat!"
Shot 3 (6–9s): At the jeep. The driver guns the engine hard and the jeep breaks loose, lurching forward onto the open flat ground away from the river. The crocodile lets go and lunges after it across the open mud, jaws wide, fully in the clear.
Shot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The croc is out in the open on the flat now. The soldier fires from the tower. Bullet time — the rocket streaks down across the track in slow motion, smoke trailing behind it, straight into the crocodile. The hit throws its huge body sideways, mud and water hanging in the air.
Shot 5 (13–15s): Time snaps back. A big burst of fire and smoke rolls across the flat as the crocodile drops and lies still in the mud. The gun-jeep skids to a stop on the open ground, the men looking back. Smoke drifts over the river. Cut.
Infinite Library Black Hole Sci-Fi
Seedance 2.0· Video
15-second ultra-cinematic sci-fi fantasy sequence inside an infinite library orbiting a gigantic black hole in deep space.
Endless bookshelves stretch in impossible directions, curving upward and sideways under distorted gravity. Ancient books, scrolls, glowing manuscripts, and floating pages drift weightlessly between massive wooden staircases and suspended reading balconies.
The camera glides smoothly through the library as the architecture slowly rotates around the black hole visible through enormous shattered windows. The black hole bends starlight into a glowing accretion ring of gold, blue, and violet energy.
Gravity behaves strangely: books float upward, chandeliers hang sideways, dust particles spiral in slow orbit, and ink drips through the air like liquid stars.
A lone librarian figure walks calmly along a floating staircase, carrying a glowing book while pages orbit around them like tiny moons.
Mid-sequence, the black hole pulses. Shelves bend slightly, time ripples through the room, and thousands of books open by themselves, releasing luminous symbols into the air.
Final shot: the camera pulls back to reveal the entire infinite library wrapped around the black hole like a colossal ring of knowledge, glowing softly in cosmic darkness.
Style: ultra-cinematic cosmic fantasy, surreal gravity physics, impossible architecture, volumetric starlight, floating architecture, volumetric starlight, floating particles, glowing manuscripts, black hole lensing, majestic scale, no text, no overlays.
Audio: deep cosmic ambience, low gravitational rumble, pages fluttering, wooden shelves creaking, distant celestial resonance, soft magical energy hum.
Alien Spacecraft Orbital Duel
Seedance 2.0· Video
Alien sky above a glowing planet: two massive capital ships in a high-speed orbital duel, constantly repositioning, never stationary, supported by a small wing of elite fighters. Combat is tactical, fast, and asymmetric.
Wide orbital shot: both ships curve along different trajectories around the planet, never aligned, trading long-range fire across distance.
Dynamic sweep: camera arcs with one ship as it rolls to present shielded sections, deflecting incoming fire while returning calculated shots.
Cut across space: the opposing ship accelerates laterally, changing angle, forcing shots to miss or glance off shields.
Fighter deployment: small units launch mid-maneuver, already compensating for velocity, diving toward predicted intercept points.
High-speed tracking: camera follows a fighter cutting diagonally across the battle, threading between long-range beams and debris.
Near-miss moment: a capital ship’s main weapon fires slightly off-target due to motion, the beam slicing past and grazing structure instead of a direct hit.
Tactical shift: one ship uses the planet’s curvature, dipping lower into atmosphere glow, partially obscured, forcing the other to adjust trajectory.
Precision breach: fighters exploit a brief shield misalignment during a turn, striking a localized section without stopping the flow of battle.
Damage response: the hit ship doesn’t stall; it rolls, vents energy, and accelerates away, stabilizing while still firing backward.
Final escalation: both ships now on intersecting but offset paths, firing continuously while moving at high speed, the battlefield stretching across space instead of collapsing into a single point.
No hovering, no direct standoffs, constant motion, realistic spacing, tactical positioning, momentum-driven combat, cinematic but physically grounded, high-detail sci-fi realism.
Crane Cabin Lockdown
Seedance 2.0· Video
A hyper-real cinematic action sequence set in an active construction site at dusk. Exposed rebar, scaffolding, unfinished concrete floors, and a tall tower crane dominate the scene. Dust hangs in the air. Sound design: heavy breathing, metallic clanks, distant machinery, and guttural alien screeches. The video starts mid-chase.
A woman sprints across a half-built floor, leaping over gaps and dodging debris. Behind her, three aliens — slick, elongated, with pale skin and wet, sinewy movement — pursue aggressively, closing in.
