오래된 사진 복원

A couple early 20s taking a mirror selfie with a disposable camera, the woman holding a pink rose bouquet and wearing a rhinestone tank top, low-rise jeans, glossy lips, the man in a graphic tee and baggy cargos with chain necklace, bedroom with posters and string lights, on-camera flash lighting with harsh highlights, shot with 28mm wide angle aesthetic, vertical full-body mirror composition, fun chaotic Y2K mood, photorealistic, natural pores and skin texture, high resolution, sharp focus, punchy flash color grading --ar 4:5

{"type":"luxury vintage guitar comparison infographic poster","subject":"a highly detailed, vertically oriented PRS electric guitar lineup chart designed like a premium museum poster or collector's reference board","style":"ornate, dark, glossy, high-contrast, gold-foil typography, elegant wood-and-metal textures, symmetrical grid layout, premium catalog aesthetic, subtle vintage patina, ultra sharp graphic design","branding":{"main headline":"THE LEGENDARY LINEAGE OF {argument name="brand name" default="PRS GUITARS"}","subheadline":"EVERY ICON. EVERY LINE. ONE HERITAGE.","signature":"Paul Reed Smith","left seal":"PAUL REED SMITH GUITARS","right seal":"MADE IN MARYLAND U. S. A."},"palette":{"background":"black and deep charcoal with dark figured wood accents","primary":"antique gold","secondary":"cream","accent colors":["deep green","teal","royal blue","purple","gold","burgundy"]},"layout":{"format":"single-page vertical poster","header":{"position":"top","elements":["large central title","small tagline below","script signature","2 circular emblems in upper left and upper right","3 horizontal legend boxes under the title"]},"sections":[{"title":"PRESTIGE TIER KEY","position":"upper left below title","count":6,"labels":["SE","S2","CE","CORE","WOOD LIBRARY","PRIVATE STOCK"]},{"title":"PICKUP ICON KEY","position":"upper center-right below title","count":7,"labels":["HH","HSH","P-90","SOAP","58/15","TCI","Bass"]},{"title":"TONAL CHARACTER KEY","position":"upper right below title","count":7,"labels":["Warm / Vintage","Balanced / All-around","Bright / Articulate","High Gain / Modern","Blues / Classic Rock","Metal / Progressive","Funk / Soul / Clean"]},{"title":"CORE","position":"first main row left label","count":7,"labels":["Custom 24","McCarty 594","DGT (David Grissom)","Custom 22","Hollowbody II","SC 594","row category panel"]},{"title":"S2","position":"second main row left label","count":6,"labels":["S2 Custom 24","S2 McCarty 594","S2 Standard 24","S2 Vela","S2 Singlecut","S2 Mira"]},{"title":"SE","position":"third main row left label","count":6,"labels":["SE Custom 24","SE Standard 24","SE Paul's Guitar","SE Santana","SE Hollowbody II","SE Mark Holcomb"]},{"title":"CE","position":"fourth main row left label","count":6,"labels":["CE 24","CE 22","CE 24 Semi-Hollow","CE 24 Floyd","CE 24 Satin","CE Bass"]},{"title":"BOLT-ON SERIES","position":"fifth main row left label","count":6,"labels":["NF 53","Silver Sky","NF 3","NF 53 Satin","DGT Bolt-On","Studio"]},{"title":"PRIVATE STOCK","position":"sixth main row left label","count":6,"labels":["Dragon I","Frostbite","#4004","The Tree of Life","#8731","PS DGT"]}],"footer":{"position":"bottom","elements":["small badge at lower left","centered company line","right-side script signature"]}},"content grid":{"total guitar models shown":37,"card design":"each product card contains a guitar render, model name, year, small pickup icons, a short descriptive blurb, and origin/wood specs at the bottom","row side panels":6},"visual details":{"guitars":"front-facing electric guitars with varied body shapes and highly polished figured maple tops, metallic and transparent finishes, some solid colors, some natural wood","typography":"all caps serif headlines, small serif body text, script signature accents","borders":"thin decorative gold rules around every panel and the full poster","lighting":"studio-lit instruments against dark panel backgrounds","render quality":"clean infographic precision with realistic product renders"},"camera":"straight-on flat poster view, no perspective distortion, centered composition","quality":"ultra detailed, print-ready, high-resolution editorial infographic, luxury brand poster"}

