포트폴리오

{ "subject": { "description": "A young adult woman standing inside or beside a narrow retro public phone booth, wearing a black-and-gray striped cat-ear knit look. She looks upward toward the camera, mixing goth-lolita, Y2K emo, Japanese street fashion, and doll-like styling. The image feels like a close friend captured her from above with a wide-angle phone camera under harsh sunlight.", "mirror_rules": "Not a mirror selfie; do not show a mirror or a phone covering the face. Keep the direct upward gaze toward a high-angle camera.", "age": "young adult, early 20s appearance; avoid childlike or underage styling", "expression": { "eyes": { "look": "large, glossy eyes with a quiet, slightly hollow, innocent doll-like gaze", "energy": "low-volume but focused, as if the phone was just picked up before she spoke", "direction": "looking upward into the camera from below" }, "mouth": { "position": "lips softly closed or lightly relaxed", "energy": "controlled, quiet, faintly distant" }, "overall": "cool, cute, slightly gloomy emo-doll expression" }, "face": { "preserve_original": "Preserve the small face shape, soft chin, large eye proportions, heavy eyeliner, lower-eye shadow, pale blush, and glossy gradient lips. Do not turn her into a mature glamour face or a commercial retouched beauty image.", "makeup": "Makeup inspired by East Asian goth-lolita and Y2K emo fashion: lifted black eyeliner, visible lower eyeliner and under-eye shadow, separated lashes, slight smoky eye contour, very soft blush, and glossy rose-red to translucent pink gradient lips." } }, "hair": { "color": "black or very dark brown-black", "style": "short to medium layered hair with thick broken bangs; fine strands are visible under the hard sunlight, with ends resting near the cheeks and neck", "effect": "slightly messy, lightly damp-looking or piecey texture; hard sunlight creates sharp highlights on the bangs and crown while keeping natural flyaways" }, "body": { "frame": "slender, small-framed, with a light shoulder and neck line; the high-angle wide lens makes the head and eyes feel more prominent while compressing the body downward", "waist": "only a small section of the midriff is visible between the black cropped top and the bottom garment; keep it subtle and not exaggerated", "chest": "the chest is mostly covered by the black top, with only the collarbones, shoulders, and upper chest edge visible; keep the focus on styling rather than body volume", "legs": "the legs are visible from the thighs down to the boots, with black crisscross straps or net-like leg details exposing small areas of thigh skin; chunky high-top boots anchor the frame", "skin": { "visible_areas": "Visible skin includes the face, neck, collarbones and upper chest edge, both shoulders, parts of the upper arms, hands, a small section of the midriff, and thigh skin seen between the crisscross straps. The back, buttocks, and full waist-hip line are not visible.", "tone": "fair cool ivory skin, bright under direct sunlight, with slight blue-gray and greenish reflections in the shadows", "texture": "the skin should feel soft, fine, slightly cool yet warmed by the sun, with faint powderiness, real pores, and gentle tonal transitions; avoid waxy or plastic smoothness", "lighting_effect": "hard sunlight enters diagonally through the phone booth glass and frame, striking the face, shoulders, hands, and legs with crisp bright patches, sharp shadows, and small overexposed areas; glass reflections tint some shadows green and blue-gray" } }, "pose": { "position": "standing inside or at the entrance of a narrow phone booth, leaning slightly forward, head lifted toward the camera above", "base": "one hand holds a green public phone receiver near the side of the face, while the other arm follows the line of the cord and body naturally; the legs stand close together", "overall": "the pose feels like she has just picked up the phone and was photographed in that instant, constrained by the cramped booth, quiet and slightly tense" }, "clothing": { "top": { "type": "black-and-gray striped cat-ear knit hood, black cropped top, and long striped arm warmers", "color": "black, charcoal gray, and pale gray-white stripes", "details": "the hood has pointed cat ears; the arm warmers have wide black-gray knit stripes; shoulders are exposed; the black top is close-fitting, giving a goth-lolita and emo streetwear impression", "effect": "the knit fabric has visible ribbing and thickness, the sleeves bunch around the wrists, and the black top absorbs the harsh light, creating strong contrast against the fair skin" }, "bottom": { "type": "black mini bottom with crisscross leg straps and chunky high-top boots", "color": "mostly black, with gray-black worn boots and slightly metallic hardware", "details": "black crisscross straps or net-like lines divide the leg area; the boots have multiple laces, buckles, eyelets, worn surfaces, and a heavy silhouette", "effect": "the leg straps create graphic geometry across the legs; the heavy boots feel worn, street-like, and slightly rough, contrasting with the cat-ear knit hood" } }, "accessories": { "headwear": "black-and-gray striped cat-ear knit hood fitted around the head, with clearly pointed cat ears", "device": "green public telephone receiver with a green coiled cord, held near the side of the face", "prop": "retro public phone booth or phone installation with a cream-colored base, green side structure, glass door, and metal frame" }, "photography": { "camera_style": "real wide-angle mobile-phone snapshot, close high-angle portrait under strong daylight, with digital sharpening, slight overexposure, noise, and compression artifacts", "angle": "strong overhead angle, camera placed above and in front of the subject; she looks up from below. The wide lens brings the face, eyes, and hand closer to the viewer while the boots stretch toward the bottom of the frame", "shot_type": "high-angle full-body close shot, including the cat-ear hood down to the boots, with the body framed tightly by the phone booth", "aspect_ratio": "vertical 3:4 mobile photo ratio", "texture": "harsh natural-light phone-photo texture, overexposed highlights, sharp shadows, glass reflections, floor stains, and real spatial clutter should remain visible", "lighting": "the main light is hard direct sunlight entering from outside the booth, not studio soft light; it passes through the glass and door frame, creating blocky highlights and strong shadows on the floor, face, shoulders, sleeves, and legs", "depth_of_field": "moderate depth of field; the subject is clear while the phone booth, glass, green telephone, and floor remain recognizable, with only slight background softness" }, "background": { "setting": "inside a retro public phone booth or street-side installation, enclosed by glass doors and a phone machine in a narrow space", "wall_color": "green phone casing, cream-colored machine body, blue-gray glass reflections, and gray concrete floor", "elements": [ "green public telephone", "green coiled phone cord", "glass door", "metal door frame", "cream-colored phone machine base", "rectangular sunlight patches", "floor stains and worn marks", "blurred white chair or outdoor object beyond the glass" ], "atmosphere": "cramped, bright, slightly retro public-facility mood, like an alternative fashion snapshot stolen in afternoon sunlight", "lighting": "ambient light comes from strong outdoor sun and glass reflections; the booth interior has high contrast, with the green phone subtly tinting the darker areas" }, "the_vibe": { "energy": "quiet, cramped, sweet-cold, with a dark-cute edge", "mood": "she had just picked up the phone; a past sentence seems to hang in the air, she is looking up now, and in the next second she might hang up", "aesthetic": "goth-lolita, Y2K emo, Japanese cat-ear street style, alternative doll-like styling, mobile snapshot", "authenticity": "keep the imperfections: high-angle pressure, blown highlights, stained floor, glass glare, crowded framing, and slight wide-angle hand distortion", "intimacy": "it feels like the photographer is standing very close outside the booth, looking down at her, creating a private and suddenly discovered feeling", "story": "She picked up a silent call inside a retro phone booth just as the sun cut through the glass, and the shutter clicked when she looked up.", "caption_energy": "“The call had not connected yet, but the sunlight arrived first.”" }, "constraints": { "must_keep": [ "black-and-gray striped cat-ear hood", "black short hair with broken bangs", "large-eyed heavy eyeliner doll makeup", "green public phone receiver", "green coiled phone cord", "high-angle overhead shot", "cramped phone booth space", "harsh direct sunlight and hard shadows", "black-and-gray striped long arm warmers", "black cropped top", "crisscross leg straps", "chunky high-top boots", "real mobile-phone photo texture" ], "avoid": [ "underage styling", "oversexualized pose", "commercial softbox lighting", "perfectly clean background", "over-smoothed skin", "plastic skin", "anime illustration look", "missing green telephone", "missing cat-ear hood", "excessive soft focus", "extra watermark or garbled text" ] }, "negative_prompt": [ "underage look", "oversexualized pose", "plastic skin", "over-retouched", "studio softbox", "perfect symmetry", "clean empty background", "missing phone receiver", "missing cat-ear hood", "wrong color phone", "anime style", "cartoon", "excessive blur", "extra fingers", "distorted hands", "fake watermark" ] }