She spots a tower crane ladder and veers hard toward it, grabbing on and climbing fast. The camera stays tight, tracking her ascent as the creatures scale the structure with unnatural speed.
One creature lunges upward and grabs her ankle. She kicks violently, freeing herself, scraping against metal. No pause — she climbs the last few rungs and pulls herself onto the crane cabin platform.
She yanks the cabin door open, dives inside, and slams it shut. Immediate silence shift — muffled exterior sounds. She stumbles back, breathing hard.
Seconds later, the creatures reach the cabin. Slimy hands and distorted faces press against the glass, leaving streaks. The cabin rattles under their weight. She watches, frozen, as they claw and slide across the windows.
Close on her face — panic, controlled breathing. Exterior noise builds. No hard cut.
Corporate Office Glitch Simulation
Seedance 2.0· Video
A cinematic psychological sci-fi sequence where an ordinary office day slowly breaks reality. 0–3s: Morning office routine. A young woman scans into a modern corporate building, coffee in hand, elevator rising smoothly. Everything feels normal, sterile, and repetitive under cold fluorescent lighting. 3–6s: Subtle distortions begin — computer screens flicker with unreadable code-like symbols, hallway lights blink in an unnatural rhythm, and coworkers repeat the same movements in looping patterns without noticing. 6–9s: The office environment shifts. Glass walls briefly show an endless void outside instead of the city. Printers output black pages of shifting text. Time feels fragmented as clocks on the wall spin erratically. 9–12s: Full surreal escalation — elevators open into identical floors repeating infinitely, voices become distorted, and the woman realizes she is the only one aware as reality behaves like a broken simulation. 12–15s: Final cinematic shot. She stands alone in a vast empty office grid stretching endlessly in all directions. The lights shut off one by one into darkness, leaving only her monitor glowing with a single message: “END OF SIMULATION.” Style: ultra cinematic realism, dystopian sci-fi horror, glitch distortion VFX, corporate liminal space atmosphere, cold fluorescent lighting, recursive environment design, psychological tension, film-grade color grading, eerie minimal sound design feel.
Hollywood Sci Fi Cyberpunk Chase Scene
Seedance 2.0· Video
[Film Style]: Hollywood Sci-Fi Blockbuster, Cyberpunk Aesthetics, high-contrast neon lighting, IMAX cinematic texture, epic soundtrack feel. [Video Duration]: 10 seconds [Storyboard]: [00:00-00:04] Shot 1: Wide Angle Tracking Shot with extreme depth of field. Scene: A futuristic Megacity canyon at night, it is raining. Action: A streamlined Anti-gravity Vehicle speeds through the skyscrapers. Environmental Details (Core Test Point): Countless huge Holographic Ads are flashing, and neon lights reflect complexly on the wet glass curtain walls and the surface of the vehicle. The vehicle's tail leaves long blue Light Trails. [00:04-00:07] Shot 2: Tight Action Shot / Cockpit View. Action: The vehicle performs a sharp turn and side-slip maneuver to avoid an obstacle. Details: The camera is very close to the vehicle, showing Sparks and mist generated as the fuselage scrapes the edge of a building. Rain hits the lens densely and is blown away by the high-speed airflow. The screen is full of the sense of vibration caused by speed (Camera Shake). [00:07-00:10] Shot 3: Epic Pull-back / Crane Shot. Action: The vehicle rushes out of the narrow cluster of buildings and flies towards an open central city square. Scene: The view suddenly opens up, showing a breathtaking panoramic view of the giant city. The vehicle breaks through a layer of massive low-altitude clouds, which roll and surge due to airflow (Volumetric Clouds & Turbulence). A huge Lens Flare spans the screen. [Technical Parameters]: 8k Ultra HD, cinematic color grading (Teal & Orange), extremely high Dynamic Range (HDR), complex particle effect rendering.
Radar Truck Dunes Alien
Seedance 2.0· Video
An army desert base in bright harsh daylight, sand dunes all around, tents and watchtowers, a big radar truck with a spinning dish parked in the open. A giant alien — brownish-black, slimy, with long whipping tentacles — has wrapped its tentacles around the radar truck and is dragging it across the sand toward the dunes, the operator trapped inside the cabin. On the watchtower, a soldier loads a rocket launcher. Sound: groaning metal, wet tentacles slapping, shouting men, the alien's low roar, radio voices.