Create a square 1:1 realistic iPhone-style candid portrait photo in South Korea. Scene: inside a Seoul-style city bus, blue patterned fabric seats, hanging straps, Korean transit card reader shape near the entrance, blurred Seoul street outside the window, no readable signs. Subject: one Korean office worker in their early 30s, slightly tired eyes, natural skin texture, short neat hair, wearing a navy jacket and white shirt. Action: sitting by the window with wired earphones, looking outside, window reflection faintly overlapping the face. Composition: side close-up from the aisle, shoulder and face visible, square crop. Lighting: clean late afternoon window light, realistic bus interior color, balanced contrast, no haze. Avoid: Chinese bus interior, readable route numbers, film grain haze, fashion editorial pose, perfect symmetrical face.

Design a premium 4:5 collectible postal-stamp poster for [CITY], where the entire composition is one monumental luxury postage stamp filling the frame edge-to-edge like a rare national artifact. The stamp should dominate the canvas with oversized tactile perforation edges, elegant engraved borders, and immersive object-focused composition. Style: handcrafted gouache illustration blended with silkscreen poster aesthetics, editorial travel art, and museum-grade print minimalism. The artwork should capture the city’s true atmosphere through architecture, skyline rhythm, transportation, landscape, cultural motifs, climate, geometry, and environmental identity - interpreted in elegant graphic forms rather than cliché tourist postcards. The composition should feel dynamic and asymmetric. One dominant city element should rise diagonally through the stamp while secondary forms flow around it to create depth and movement. Preserve intentional negative space for a refined premium feel. Avoid clutter and over-detailed realism. Typography is a major part of the design. The city name “[CITY]” must appear massive and integrated directly into the stamp artwork like a luxury masthead, partially interacting with the illustration through masking, overlap, or depth. Typography style should adapt naturally to the city’s personality — refined serif for historic cities, sleek modern grotesk for futuristic cities, softer flowing forms for coastal or tropical cities, expressive handcrafted lettering for artistic cities. Keep all secondary typography minimal and authentic: tiny denomination number, AIR MAIL / POST text, issue year, serial numbers, microscopic postal marks, engraved information strip, and subtle cancellation details integrated into the borders without cluttering the composition. Lighting should feel like premium collectible print photography: soft directional highlights revealing tactile matte paper grain, embossed ink edges, subtle print pressure, delicate shadow depth around perforation cuts, and refined ink density. No dramatic cinematic lighting. Color palette must intelligently adapt to the city while remaining restrained, elegant, and atmospheric: • coastal → turquoise, coral, faded cream • desert → terracotta, saffron, dusty pink • neon megacity → cobalt, magenta, deep navy • historic → olive, parchment, burgundy • tropical → emerald, mango, sea blue • snowy northern → icy blue, muted pine, silver gray Final result should feel like an ultra-rare commemorative stamp sold in a luxury museum design store — sophisticated, tactile, immersive, collectible, and timeless. Negative: generic travel posters, floating landmarks, souvenir aesthetics, busy collages, excessive typography, fake vintage distress, stock vector icons, random gradients, low-detail illustration, centered layouts, generic stamp mockups, noisy textures, over-rendered realism.

prompt：【导演风格】：胡金铨 (King Hu) 风格，武侠电影美学，70年代胶片质感，京剧身段，禅意，留白。 【视频时长】：10秒 【分镜逻辑】： [00:00-00:03] 镜头1：极远景（Extreme Wide Shot）。 画面：清晨的幽深竹林，浓雾弥漫，画面构图讲究“计白当黑”的水墨画感。一名身穿明代素白长袍的侠客背对镜头，静止不动，仿佛与自然融为一体。 光影：丁达尔效应（耶酥光）穿透竹叶，打在充满颗粒感的胶片画面上。 氛围：极度的静谧，只有风吹竹叶的轻微晃动。 [00:03-00:05] 镜头2：急速跳切至特写（Rapid Cut to Extreme Close-up）。 动作：侠客的眼神突然锐利，听声辨位。 运镜：快速推镜头（Dolly In），伴随京剧打击乐般的节奏感，聚焦于他握剑的手，手指微微弹动剑柄，张力拉满。 [00:05-00:10] 镜头3：侧向跟拍长镜头（Tracking Shot）。 动作：侠客并非飞翔，而是展现出“弹跳”的轻功，像滑翔机一样在竹梢间穿梭。白衣在翠绿的竹海中划出一道残影。 运镜：摄像机平行于侠客移动，背景是飞速后退的模糊竹林。 结尾：侠客在空中做一个京剧式的“亮相”定格，脚尖轻点竹枝，竹枝因重力大幅度弯曲后回弹。 【技术参数】：高对比度，低饱和度，老电影噪点，东方极简主义美学。