Create ONE final image. A clean 3×3 [ratio] storyboard grid with nine equal [ratio] sized panels on [4:5] ratio. Use the reference image as the base product reference. Keep the same product, packaging design, branding, materials, colors, proportions and overall identity across all nine panels exactly as the reference. The product must remain clearly recognizable in every frame. The label, logo and proportions must stay exactly the same. This storyboard is a high-end designer mockup presentation for a branding portfolio. The focus is on form, composition, materiality and visual rhythm rather than realism or lifestyle narrative. The overall look should feel curated, editorial and design-driven. FRAME 1: Front-facing hero shot of the product in a clean studio setup. Neutral background, balanced composition, calm and confident presentation of the product. FRAME 2: Close-up shot with the focus centered on the middle of the product. Focusing on surface texture, materials and print details. FRAME 3: Shows the reference product placed in an environment that naturally fits the brand and product category. Studio setting inspired by the product design elements and colours. FRAME 4: Product shown in use or interaction on a neutral studio background. Hands and interaction elements are minimal and restrained, the look matches the style of the package. FRAME 5: Isometric composition showing multiple products arranged in a precise geometric order from the top isometric angle. All products are placed at the same isometric top angle, evenly spaced, clean, structured and graphic. FRAME 6: Product levitating slightly tilted on a neutral background that matches the reference image color palette. Floating position is angled and intentional, the product is floating naturally in space. FRAME 7: is an extreme close-up focusing on a specific detail of the label, edge, texture or material behavior. FRAME 8: The product in an unexpected yet aesthetically strong setting that feels bold, editorial and visually striking. Unexpected but highly stylized setting. Studio-based, and designer-driven. Bold composition that elevates the brand. FRAME 9: Wide composition showing the product in use, placed within a refined designer setup. Clean props, controlled styling, cohesive with the rest of the series. CAMERA & STYLE: Ultra high-quality studio imagery with a real camera look. Different camera angles and framings across frames. Controlled depth of field, precise lighting, accurate materials and reflections. Lighting logic, color palette, mood and visual language must remain consistent across all nine panels as one cohesive series. OUTPUT: A clean 3×3 grid with no borders, no text, no captions and no watermarks.17

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