Shot 1 (0–3s) — THE HOOK: Low shot across the sand. The giant alien wraps its slimy tentacles around the radar truck and hauls it backward across the desert toward the dunes, the wheels carving deep tracks in the sand, the dish bending and sparking. Inside the cabin, the operator bangs on the glass and shouts into his radio: "IT'S DRAGGING ME TO THE DUNES!"
Shot 2 (3–6s): Up on the watchtower. A soldier lifts a rocket launcher onto his shoulder and aims out at the truck — but holds his fire, the alien wrapped on the cabin with the operator still inside. He calls on the radio: "Get out! Jump clear!"
Shot 3 (6–9s): At the radar truck. The operator kicks his door open, cuts through a strap holding him in, and jumps out into the sand, rolling clear and running. The alien, still wrapped around the empty truck, drags it around and then slides off onto the open sand flat, rearing up tall and clear, tentacles spread wide.
Shot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open on the sand now. The soldier fires from the tower. Bullet time — the rocket streaks across the desert in slow motion, smoke trailing behind it, straight into the alien. The hit throws its slimy body up off the sand, tentacles flinging outward, dust and sand hanging in the air.
Shot 5 (13–15s): Time snaps back. A big burst of fire and slime rolls across the sand flat as the alien drops and lies still. The operator runs clear across the dunes as soldiers come out of the tents. Smoke drifts over the desert base. Cut.
Epic Sci Fi Scene Prompt Robot on Mountain Peak
Seedance 2.0· Video
prompt:
史诗级科幻场景，超广角电影镜头。 场景：在地球的高山之巅，一个孤独的机器人【@图片1】站在山峰顶端，面向远方的天空，姿态稳定而安静。山顶被狂风与云雾包围，环境荒凉而壮阔。 天空：飞船从云层上方缓缓下降，巨大的阴影首先投射在云海之上，随后庞大的结构穿透翻滚的风暴云层，云雾被压开并向四周涌动，形成强烈的体积光与空间层次。 特效与环境： 天空中不断有流星高速划过，留下明亮的光轨。 飞船底部散发出柔和而强烈的冷色光，光线逐渐照亮山顶与机器人的轮廓。 云层被飞船的光线切开，形成体积光与神光效果。 镜头语言： 超广角镜头，从机器人背后视角开始，镜头缓慢推进与轻微上仰，强化飞船的巨大尺度与压迫感，电影级运镜，稳定流畅。 氛围与风格： 宏大、孤独、史诗感、压迫感强烈，电影级科幻风格，高细节，高对比光影，体积云，真实物理光照，
What are Sci Fi Video AI prompts?
Sci Fi Video prompts help you create a focused video direction with a clear subject, environment, visual hierarchy, lighting, camera language, texture, and delivery format. The goal is not to ask for a vague style sample but to give the model enough production context to make deliberate choices. This tag is useful when you need prompts that can be adapted for campaigns, thumbnails, product visuals, cinematic shots, shortform scenes, or concept boards without rebuilding the structure from scratch. A strong prompt defines what should be seen first, what mood the viewer should feel, and which details must remain consistent across variations.
Main use cases
- 외계 생물 추격
- 우주선 결투
- 블랙홀 장면
- 미래 오피스
- SF 액션 시퀀스
Why this tag is useful
Sci Fi Video outputs can easily become generic if the prompt only names a theme. Add the subject, environment, composition, lens or motion, lighting, color palette, texture, and post production treatment. This creates a repeatable framework for testing variations while keeping the creative direction stable. For commercial work, it also helps separate exploratory ideas from usable deliverables. You can generate one version for a hero visual, another for a close crop, and another for a social layout while keeping the same core identity.
When adapting a prompt, change one variable at a time. Test background first, then camera distance, then color temperature, then styling details. This makes the review process easier because you can identify which change improved the result. For video prompts, include the first action beat, camera movement, transition rhythm, and ending frame so the generated clip has a clear beginning and finish. Clear constraints usually produce more polished results than long lists of unrelated adjectives.
Related prompts to explore
Prompt building tips
- Start with the final channel and aspect ratio so the composition is generated for the right surface.
- Describe the subject in one compact sentence, then add environment, lighting, camera, material, and mood.
- Include negative guidance for unwanted artifacts such as messy text, extra limbs, distorted logos, unstable motion, or irrelevant props.
- After the first result, keep the core prompt and revise only one variable per test. This creates a reliable iteration path for Sci Fi Video assets and helps you move from concept to publishable output faster.