full frame cinematic, 1970s academic TV drama, old lecture hall, elderly professor teaching at a chalkboard, warm late afternoon light, chalk dust, subtle camera movement, no voiceover.

photograph, square 1:1, bright over-the-shoulder Korean cinema still, gentle comedy mood. Foreground: blurred shoulder and sunlit hair of a Korean grandmother in a floral blouse occupying the right third. Across from her, a Korean teenage boy in a school uniform sits at a plastic table in a daytime apartment courtyard, carefully trying to peel a tangerine in one perfect spiral while she watches. 50mm cinema lens, f/3.2, eye-level, courtyard plants and laundry poles behind. The boy's face is realistic: visible pores, one eyelid crease different, slightly chapped lips, awkward proud half-smile, no retouching. Outfit: loose summer school shirt, loosened tie, backpack on chair. Palette: tangerine orange, laundry white, leaf green, sun-warmed concrete beige. Natural high morning light with dappled shadows from grapevine leaves, fine film grain. No readable text, no watermark, no 3D render, no sitcom staging, no plastic skin.

Create a premium editorial travel poster illustration of Santorini, Greece. Style: flat vector illustration, ultra clean minimalism, mid-century modern aesthetic, editorial travel poster style inspired by Scandinavian graphic design and vintage Mediterranean tourism prints, no photorealism, no textures, no noise, no gradients Composition: vertical 3:4 poster layout, foreground: peaceful cliffside terraces with whitewashed pathways, minimal stone steps, elegant bougainvillea plants, and calm reflective Aegean Sea views, midground: iconic white cubic houses with blue domes and clean geometric architecture cascading down the volcanic cliffs, include subtle silhouettes of visitors, café seating, and sailing boats integrated naturally into the scene, background: layered caldera cliffs with panoramic sea horizon and soft island silhouettes fading into the distance, add iconic landmarks subtly, including blue-domed churches, traditional windmills, and terraced cliffside villages inspired by Oia and Fira Architecture: simplified geometric Cycladic architecture, clean edges and balanced symmetry, flat color blocking, harmonious tones in white stone, cobalt blue, warm sand, soft turquoise, and deep navy Color palette: soft cohesive Mediterranean-inspired tones, bright white, pastel sky blue, muted turquoise, warm cream, dusty terracotta, sunlit beige, deep Aegean navy accents, bright yet restrained saturation Lighting: bright sunlit afternoon with soft shadows, fresh coastal island atmosphere, peaceful refined mood with subtle sea breeze ambiance Typography: add text at bottom center: “SANTORINI” (large modern sans-serif with spaced lettering) “GREECE” (small subtitle below) Mood: calm, elegant, premium travel magazine aesthetic, slightly dreamy and culturally refined, quiet timeless Mediterranean atmosphere with sophisticated island charm Quality: ultra clean vector edges, perfect alignment and composition, high resolution, print-ready premium poster design.

Georges Braque analytical cubism oil painting 1913. Deconstruct this person into a dense field of interlocking geometric planes. The figure should leave only a faint ghost-like impression within the geometric structure — like a presence felt rather than seen. A viewer who looks carefully might sense a human was here, but the form is buried so deep within the geometry that it is never certain. No clear face, no readable eyes or nose, no defined silhouette — only the vaguest concentration of certain tones hinting at where a person once stood. Figure and background are fully fused into one continuous geometric fabric. Use this portrait as a color source: extract dominant tones from skin, hair, and clothing and translate into the palette. Canvas filled with interlocking planes — densest in center, simpler toward edges. Dominant deep charcoal grey and black. One region of warm burnt sienna and terracotta. Accents of dusty blue and cream. Strict horizontal, vertical, and diagonal straight lines. Some areas with stippled pointillist texture. Museum quality oil on canvas. No signature, no text, no artist name, no watermark, no inscription of any kind.

[Style] 90s HK TV Drama Style, Vintage Film Grain, High Contrast Warm Yellowish Tone, Wide-angle lens exaggerated perspective, extremely hysterical emotion, chaotic, noisy, desperate. [Scene] 1990s Hong Kong Stock Exchange hall, floor covered in waste paper, electronic screen is a depressing green (HK stocks drop is green/or use red to indicate crisis, depending on the generation model's interpretation, suggest writing "Plummeting Numbers"). [Character] The Speculator: Wearing a 90s wide-shouldered gray suit, messy hair, covered in sweat, eyes bloodshot and frantic, tightly clutching a "Brick Phone". [Shot Details] [00:00-00:05] Shot 1: The Great Crash - Moment of Madness Visuals: Wide-angle close-up on the face. The protagonist stands in the center of the trading floor, surrounded by blurred running and screaming crowds. Action: He roars hysterically into the "Brick Phone," veins popping, spitting saliva. [Dialogue/Subtitle]: "Don't be afraid! Technical adjustment! Give me more leverage!" (Maximum madness). Atmosphere: Numbers on the background electronic display flash wildly, red and green light interweaving, creating a suffocating sense of urgency. [00:05-00:10] Shot 2: A Moment - The Wind on the Rooftop Visuals: Jump Cut. The camera suddenly switches to the edge of a deserted skyscraper rooftop. Action: The protagonist faces away from the camera, his suit jacket thrown aside, tie loose. The strong wind messes up his hair and shirt. He clutches a crumpled stock certificate, his body swaying precariously. Atmosphere: Instant shift from extreme noise to Deafening Silence, only the sound of howling wind. [00:05-00:15] Shot 3: A Dream - Paper Snow Visuals: Low-angle shot. Action: The protagonist lets go, and countless white stock waste papers fall like snow from the rooftop, scattering onto the bustling yet indifferent Central streets. Close-up: The shot finally focuses on his desperate, hollow eyes (pupils losing highlight), a tear of regret tracing down his face. [Subtitle (Yellow Vintage Font)]: Stock market involves risk, caution is advised upon entry.

The subject : a standing portrait photograph of a person. Use the rough posture, hair mass, clothing color relationships, and main silhouette only as faint residues. The reference is the fixed painting-style reference and must dominate. Reconstruct the subject in that style: the human form itself should be blurry and indistinct, dissolving into warm overlapping geometric color fields. Do not keep a clear portrait, readable face, or sharp silhouette. Preserve only faint cues: vertical standing weight, key clothing color residues, a soft diagonal or linear accessory trace if present, and dark hair absorbed into muted planes. Use warm ochre, burnt sienna, raw umber, muted olive, beige, restrained blue-green shadows, translucent color layers, hazy plane intersections, smeared oil transitions, softened vertical bands, trapezoids, and overlapping color planes. The figure should feel like a memory inside color and plane. The final image should be the artwork itself, filling the entire frame edge to edge. No crisp contours, no pencil sketch, no stone texture, no photorealism, no realistic anatomy, no ghostly mood, no canvas object, no frame, no gallery wall, no border.

Robert Delaunay Orphism style oil painting. Completely dissolve this figure into an explosion of overlapping concentric circles, rotating arcs, and radial geometric color planes — no face, no body, no recognizable human form remains. Multiple simultaneous viewpoints expressed as layered rotating disc fragments. Critically: derive the entire color palette exclusively from the colors present in this person's portrait — their skin tone, hair color, and clothing — and translate those exact colors into the cubist composition. The result should feel like this specific person's colors have been set in motion and spun into pure geometric rhythm. Thick impasto oil paint, visible brushstrokes, painterly and beautiful. Museum quality.